Visiting Indonesia this week, King Willem-Alexander apologized for his country’s “excessive violence” in its former colony, saying the past could not be erased but must be acknowledged.
But while the Dutch view of their colonial history is shifting, the country has yet to fully acknowledge colonial harm, or the extent to which prevailing attitudes to it affect people today, sociologists and historians have said.
“The general feeling is still: we did it, it was a long time ago, everybody else was doing it, it’s not that serious, there’s nothing to apologize for,” said Sander Philipse, a historian and writer.
Photo: AFP
The Netherlands became a world power in the 17th century, thanks to enormous wealth generated by its East and West India Companies which propelled it to the forefront of scientific discovery and artistic endeavour. But the period also witnessed colonial violence on a grand scale, and extensive involvement in the slave trade.
Over the past decade postcolonial historians and former colonial subjects living in the Netherlands have steadily raised awareness of the issue, with moves to rename streets and remove statues of past heroes sparking heated debates.
Last year, the Amsterdam Museum banned the term Gouden Eeuw (Golden Age) from its exhibits as a general description of the era in which the Netherlands dominated the world stage, saying it did not do justice to those who were exploited.
Photo: Reuters
But Piet Emmer, a retired history professor, has argued that present-day criticism of Dutch colonialism is absurd.
“You’re not allowed to say it but colonialism introduced modern civilization,” he has said.
Karwan Fatah-Black, a social historian at the University of Leiden, said the older generation of historians are bent on protecting what they saw as the Netherlands’ colonial legacy was now mostly gone.
Photo: Reuter
“That obviously implies a big change of attitude,” he said. “But it doesn’t mean the rest of society is moving at the same pace.”
GERMANY — RACIST INJUSTICES
Debate about Germany’s colonial history has long been overshadowed by the crimes of the National Socialist era. Only in recent years has there been an effort, largely driven by grass-roots initiatives, to bring this chapter of the past to the fore.
“As a consequence of the engagement with the Third Reich, Germans are generally not very proud of their history in the late 19th and 20th century,” said Jurgen Zimmerer, a historian of colonialism at Hamburg University.
The fact that Germans questioned by YouGov were most likely to respond “don’t know” when quizzed about whether they were proud or ashamed of empire also suggested a knowledge gap about Germany’s role in Europe’s colonial history.
“There’s still a lack of debate about the structurally racist injustices carried out in the name of colonialism, and the violent histories of each individual colony,” said Zimmerer.
Germany only belatedly joined other European nations in the scramble for colonial expansion. But by the start of the first world war, it had the third-largest empire after Britain and France. In Namibia, known as German South West Africa, German troops carried out what has become known as the first genocide of the 20th century.
In July 2015 the German foreign minister, now president, Frank-Walter Steinmeier issued diplomatic guidelines that the 1904-1908 massacre of Herero and Namaqua peoples should be referred to as “a war crime and a genocide.”
The debate had been largely led by city authorities such as Berlin or Hamburg rather than the federal government, said Zimmerer. It also remained limited to the cultural sector.
Berlin is already in the process of renaming some of the streets in its African quarter,” in the Wedding district. In April 2018, authorities announced Petersallee boulevard, named after an imperial high commissioner for east Africa with a blood-thirsty reputation, will be divided into Anna-Mungunda-Allee and Maji-Maji-Allee, named after a Namibian independence campaigner and the anti-imperialist rebellion that began in east Africa in 1905.
BELGIUM — LEOPOLD’S GHOST
Today street names commemorating colonial heroes are being changed and statues are being fitted with explanatory panels. But it was arguably only in 1999 on publication of the bestseller King Leopold’s Ghost that critical debate ensued in Belgium over the country’s colonial legacy.
American author Adam Hochschild depicted Leopold II as a voracious king who plundered the Congo Free State, now the Democratic Republic of Congo, for rubber and ivory while his underlings mutilated, raped and murdered local inhabitants.
Up to 10 million were estimated by Hochschild to have been killed in what he suggested was a hidden holocaust.
“But until 20 years ago most Belgians still thought they did nothing but good,” said Guido Gryseels, director at the Royal Museum for Central Africa in Tervuren.
“In the 1960s, Congo had a GNP that was twice that of Italy and as large as that of Canada. So Belgians thought that if only they hadn’t kicked us out in the 1960s they would not be in the state it is today — one of the word’s poorest countries.”
In 2005, Gryseels’s museum — sited where Leopold in 1897 had imported 267 Congolese to perform in a kind of human zoo — staged its first exhibition with a critical stance on the colonial period.
“For a period of eight months almost every newspaper and radio station had a program, almost every day, following the exhibition,” Gryseels said.
There are some 250,000 Congolese in Belgium, many of whom have struggled for work, faced racism, and felt understandably angry about the blindness of Belgians to their legacy.
The Royal Museum for Central Africa reopened last year with a permanent exhibition that sought to assuage the diaspora that eyes were opening.
“The mood is certainly changing”, said Gryseels. “People still use the expression that you shouldn’t forget the positive aspects of colonialism to which we say that is like saying to a woman who has just been raped, ‘Oh but you do have a nice baby.’ Most people in Belgium are not very proud.”
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
The problem with Marx’s famous remark that history repeats itself, first as tragedy, the second time as farce, is that the first time is usually farce as well. This week Chinese Nationalist Party (KMT) Chair Cheng Li-wun (鄭麗文) made a pilgrimage to the People’s Republic of China (PRC) “to confer, converse and otherwise hob-nob” with Chinese Communist Party (CCP) officials. The visit was an instant international media hit, with major media reporting almost entirely shorn of context. “Taiwan’s main opposition leader landed in China Tuesday for a rare visit aimed at cross-strait ‘peace’”, crowed Agence-France Presse (AFP) from Shanghai. Rare!
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic