Michael Lin (林明弘) strays from his usual floral motifs that cover entire gallery walls and buildings with his latest solo exhibition New Paradise (新樂園), held in Taipei’s Eslite Gallery. Instead, this series of paintings — made over the last 10 years during his residency in Shanghai — depicts consumer items such as the old logo for a pack of Taiwan’s New Paradise cigarettes (新樂園) or the packaging for Yunnan Puer Tea (雲南普洱茶). Lin, who has lived in Taiwan, France, Belgium, the US and China, considers both consumerism and locality in his work. Who are the types of people who purchase these items? How do these items that we consume contribute to our feelings of belonging or national identity?
■ Eslite Gallery (誠品畫廊), 5F, 11 Songgao Rd, Taipei City (台北市松高路11號5樓), tel: (02) 8789-3388. Open Tuesdays to Sundays from 11am to 7pm
■ Until Dec. 4
Photo courtesy of Art Issue Projects
Currently on display at MOCA is Polymerization & Multiply (聚合與繁衍). The joint exhibition features the works of video artists Robert Seidel and Max Hattler from Germany and Matt Abbiss from the UK. Seidel’s “moving paintings” — blotches of neon paint swimming against a black backdrop — are created through a series of scientific processes. Deriving inspiration from early 20th-century visual music experiments, Hattler plays with both sound and imagery, the result of which is kaleidoscope-like images bopping, morphing and changing form to various beats. Abiss’s work is somewhat less abstract. The pop culture junkie had a career as a cartoonist before delving into animation and his cute and quirky comics still feature in his animated clips.
■ Museum of Contemporary Art, Taipei (台北當代藝術館, MOCA, Taipei), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm
■ Until Dec. 4
Photo courtesy of Art Issue Projects
Chiu Chen-hung (邱承宏) makes use of the natural environment surrounding the Xindian River by Treasure Hill Artist Village for his latest exhibition. Named after the fast-growing weed, Mile-a-Minute Weed (河流砂) is a series of installations that explores the entangled relationship between humans and nature, as well as narrative structures — in particular, historical narratives. Native to Central America, the plant was introduced to Asia during World War II for the purpose of camouflaging airfield hangers. Chiu looks back at the history of Treasure Hill, most notably its use as a military base and how its inhabitants would later rebuild their lives there.
■ Treasure Hill Artist Village (寶藏巖國際藝術村), 2, Ally 14, Ln 230, Dingzhou Rd Sec 3, Taipei City (台北市汀州路三段230巷14弄2號), tel: (02) 2364-5313. Open Tuesdays to Sundays from 11am to 6pm
■ Until Dec. 4
Photo courtesy of MOCA
The Parisian-born Ivan Gros has lived a nomadic life, moving from France and Spain to Saudi Arabia and eventually to Taiwan in 2009 to study Chinese and teach French. His prints, inspired by his travels around the world, are on display at printmaking shop MBMore. 33 Tours (三十三座塔) includes a collection of Gros’ prints made during his time in Taiwan — mostly everyday depictions of people and families in scenes ranging from parks to construction sites, as well as iconic places like the hot springs in Taipei’s Beitou District (北投) and beaches on Orchid Island.
■ MBMore (岩筆模), 275, Nanjing W Rd, Taipei City (台北市南京西路275號), tel: (02) 2558-3395. Open Tuesday to Sundays from 11am to 7pm
■ Until Dec. 18
Photo courtesy of MBMore
On display at Art Issue Projects is Innercode vs Intercode (存在關係), a stellar lineup of works including Damien Hirst’s morbid sculptures, Marc Quinn’s psychedelic and suggestive paintings and South Korean artist Lee U-fan’s minimalistic-style paintings of blue lines. Lee was one of the pivotal figures in the development of the monochrome painting movement beginning in South Korea in the 1970s. The artistic style arose out of a need to reinterpret contemporary Western art through the lens of Korea’s own history and culture. The exhibition’s title alludes to a need to look deep within ourselves (“inner”), but also to see connections between ourselves and others and among different cultures (“inter).
■ Art Issue Projects (藝術計劃), 32, Ln 407, Tiding Blvd Sec 2, Taipei City (台北市堤頂大道二段407巷32號), tel: (02) 2659-7737. Open Tuesdays to Sundays from 11am to 6pm
■ Until Dec. 31
Photo courtesy of MBMore
Photo courtesy of Eslite Gallery
Photo courtesy of Eslite Gallery
A post titled “I want to get COVID-19 to pay off my debts” caused a stir on popular Internet forum Dcard last month, as the anonymous user asked for the blood or saliva of the infected so she could claim her pandemic insurance payout of NT$75,000. She had paid just NT$809 for the policy. Although the user later clarified that the post was made in jest to criticize the government’s handling of the ongoing insurance crisis, it’s entirely plausible that some would get infected on purpose to receive their payout — especially given that over 99 percent of the reported Omicron
May 23 to May 29 After holding out for seven years, more than 250 Yunlin-based resistance fighters were finally persuaded to surrender in six separate ceremonies on May 25, 1902. The Japanese had subdued most of the Han Taiwanese within six months of their arrival in 1895, but intermittent unrest continued — in Yunlin, the Tieguoshan (鐵國山) guerillas caused the new regime much headache through at least 1901. These surrender ceremonies were common and usually conducted peacefully, but the Japanese had different plans for these troublemakers. Once the event concluded, they gunned down every single attendee with machine guns. Only Chien Shui-shou
In one of the most remote parts of Chiayi County, a hamlet shares the exact same name as a well-known center of tea production in New Taipei City. Pinglin (坪林) in Dapu Township (大埔) is around 550m above sea level. The road to it is good enough for any car or motorcycle, and so few people live there that it’s an ideal place for the virus-afraid to go sightseeing. I rode in from Yujing District (玉井) in Tainan, taking Provincial Highway 3 through Nansi (楠西) and above Zengwen Reservoir (曾文水庫). At the entrance to Chiayi Farm (嘉義農場), I halted briefly, curious if
The toll rolls on. A gunman walks into a place where humans are peacefully gathering and slaughters them for a militantly-avowed racially-based nationalism, presented in a long manifesto. We are quickly told that the gunman was mentally ill. Obviously — who but a madman could do such a thing? The newspapers dust off one of their “education of a killer” pieces, change the names and run another 1,200 words useful only to those cultivating such killers. The latest of these attacks, on Taiwanese churchgoers in Laguna, California, has spurred much discussion of the long record of Chinese Nationalist Party (KMT) violence
RSS