Scholar cinema closes
It’s never good news if a theater closes, even if it doesn’t have the best reputation. The Scholar multiplex on Changchun Street in Taipei was one such place, its owner apparently deciding that China offers better business. No one will miss the cramped interiors or sullen staff, but Scholar did show fringe and low-budget product no one else would touch. How else would we have seen Wolf Creek and Five Across the Eyes in cinemas? A moment’s silence ... and on to this week’s other titles:
The Lucky Ones
Tim Robbins, Rachel McAdams (The Time Traveler’s Wife) and Michael Pena (Nicolas Cage’s co-survivor in World Trade Center) are US soldiers home from Iraq with various personal problems — sexual, financial, familial — who share a car trip across the US. This road movie with a difference scored mixed reviews, but few were left cold by the three leads, who might make this one worthwhile for audiences who are feeling lucky.
Gamer
If you loved the Crank films, which were generously off the wall for anyone who could stay the distance, then you might find something to admire in this chaotic movie from the same writer-directors. Gerard Butler (300) is a death row prisoner of the future and participant in a video game in which he and his fellows are manipulated by paying players. He’s about to win yet another bout and secure his release, perhaps to liberate his child and wife, who is in a vile sexual game environment of her own, but he might know too much about the people who run the show. After all these years, Tron still seems to rise above the pack of video-game movies — without cuss words, sex or nasty violence.
Let the Right One In
An award-winning Swedish horror film with a sense of humor and a willingness to play in the dark (though not as much as the book on which the film is based, according to Variety), this is possibly the strongest release of the week. A bullied young boy makes the acquaintance of a strange girl of the same age whose apparent father figure runs strange errands for the pallid-looking creature. Just when you thought vampirism had nowhere left to go ...
Tsunami
The timing is unfortunate, or perhaps fortunate from the distributor’s point of view, but this first-ever South Korean disaster epic was scheduled for release before the Samoan tsunami occurred. So audiences can watch this odd mixture of Irwin Allen and Korean character ensemble with a clear-ish conscience. An ensemble of wave fodder — including the obligatory character with a tragic past — take up a good part of the running time before Mother Nature sends one crashing home. From Yun Je-gyun, the formerly lowbrow director of Sex Is Zero and Crazy Assassins. Korean title: Haeundae, which is where the movie is set.
Time Lost, Time Found
As heartrending plots go, this one rends with the best of them. A Japanese first-time mother-to-be in her late 30s is diagnosed with cancer and must make the impossible choice of starting treatment and losing her baby or keeping the child and likely condemning herself to the grave. Expect bawling audiences with this one (i.e., the same people that went to see terminal illness weepie April Bride last month), but if you don’t want to know the ending, for goodness’ sake don’t look at the poster. Features a song called Get a Life ~Again~. If only Takashi Miike had been the director ...
Tear This Heart Out
Sprawling yarn covers a subject little touched on by Hollywood: lust and political intrigue in early-to-mid-20th-century Mexico. A teenager beds and weds an ambitious general in some detail (hence the restricted rating) before the relationship between the two develops into a political asset — and an emotional liability. Largely a love story and a melodramatic study of a woman’s travails in Mexico’s always stormy history, those interested in slightly more nuanced treatments of gender relations in Mexico might be better off renting Frida with Salma Hayek. Spanish title: Arrancame La Vida.
Sappho
The first of two DVD promotional releases this week is a curio. A Ukrainian production set in Greece with a British director, American leads and many other nationalities in the cast, its successful release in its home country was accompanied by inexplicably angry protests by local Christians who objected to homosexual scenes between a newly married American woman and a Russian. But this is not a sex film, as such, even if it is showing at the Baixue theater in Ximending. Starts tomorrow.
Necessary Evil
Two of the grimmest-looking and hardest-working actors anywhere, Lance Henriksen (Aliens) and Danny Trejo (Desperado), star in a demonic tale involving a pregnant woman researcher, her lethal doctor and lots of mumbo jumbo (not to mention shades of The Exorcist and Rosemary’s Baby). This went straight to DVD in the US. Starts tomorrow.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property
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