Fungi, sea anemones, seeds and spores are among the natural phenomena Pan Hui-mei (潘惠玫) depict in her solo exhibition Multiply (繁衍). The show brings together 14 of her recent fabric creations, which meditate on biological processes and cellular phenomena, some of which look like they might be experiments in a petri dish or living organisms as seen under a microscope. Pan begins with a shape that she then randomly affixes to the canvas and gradually “multiplies,” as if like growing bacteria.
Though perhaps classifiable as paintings, the three-dimensional weaved shapes — pyramids, spheres, rods, discs — make them more akin to sculpture. The artist has said that her works were inspired by the environmental installations of Andy Goldsworthy and the monotone geometrical sculptures of Louise Nevelson.
■ Singart (新心藝術館), 67 Shengli Rd, Tainan City (台南市勝利路67號), tel: (06) 275-3957. Open Tuesdays to Sundays from noon to 8pm, closed Mondays and every second and fourth Sunday of each month
Photo courtesy of pan hui-mei
■ Until May 19
Photo courtesy of pan hui-mei
Photo courtesy of pan hui-mei
Photo courtesy of pan hui-mei
Photo courtesy of pan hui-mei
Photo courtesy of pan hui-mei
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50