For eco-artist Vincent J.F. Huang (黃瑞芳), all the world’s a stage — from the beaches of Tuvalu to the conference halls of major climate conferences. This week he’s in Qatar to attend a UN climate conference, where he’s been invited to exhibit his work.
While Taiwan does not have many climate activists working in the international arena, Huang is a climate artist with a vision and he’s out to put his stamp on public awareness issues worldwide. Now in his early 40s, the Nantou County native went overseas to study art in Scotland where he received a master’s degree from Grays School of Art. Huang’s goal is to help wake up the world — and his native Taiwan — about the possible dangers of unchecked climate change and global warming in the future.
With these issues in mind, Huang will travel to Qatar this week to participate in the Qatar Sustainability Expo as part of the UN Conference of the Parties (COP 18), where he will make a plea for more attention to be paid to people of the Pacific island of Tuvalu. In September, Huang visited the island nation where he exhibited some of his works on a picturesque beach and met with government officials.
Photo Courtesy of Vincent Huang
Art with impact
In a recent interview with the Taipei Times, Huang said that he felt at home there and came back to Taipei impressed by the people of Tuvalu, and their approach to the environment.
“The government and islanders were both very supportive of my two visits, one in 2010 and one this September, and they appreciated the eco-art projects I created to try to draw more international attention to the situation Tuvalu is facing in regard to climate change and rising sea levels,” Huang said.
Photo Courtesy of Vincent Huang
When asked what kind of impact he feels his eco-art has on viewers worldwide, Huang said that as an artist, he believes in the power of art to effect change in attitudes.
“The art installations can lead people around the world to not only pay more attention to the crisis Tuvalu is facing on a daily basis, but also to picture more vividly the global problems of climate change,” he said.
Setting up art installations on a remote Pacific island and traveling to Qatar takes time and money. Huang received a travel grant from the Taipei Yuan Shan Rotary Club (台北圓山扶輪社) to fund his two visits to Tuvalu, he said, and for that he’s grateful. Taiwan’s ambassador in Tuvalu, Larry Tseng (曾瑞利), was also very helpful, he said.
Photo Courtesy of Vincent Huang
However, in general, it’s difficult for independent artists like Huang to get funding in Taiwan since his climate-related works are not for sale or for art collectors.
“It’s ironic that many corporate enterprises here in Taiwan talk a lot about eco-friendly beliefs but very few CEOs want to do things like Britain’s Sir Richard Branson,” Huang said.
“Branson puts his money where his mouth is, and uses his public relations clout and his money to sponsor socially-relevant events and eco-art projects.”
Huang said that most people in Taiwan today don’t believe that what is happening to Tuvalu could ever happen to this island nation. “As an artist, I’m surprised that people here still don’t get it and that is a main reason I am doing my art projects. I want to wake people up in Taiwan, too. We are very much part of the ocean world, too.”
Eco ambassador
When asked how he goes about the time-consuming and arduous task of contacting government officials in a small country like Tuvalu, Huang said he relied on patience and help from the Taiwanese embassy there in conducting what he calls “art diplomacy.”
“My 2010 eco-art project in Tuvalu helped connect me with governmental ministers there, and those connections enabled me to go there again this fall,” he said.
“It took me about 10 months of communicating back and forth via email with Tuvaluan officials and our Taiwanese embassy. Unfortunately, I don’t always succeed with art diplomacy like this, as the government of China tries to interfere.”
Huang was born in 1971 in the small town of Shuili (水里) in Nantou County (南投). When recently asked what led him to pursue the winding path of an artist, Huang said that what really got him going as a young man was the devastating earthquake of September 21, 1999, noting: “The 921 quake destroyed a lot of buildings and homes in Nantou and other counties — and my home, too, was destroyed.
The earthquake made me start to think hard about the relationships between man and nature. As an art major, as a man who wanted to become an artist, I decided I needed to say something about the destructive power of nature through my work.”
Waking people up
When asked whether he considers himself a climate activist or an eco-artist, Huang said he wasn’t looking for a label. “An artist who has an awareness and a sense of responsibility about social or environmental issues takes action to intervene and wake up the world, to act as a bridge on global issues and to offer people a way to see beyond what they normally see in everyday life. I see my job as being to remind people that we are all global citizens who should be aware of and responsible for current and future environmental problems.”
In Tuvalu, Huang set up an installation art piece on a beach that consisted of a fuel truck nozzle tied in a knot. The 4m by 2m artwork also featured an image of a polar bear relaxing in a hammock, symbolizing “the end of the world’s reliance on oil and a move back toward a life of simplicity,” he said.
An earlier project, The Modern Atlantis Project, featured an aquarium installation and revealed his concerns about the excessive use of fossil fuels.
“The closed aquarium symbolized the Earth, our Earth, from which human beings in the name of ‘civilization’ and ‘capitalism’ consume nature freely and limitlessly, and as my project showed, the aquarium itself will gradually be consumed, too,” he said.
Huang said he wanted to present viewers with the idea that our world is doomed if we go on consuming limited natural resources as if there were no tomorrow, greedily and without regard for what life on Earth is all about.
“I’m not a scientist. I’m an artist, so I can’t predict the future in any real way,” he said. “But as an artist who cares about climate change and its impact, I think we need some new approaches to wake people up.”
Vincent Huang’s work will be exhibited at the Doha Exposition Center as part of the Qatar Sustainability Expo from tomorrow until Dec. 7. On the Net: www.qatarsustainability.com
On April 26, The Lancet published a letter from two doctors at Taichung-based China Medical University Hospital (CMUH) warning that “Taiwan’s Health Care System is on the Brink of Collapse.” The authors said that “Years of policy inaction and mismanagement of resources have led to the National Health Insurance system operating under unsustainable conditions.” The pushback was immediate. Errors in the paper were quickly identified and publicized, to discredit the authors (the hospital apologized). CNA reported that CMUH said the letter described Taiwan in 2021 as having 62 nurses per 10,000 people, when the correct number was 78 nurses per 10,000
May 5 to May 11 What started out as friction between Taiwanese students at Taichung First High School and a Japanese head cook escalated dramatically over the first two weeks of May 1927. It began on April 30 when the cook’s wife knew that lotus starch used in that night’s dinner had rat feces in it, but failed to inform staff until the meal was already prepared. The students believed that her silence was intentional, and filed a complaint. The school’s Japanese administrators sided with the cook’s family, dismissing the students as troublemakers and clamping down on their freedoms — with
As Donald Trump’s executive order in March led to the shuttering of Voice of America (VOA) — the global broadcaster whose roots date back to the fight against Nazi propaganda — he quickly attracted support from figures not used to aligning themselves with any US administration. Trump had ordered the US Agency for Global Media, the federal agency that funds VOA and other groups promoting independent journalism overseas, to be “eliminated to the maximum extent consistent with applicable law.” The decision suddenly halted programming in 49 languages to more than 425 million people. In Moscow, Margarita Simonyan, the hardline editor-in-chief of the
Six weeks before I embarked on a research mission in Kyoto, I was sitting alone at a bar counter in Melbourne. Next to me, a woman was bragging loudly to a friend: She, too, was heading to Kyoto, I quickly discerned. Except her trip was in four months. And she’d just pulled an all-nighter booking restaurant reservations. As I snooped on the conversation, I broke out in a sweat, panicking because I’d yet to secure a single table. Then I remembered: Eating well in Japan is absolutely not something to lose sleep over. It’s true that the best-known institutions book up faster