As Donald Trump’s executive order in March led to the shuttering of Voice of America (VOA) — the global broadcaster whose roots date back to the fight against Nazi propaganda — he quickly attracted support from figures not used to aligning themselves with any US administration.
Trump had ordered the US Agency for Global Media, the federal agency that funds VOA and other groups promoting independent journalism overseas, to be “eliminated to the maximum extent consistent with applicable law.” The decision suddenly halted programming in 49 languages to more than 425 million people.
In Moscow, Margarita Simonyan, the hardline editor-in-chief of the state broadcaster RT described it as an “awesome decision.” The Global Times, an English-language Chinese state media publication, crowed that the broadcasters had been discarded by the White House “like a dirty rag,” ending their “propaganda poison.” Azerbaijan’s president, Ilham Aliyev, whose regime has been accused of repressing political opposition, described Trump’s move as “very promising.”
Photo: EPA-EFE
Domestically, Trump has continued to target the media, whether by taking outlets including CBS News and ABC to court, attempting to block political access to the White House by the Associated Press, or defund National Public Radio and the Public Broadcasting Service institutions he has described as “radical left monsters.”
EMBOLDENED AUTHORITARIANS
For many senior media figures around the world, there has been a tipping of the scales as authoritarian regimes are emboldened by a US administration not only attacking the media at home, but also withdrawing from the fight for free information overseas.
Photo: Reuters
As the world marked Press Freedoms Day on Saturday, observers are now warning that in countries where free media is weak, America’s withdrawal from this geopolitical balancing act will have far-reaching effects.
As well as VOA, which was founded in 1942 at the height of the second world war and broadcasts in nearly 50 languages, Trump has withdrawn funding from Radio Free Europe/Radio Liberty (RFE/RL), which was founded during the cold war and broadcasts to countries including Belarus, Russia and Ukraine.
The head of the US-funded Arabic-language news outlet Alhurra, Jeffrey Gedmin, has said the decision to cut its staff and services would “silence America’s voice in the Middle East.”
Photo: Reuters
At the same time, there are signs that media freedom elsewhere is eroding, with arrests and deportations of journalists in Turkey, including the BBC’s correspondent Mark Lowen, and dire warnings over threats to press freedom in Serbia.
Marty Baron, former editor of the Boston Globe and Washington Post, says the US would once put pressure on countries for undermining free expression and for limiting freedom of the press, adding it was something that the US government actually stood for, and it was also seen as a model for free expression.
“Now, it’s not seen as a model at all,” Baron says.
Authoritarian leaders, or those who want to be autocrats, have recognized that they’ll receive absolutely zero pressure from the US, he says.
“It’s basically given licence to other countries to be far more aggressive in attacking the press. I think there is no question that it’s emboldened other leaders around the world. In other countries as well, we’re seeing the rise of authoritarianism,” he adds.
VOA’s chief national correspondent, Steve Herman, points out that VOA was often the only connection to the US in some countries.
“In the more repressive societies where there is absolutely no alternative to get news and you can’t get on the Internet, I wonder what they think happened in the United States. For them, literally, the United States has disappeared.”
‘CONSTITUTIONAL EMERGENCY’
Herman describes the drive to shut down VOA and other media bodies as a “constitutional emergency,” adding that he has heard from former listeners that they have already experienced Chinese broadcasts on some of the frequencies it formerly used.
While a federal judge has blocked the attempt to dismantle VOA, RFE/RL and other related organizations, the uncertainty continues and a government appeal is expected. Meanwhile, the EU has been unable to step in to replace the lost funding.
The exit of US-funded media has come at the same time as the BBC World Service, which has also played a powerful role in bringing independent media to audiences, faces its own financial squeeze from the erosion of the license fee.
“Three-quarters of countries around the world don’t have free media, and that figure is getting worse, not better,” says Jonathan Munro, global director of BBC News.
“It’s not just the lack of free media. It’s the proactive and aggressive march of disinformation and misinformation, which arrives on people’s phones 24 hours a day. That’s a cocktail for a very badly informed, or misinformed, global population.”
Munro says authoritarian regimes were already reacting to the withdrawal of the west and growing their own presence.
“There’s a real ambition from China and Russia in particular,” he says. “Iran and Turkey are growing players in this space, the Chinese are very active in African markets, the Russians are very active in the Middle East, as indeed are the Chinese. They’re both increasingly active in Latin America. Some of that is space that we’ve had to vacate over the years because of financial decisions.”
Given Trump’s early determination to push back against media at home and defund US-backed free media overseas, some of the damage being done could be irreversible, says Baron.
“It’s highly destructive, with no good rationale whatsoever and it will be very hard to recover.
“Trump has proven to be really skilled at destroying things, and he clearly is on a campaign to destroy an independent press.”
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a