Enter the Dragon 13 will bring Taiwan’s first taste of Dirty Boxing Sunday at Taipei Gymnasium, one highlight of a mixed-rules card blending new formats with traditional MMA.
The undercard starts at 10:30am, with the main card beginning at 4pm. Tickets are NT$1,200.
Dirty Boxing is a US-born ruleset popularized by fighters Mike Perry and Jon Jones as an alternative to boxing. The format has gained traction overseas, with its inaugural championship streamed free to millions on YouTube, Facebook and Instagram.
Photo courtesy of Combat Sports Arts
Taiwan’s version allows punches and elbows with clinch striking, but bans kicks, knees and takedowns. The rules are stricter than the American version, where standing ground strikes are also legal.
Event matchmaker Kemp Cheng (鄭宇哲) said the decision to stage Dirty Boxing was part of a broader plan to diversify the offerings of Way of the Dragon (WOTD), a promoter sanctioned by the Chinese Taipei Mixed Martial Arts Association. He previously considered working with another promotion but disagreed with its use of boxing gloves.
Cheng said Dirty Boxing is suited to athletes with backgrounds in Sanda and traditional Chinese martial arts. Fans may see techniques drawn from boxing, Muay Thai and other striking disciplines.
Photo courtesy of Combat Sports Arts
He organized the bout himself with MMA gloves and hand wraps. This, he said, “keeps the intensity of combat while ensuring safety.”
Cheng added that the Enter the Dragon series remains WOTD’s flagship event, giving local and regional fighters large-venue opportunities. Dirty Boxing, he said, is intended as a long-term project rather than a one-off spectacle.
The main event will be held under professional MMA rules, contrasting with the Dirty Boxing debut.
The ETD 13 card will also feature Beta MMA, which serves as the amateur format. Matches consist of three, three-minute rounds with no elbows, limited knees and the use of six-ounce gloves. Another format, Cage Striking, stages kickboxing inside a cage with three rounds of two and a half minutes each. Fighters are allowed to use punches, kicks and knees, with one clinch knee permitted, but elbows and takedowns remain prohibited.
In 2018, ETD 2 featured Jun Yong Park against Glenn Sparv. Park went on to compete as a UFC middleweight, underscoring the promotion’s ability to host fighters who later reach international stages.
Cheng confirmed the card’s headliner: Kevin Yu (尤凱文) vs Chiang Chieh-yu (蔣捷宇), a matchup he described as a “dream fight” between two of Taiwan’s toughest fighters.
“Nobody expected this fight to actually happen, so anticipation is enormous,” he said. “Everyone wants to know who will be crowned the strongest man in Taiwan.”
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a