A child of Taiwan's New Wave cinema, award-winning cinematographer En Chen (陳懷恩) has been a long-term collaborator of Hou Hsiao-hsien (侯孝賢) and has worked with acclaimed directors such as Chang Tso-chi (張作驥) and Cheng Wen-tang (鄭文堂) since the 1980s.
After more than 20 years of working at the center of Taiwan's film industry, the veteran cinematographer has decided to tell a story of his own with a scanty government subsidy and lots of supports from friends and money of his own. The end result is his feature debut Island Etude (練習曲), a road movie about Taiwan's past and present, it's beauty and sorrow and the stories of its inhabitants.
With guest appearances by novelist, playwright and filmmaker Wu Nien-jen (吳念真), theater veterans Deng An-ning (鄧安寧) and Yang Li-ying (楊麗音), TV personality Hsu Hsiao-shun (許效舜), musician Kimbo Hu (胡德夫) and others, the film is centered on a hearing-impaired college student named Ming-hsiang and the people and their stories he encounters during his seven-day, round-the-island bike trip. He travels through the scenic seaside landscape in Hulien (花蓮) and along the western coastal highway, passes through the Matsu pilgrimage (媽祖遶境) and a protest by elderly female workers protesting the unannounced closure of the factory in which they had worked for lifetime. The film takes audiences deep into the corners of the country and presents intimate portraits of people from different cultural, social and ethnic backgrounds, all of whom have their own stories to tell.
PHOTO: COURTESY OF CHI FEI FILM
As the writer, cinematographer and director, Chen makes a genuine effort to share his affection for the island and its people. The narrative is carried through Ming-hsiang's travels through different places, with the natural environment playing an important role and give the piece an unique rhythm and texture. In tune with the New Wave look and spirit, the travelogue ingenuously mixes history, myth, folk memories and contemporary issues of the country and its people.
Though some sections of the film seem over-produced and some less than articulate and rather dull, director Chen pulls off a human story about this diverse country. As the real-life round-the-island biker who inspired Chen to make the film said: "there is something that if you don't do it now, you will never do it for the rest of your life." Chen has certainly grasped the chance to realize his dream and has done a commendable job.
PHOTO: COURTESY OF CHI FEI FILM
In 2020, a labor attache from the Philippines in Taipei sent a letter to the Ministry of Foreign Affairs demanding that a Filipina worker accused of “cyber-libel” against then-president Rodrigo Duterte be deported. A press release from the Philippines office from the attache accused the woman of “using several social media accounts” to “discredit and malign the President and destabilize the government.” The attache also claimed that the woman had broken Taiwan’s laws. The government responded that she had broken no laws, and that all foreign workers were treated the same as Taiwan citizens and that “their rights are protected,
March 16 to March 22 In just a year, Liu Ching-hsiang (劉清香) went from Taiwanese opera performer to arguably Taiwan’s first pop superstar, pumping out hits that captivated the Japanese colony under the moniker Chun-chun (純純). Last week’s Taiwan in Time explored how the Hoklo (commonly known as Taiwanese) theme song for the Chinese silent movie The Peach Girl (桃花泣血記) unexpectedly became the first smash hit after the film’s Taipei premiere in March 1932, in part due to aggressive promotion on the streets. Seeing an opportunity, Columbia Records’ (affiliated with the US entity) Taiwan director Shojiro Kashino asked Liu, who had
The recent decline in average room rates is undoubtedly bad news for Taiwan’s hoteliers and homestay operators, but this downturn shouldn’t come as a surprise to anyone. According to statistics published by the Tourism Administration (TA) on March 3, the average cost of a one-night stay in a hotel last year was NT$2,960, down 1.17 percent compared to 2023. (At more than three quarters of Taiwan’s hotels, the average room rate is even lower, because high-end properties charging NT$10,000-plus skew the data.) Homestay guests paid an average of NT$2,405, a 4.15-percent drop year on year. The countrywide hotel occupancy rate fell from
In late December 1959, Taiwan dispatched a technical mission to the Republic of Vietnam. Comprising agriculturalists and fisheries experts, the team represented Taiwan’s foray into official development assistance (ODA), marking its transition from recipient to donor nation. For more than a decade prior — and indeed, far longer during Chinese Nationalist Party (KMT) rule on the “mainland” — the Republic of China (ROC) had received ODA from the US, through agencies such as the International Cooperation Administration, a predecessor to the United States Agency for International Development (USAID). More than a third of domestic investment came via such sources between 1951