1. Jasmine Leong (梁靜茹) and Kissing the Future of Love (親親) with 15.4 percent of sales
2. Kenji Wu (吳克群) and A General Order (將軍令) with 13.35 percent
3. Fahrenheit (飛輪海) and Fahrenheit (飛輪海) with 10.34
percent
4. Genie Chuo (卓文萱) and Habit (習慣) with 6.03 percent
5. Jolin Tsai (蔡依林) and Dancing Forever (唯舞獨尊) with 4.68 percent
Album chart compiled from G-music (www.g-music.com.tw), based on retail sales
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
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