Musicals, with their combination of variety show glam and soap opera sentimentality, have traditionally had a broad appeal. Looking Up the Golden Sun (
Directed by Godot founder James Liang (梁志民), Looking Up the Golden Sun builds on a strong tradition of Taiwanese musicals that have proved commercially successful and helped Godot establish itself as one of the leading lights of Taiwan's theater establishment. While Godot's attempts at serious drama, as with the recent Amadeus, might lack the depth of talent needed for such an ensemble piece, the cast brought together is nothing if not practiced at the kind of song, dance and situational skits that make up a large part of Looking Up the Golden Sun.
PHOTO COURTESY OF GODOT THEATRE
The story of Golden Sun manages to combine a number of "typical" Taiwanese elements, a fact that makes it quite interesting. According to Liang, it was inspired in part by Charles Dicken's A Tale of Two Cities, although the settings are very different. Golden Sun starts out in an Aboriginal community where a young man and his sister prepare to head for the big city.
They arrive to be confronted with the world of betel nut beauties and their gangland protectors. A police raid on a gangland fight that the two unwittingly become involved in is a turning point for the two, altering their fates and those they come into contact with.
The Aboriginal theme allows for colorful costumes and the inclusion of melodies that would otherwise be out of place in a pop musical. Liang also includes elements of tribal mythology, and contrasts the rich spiritual life open to the Aborigines against the spiritual desert inhabited by the flashy betel nut girls and their associates.
OK, this is not subtle, and you might even say that it was peddling superficial stereotypes, but the whole thing is so good natured that it is hard to take that kind of political correctness seriously.
The two country bumkins are played by Min Hsiung (
These are contrasted with Chen Chi-peng (
All in all, Godot comes through doing what they do best. Energetic, professionally produced musical drama.
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.