The novelist Lu He-ruo was active from the Japanese colonial period to the early post-war period in Taiwan. His Japanese-language novel Oxcart was well-received in literary circles at the time. Also known as a musician, vocalist and revolutionary, Lu lived a very storied life.
Hakka TV’s 2018 drama Rosan 1914 takes up Lu’s story from the Japanese colonial period with an adaptation of his life in a TV drama which brings together nine of his novels.
Director Lou Yi-an is fascinated by Taiwanese history circa 1945, during the war’s waning years. When Lou discovered Lu had captured the spirit of that period in his diaries, he decided to shoot his story to introduce audiences to what Taiwan was like back then through the life of this legendary figure.
Photo courtesy of Hakka TV
照片:客家電視台提供
“Many people know about the Gwangju Uprising through South Korean movies, but have no idea of events that happened in Taiwan,” Lou says, speaking of the time when Taiwan went from being a Japanese colony to being governed by the Chinese Nationalist Party (KMT). Lu would have been conflicted over whether he saw himself as a Japanese or a Taiwanese and “this confusion would have been felt throughout Taiwan at the time.”
In order to merge Lu’s novels and life story, the drama uses stage performances, employing the rarely used play-within-a-play format to bring a unique approach to the scenes.
Lu’s talent went beyond writing novels: He was also an accomplished musician and a vocalist. To make his role more believable, actor Mo Zi-yi – who cannot play the piano – spent many hours learning piano fingering technique, not wanting to rely on a hand model or by keeping his hands out of shot. Mo even memorized the lyrics from German music so that he could get the mouthing of the words right for the camera.
According to Mo, every historical figure has many aspects to their character, and in addition to the more positive side of Lu’s personality, he wanted to show something of the more vulnerable and less assured aspects that would make the character more believable. “If he is presented as too perfect it won’t come off as genuine; that’s not how I see acting,” Mo says.
Filming for Rosan 1914 began in November, and is expected to hit the screens in April this year.
(CNA, translated by Paul Cooper)
呂赫若為活躍於台灣日治時期到戰後初期的小說家,其日文小說「牛車」受到當時文壇高度矚目,同時更具有音樂家、聲樂家、革命家等身分,人生充滿傳奇故事。
客家電視台推出二○一八年度戲劇「台北歌手」,從日治時代的呂赫若談起,將他的精彩生平改編,串聯呂赫若九篇小說拍成電視劇。
導演樓一安對於台灣在一九四五年戰爭末期那段歷史十分有興趣,他透過呂赫若撰寫的日記看到那個世代的風華,也促使他想拍呂赫若的故事,盼讓觀眾透過這名傳奇才子的一生,重新認識那段時期的台灣面貌。
「大家可能透過韓國電影知道韓國光州事件,反而不瞭解台灣本土的故事」,樓一安說,從日治到民國時期,呂赫若當時處在自己是「日本人」還是「台灣人」的矛盾中,「這也是那個時代普遍的困惑」。
為了將呂赫若的小說和人生故事交錯呈現,劇中結合舞台劇表演方式,以少見的「劇中劇」挑戰不一樣的拍攝鏡頭。
呂赫若除了是小說家,還具有音樂家、聲樂家的優異才華 。為了讓劇中角色更有說服力,不會彈琴的莫子儀花相當多時間練鋼琴指法,坦言不想依賴手模或避開鏡頭借位,甚至背下德文聲樂歌詞,配合嘴型拍攝,下足功夫力求演出到位。
莫子儀認為,每個歷史人物的性格都有不同面向,除了風光正向的一面,演出無助脆弱或無能為力的時候,都能讓人物更真實,「包裝太完美就過於虛假,這不是我對表演的信念」。
「台北歌手」去年十一月底開拍,預計今年四月播出。
(中央社)
★ Bilingual Story is a fictionalized account. 雙語故事部分內容純屬虛構。 Kevin leaned over the bubbling pot. “Hey. . . are you okay? You’ve barely touched your food.” Zoey blinked. Her face was red — not from blushing, but from the “mala” spice and the heat of the room. Her blond hair clumped to her face like strands of fine spaghetti. Her carefully applied makeup now streaked. “This isn’t what I expected,” she said softly, forcing a smile. All around them, Kevin’s friends were laughing, shouting, and tossing ingredients into the broth. The air smelled of chili oil and garlic.
Picture this: contestants are walking gracefully across a stage, competing for the highly desired title of “most beautiful.” However, these participants aren’t fashion models—they’re camels. Welcome to the extraordinary world of the Pushkar Fair, where beauty contests take on an entirely different meaning. The Pushkar Fair is held annually in the small desert town of Pushkar, India, usually in November. It began as a livestock trading event where farmers and herders gathered to buy and sell camels, horses and cattle. Over time, it has grown into a major cultural carnival that attracts thousands of tourists from around the world.
Continued from yesterday(延續自昨日) https://www.taipeitimes.com/News/lang If plushie charms are cute little nods to people’s interests, ita bags are full-on declarations. The term “ita” comes from the Japanese word itai, which means “painful” and reflects the overwhelming visual intensity of these bags. An ita bag is essentially a handbag, backpack, or tote meticulously decorated with an extensive collection of merchandise dedicated to a specific character or idol. These bags usually feature a clear plastic window to display carefully arranged pins, badges, keychains, or fan art. Both the interior and exterior may be covered in fandom memorabilia, creating an aesthetic so intense that it’s almost “painful”
對話 Dialogue 清清:華華,你知道嗎?聽說11月5號有「超級月亮」!那天的月亮會特別大、特別亮。 Qīngqing: Huáhua, nǐ zhīdào ma? Tīngshuō shíyī yuè wǔ hào yǒu “chāojí yuèliàng”! Nà tiān de yuèliàng huì tèbié dà, tèbié liàng. 華華:真的嗎?太棒了!我想去河邊看月亮,順便拍照片。 Huáhua: Zhēnde ma? Tài bàng le! Wǒ xiǎng qù hébiān kàn yuèliàng, shùnbiàn pāi zhàopiàn. 清清:聽說在超級月亮出現的那天晚上許願,願望比較容易實現。 Qīngqing: Tīngshuō zài chāojí yuèliàng chūxiàn de nàtiān wǎnshàng xǔyuàn, yuànwàng bǐjiào róngyì shíxiàn. 華華:是嗎?讓我好好想想要許什麼願。 Huáhua: Shì ma? Ràng wǒ hǎohǎo xiǎngxiǎng yào xǔ shénme yuàn. 清清:哈哈,我已經想好了,我希望「每天都準時下班」。 Qīngqing: Hāhā, wǒ yǐjīng xiǎng hǎo le, wǒ xīwàng “měitiān dōu zhǔnshí xiàbān”. 華華:嗯......我希望今年「年終獎金加倍」 Huáhua: ēn... wǒ xīwàng jīnnián “niánzhōng jiǎngjīn jiābèi”! 清清:等你把手邊的專案做完,你的願望一定可以實現的。 Qīngqing: Děng nǐ bǎ shǒubiān de zhuān’àn zuò wán, nǐ de yuànwàng yídìng kěyǐ shíxiàn de. 華華:希望一切能順利! Huáhua: Xīwàng yíqiè néng shùnlì! 翻譯