Now in its 11th year, the Urban Nomad Film Festival rolls into town on Thursday next week.
This year’s theme is “art, creativity and design” and the event’s roster of 11 feature-length documentaries and films focus on topics ranging from an ornery RV salesman to the world’s best-known sans serif typeface. Four to six independent short films selected from a pool of about 300 submissions will also be screened each night. Two nights focus on Chinese artist Ai Weiwei (艾未未). The festival was planned well before Ai’s detainment by Chinese authorities earlier this month, but his arrest makes the two documentaries that will be screened especially topical.
The organizers of Urban Nomad decided on this year’s theme in part because of the Taiwanese government’s increasing focus on the “cultural and creative” industries.
Photo Courtesy of URBAN NOMAD
“The number of art and design students here is enormous. We know that because we get a lot of their films for our program,” founder David Frazier told the Taipei Times. “But nobody has ever really done a focused segment on films about contemporary art and design.”
The festival kicks off on Thursday next week with Oddsac, a “visual album” by video artist Danny Perez and experimental rock band Animal Collective. Perez will be on hand to answer questions after the 54-minute-long film, which pairs 13 songs with mesmerizing visuals.
Along with a performance by Brooklyn-based tribal-freakout band I.U.D., Perez will deejay at Urban Nomad’s Video Mindfuck party on April 30 at Huashan 1914 Culture Park.
Photo Courtesy of URBAN NOMAD
The festival’s official opening film is 2009’s Winnebago Man, a documentary directed by Ben Steinbauer about one of the first viral videos ever made. Outtakes from a 1988 RV commercial shoot featuring a foul-mouthed salesman with a short fuse circulated on VHS tapes before eventually enjoying a second life online. Obsessed with the clips, Steinbauer tracked down salesman Jack Rebney at his California home. The film will have its Taiwanese premiere at Urban Nomad on April 29.
“It was a viral video before the Internet and it’s kind of impossible to say that technology does not influence art right now,” Frazier says.
Viewers can get insight into Ai’s work as a political activist on May 1 with Why Are These Flowers Red? (花兒為什麼這樣紅) by activist, professor and director Ai Xiaoming (艾曉明). The film documents the beating that Ai received from police during a trip to Sichuan Province to testify at the trial of fellow activist Tan Zuoren (譚作人), who was arrested for subversion after setting up a database of children who died in the 2008 Sichuan Earthquake.
hoto Courtesy of URBAN NOMAD
On May 8, Ai’s own account of his confrontation with government authorities in Sichuan Province, Lao Mao Ti Hua (老媽蹄花) will be shown. A video conference with Ai was originally scheduled to follow the screening; Urban Nomad now plans to have a chat with a member of Ai’s studio instead.
“Ai’s activism is very much in a different direction from a lot of his art or a lot of what is exhibited in museums,” Frazier says. “With the solo show [of Ai’s work] scheduled to be held at the Taipei Fine Arts Museum at the end of this year, we felt it was important to show these films in Taiwan so his political content would not be whitewashed or left out.”
Other films about artists in Urban Nomad include In a Dream about American folk artist Isaiah Zagar; Olafur Eliasson: Space is Process, which follows the Danish contemporary artist to extreme environments like Arctic glaciers; and Beautiful Losers, which is about the NYC artists collective that incubated talents like Shepard Fairey and Twist (real name Barry McGee). Helvetica, a 2007 film by Gary Hustwit, focuses on the ubiquitous sans serif font and its impact on graphic design.
Photo Courtesy of URBAN NOMAD
Other topics include Roskilde, northern Europe’s largest rock music festival whose combustive mixture of rock ’n’ roll, drugs, sex and mud is chronicled in the documentary of the same name, and skateboarding, represented by Macho Taildrop, which is about an amateur skateboarder whose dreams of turning pro are stymied by cutthroat competition and training.
Urban Nomad closes on May 8 with Aaron Hose’s Voices in the Clouds. Released last year, the film tells the story of Tony Coolidge, who was born in the US to a Taiwanese woman and an American GI father he never met. After his mother’s death, Coolidge traveled to Taiwan, where he discovered that his family members were members of the Atayal Aboriginal tribe. The film not only documents Coolidge’s self-discovery but also offers an up-close look at the Atayal’s culture and struggles with oppression.
Photo Courtesy of URBAN NOMAD
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
It’s only half the size of its more famous counterpart in Taipei, but the Botanical Garden of the National Museum of Nature Science (NMNS, 國立自然科學博物館植物園) is surely one of urban Taiwan’s most inviting green spaces. Covering 4.5 hectares immediately northeast of the government-run museum in Taichung’s North District (北區), the garden features more than 700 plant species, many of which are labeled in Chinese but not in English. Since its establishment in 1999, the site’s managers have done their best to replicate a number of native ecosystems, dividing the site into eight areas. The name of the Coral Atoll Zone might
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic
RSS