Now in its 11th year, the Urban Nomad Film Festival rolls into town on Thursday next week.
This year’s theme is “art, creativity and design” and the event’s roster of 11 feature-length documentaries and films focus on topics ranging from an ornery RV salesman to the world’s best-known sans serif typeface. Four to six independent short films selected from a pool of about 300 submissions will also be screened each night. Two nights focus on Chinese artist Ai Weiwei (艾未未). The festival was planned well before Ai’s detainment by Chinese authorities earlier this month, but his arrest makes the two documentaries that will be screened especially topical.
The organizers of Urban Nomad decided on this year’s theme in part because of the Taiwanese government’s increasing focus on the “cultural and creative” industries.
Photo Courtesy of URBAN NOMAD
“The number of art and design students here is enormous. We know that because we get a lot of their films for our program,” founder David Frazier told the Taipei Times. “But nobody has ever really done a focused segment on films about contemporary art and design.”
The festival kicks off on Thursday next week with Oddsac, a “visual album” by video artist Danny Perez and experimental rock band Animal Collective. Perez will be on hand to answer questions after the 54-minute-long film, which pairs 13 songs with mesmerizing visuals.
Along with a performance by Brooklyn-based tribal-freakout band I.U.D., Perez will deejay at Urban Nomad’s Video Mindfuck party on April 30 at Huashan 1914 Culture Park.
Photo Courtesy of URBAN NOMAD
The festival’s official opening film is 2009’s Winnebago Man, a documentary directed by Ben Steinbauer about one of the first viral videos ever made. Outtakes from a 1988 RV commercial shoot featuring a foul-mouthed salesman with a short fuse circulated on VHS tapes before eventually enjoying a second life online. Obsessed with the clips, Steinbauer tracked down salesman Jack Rebney at his California home. The film will have its Taiwanese premiere at Urban Nomad on April 29.
“It was a viral video before the Internet and it’s kind of impossible to say that technology does not influence art right now,” Frazier says.
Viewers can get insight into Ai’s work as a political activist on May 1 with Why Are These Flowers Red? (花兒為什麼這樣紅) by activist, professor and director Ai Xiaoming (艾曉明). The film documents the beating that Ai received from police during a trip to Sichuan Province to testify at the trial of fellow activist Tan Zuoren (譚作人), who was arrested for subversion after setting up a database of children who died in the 2008 Sichuan Earthquake.
hoto Courtesy of URBAN NOMAD
On May 8, Ai’s own account of his confrontation with government authorities in Sichuan Province, Lao Mao Ti Hua (老媽蹄花) will be shown. A video conference with Ai was originally scheduled to follow the screening; Urban Nomad now plans to have a chat with a member of Ai’s studio instead.
“Ai’s activism is very much in a different direction from a lot of his art or a lot of what is exhibited in museums,” Frazier says. “With the solo show [of Ai’s work] scheduled to be held at the Taipei Fine Arts Museum at the end of this year, we felt it was important to show these films in Taiwan so his political content would not be whitewashed or left out.”
Other films about artists in Urban Nomad include In a Dream about American folk artist Isaiah Zagar; Olafur Eliasson: Space is Process, which follows the Danish contemporary artist to extreme environments like Arctic glaciers; and Beautiful Losers, which is about the NYC artists collective that incubated talents like Shepard Fairey and Twist (real name Barry McGee). Helvetica, a 2007 film by Gary Hustwit, focuses on the ubiquitous sans serif font and its impact on graphic design.
Photo Courtesy of URBAN NOMAD
Other topics include Roskilde, northern Europe’s largest rock music festival whose combustive mixture of rock ’n’ roll, drugs, sex and mud is chronicled in the documentary of the same name, and skateboarding, represented by Macho Taildrop, which is about an amateur skateboarder whose dreams of turning pro are stymied by cutthroat competition and training.
Urban Nomad closes on May 8 with Aaron Hose’s Voices in the Clouds. Released last year, the film tells the story of Tony Coolidge, who was born in the US to a Taiwanese woman and an American GI father he never met. After his mother’s death, Coolidge traveled to Taiwan, where he discovered that his family members were members of the Atayal Aboriginal tribe. The film not only documents Coolidge’s self-discovery but also offers an up-close look at the Atayal’s culture and struggles with oppression.
Photo Courtesy of URBAN NOMAD
Behind a car repair business on a nondescript Thai street are the cherished pets of a rising TikTok animal influencer: two lions and a 200-kilogram lion-tiger hybrid called “Big George.” Lion ownership is legal in Thailand, and Tharnuwarht Plengkemratch is an enthusiastic advocate, posting updates on his feline companions to nearly three million followers. “They’re playful and affectionate, just like dogs or cats,” he said from inside their cage complex at his home in the northern city of Chiang Mai. Thailand’s captive lion population has exploded in recent years, with nearly 500 registered in zoos, breeding farms, petting cafes and homes. Experts warn the
No one saw it coming. Everyone — including the Chinese Nationalist Party (KMT) — expected at least some of the recall campaigns against 24 of its lawmakers and Hsinchu Mayor Ann Kao (高虹安) to succeed. Underground gamblers reportedly expected between five and eight lawmakers to lose their jobs. All of this analysis made sense, but contained a fatal flaw. The record of the recall campaigns, the collapse of the KMT-led recalls, and polling data all pointed to enthusiastic high turnout in support of the recall campaigns, and that those against the recalls were unenthusiastic and far less likely to vote. That
The unexpected collapse of the recall campaigns is being viewed through many lenses, most of them skewed and self-absorbed. The international media unsurprisingly focuses on what they perceive as the message that Taiwanese voters were sending in the failure of the mass recall, especially to China, the US and to friendly Western nations. This made some sense prior to early last month. One of the main arguments used by recall campaigners for recalling Chinese Nationalist Party (KMT) lawmakers was that they were too pro-China, and by extension not to be trusted with defending the nation. Also by extension, that argument could be
The centuries-old fiery Chinese spirit baijiu (白酒), long associated with business dinners, is being reshaped to appeal to younger generations as its makers adapt to changing times. Mostly distilled from sorghum, the clear but pungent liquor contains as much as 60 percent alcohol. It’s the usual choice for toasts of gan bei (乾杯), the Chinese expression for bottoms up, and raucous drinking games. “If you like to drink spirits and you’ve never had baijiu, it’s kind of like eating noodles but you’ve never had spaghetti,” said Jim Boyce, a Canadian writer and wine expert who founded World Baijiu Day a decade
RSS