What happens when you say former president Chen Shui-bian (陳水扁) should “eat shit” (吃大便) on national television? If you’re TVBS-N’s Liao Ying-ting (廖盈婷), you become a household name overnight — and get a promotion.
Last Saturday, while the network was airing a report on how pro-independence activists were urging Chen to use campaign funds that had been wired overseas to establish a political party, Liao was overheard chatting with other reporters in the news room. “This is nuts,” she said. “How on earth will Chen ever take out the money? [He should] just go and eat shit.”
TVBS punished Liao by docking her two demerit points on her performance record. However, it was quickly realized that the disgraced newswoman would be perfect as a motor-mouth pundit on political talk shows — a job that pays a lot more than real journalism.
Amid the heavy rains and strong winds brought by Super Typhoon Jangmi last weekend, a miracle occurred. Homegrown film Cape No. 7 (海角七號) beat Hollywood blockbuster The Mummy: Tomb of the Dragon Emperor at the box office. Cape has broken the NT$200 million mark in box office takings and could end up being the highest-grossing film of the year, an achievement no one over the past three decades would have thought possible for a Taiwanese film. Some observers are even predicting that Cape will reach the NT$300 million mark by the end of the year, making it the highest-grossing Chinese-language film ever screened in Taiwan. As a result, big investors are now said to have become more interested in local productions.
Is Taiwanese cinema set for a renaissance? Pop Stop has seen previous predictions concerning the rebirth of the country’s film industry fall flat. It remains to be seen whether Wei Te-sheng (魏德聖), who directed Cape No. 7, will be equally successful with his next project, Seediq Bale (賽德克巴萊), an ambitious Aboriginal epic that stands a greater chance of becoming a hit with the critics than it does of making a lot of money, since it lacks two key ingredients needed for a local hit: youth drama starring pretty-faced idols, and patriotic appeal, as was best exemplified in last year’s hit Island Etude (練習曲).
Moving on to more frivolous matters, 42-year-old Pauline Lan (藍心湄) has reportedly taken an interest in a younger man — again. The object of her desire this time around is theater actor Na Wei-hsun (那維勳), who was observed spending the night at Lan’s mansion last weekend.
Gossip columnists are keen on the alleged Lan-Na tryst because it combines two of their favorite themes: infidelity, and a young man dating a rich, older woman. (Na is married and Lan, seven years his senior, is reportedly worth more than NT$1 billion.) Pop Stop thinks something is wrong with the prevailing notion that it’s perfectly normal for a male tycoon like Terry Gou (郭台銘) to bed a women young enough to be his granddaughter, while a successful woman like Lan stirs controversy by receiving a visit from a man who’s only a few years younger than herself.
Angela Chang (張韶涵) was recently spotted by Next magazine visiting her local Mercedes-Benz dealer sans makeup, a sure sign, Next says, that the pop star has lost her marbles.
You know the signs: Working hard to further one’s music career for five years running, buying a home and an expensive car, gaining weight during a vacation in Canada, frequenting nightclubs and leaving the house without first applying makeup — yep, it’s obvious that Chang is a just few clowns short of a circus.
June 9 to June 15 A photo of two men riding trendy high-wheel Penny-Farthing bicycles past a Qing Dynasty gate aptly captures the essence of Taipei in 1897 — a newly colonized city on the cusp of great change. The Japanese began making significant modifications to the cityscape in 1899, tearing down Qing-era structures, widening boulevards and installing Western-style infrastructure and buildings. The photographer, Minosuke Imamura, only spent a year in Taiwan as a cartographer for the governor-general’s office, but he left behind a treasure trove of 130 images showing life at the onset of Japanese rule, spanning July 1897 to
One of the most important gripes that Taiwanese have about the Democratic Progressive Party (DPP) is that it has failed to deliver concretely on higher wages, housing prices and other bread-and-butter issues. The parallel complaint is that the DPP cares only about glamor issues, such as removing markers of Chinese Nationalist Party (KMT) colonialism by renaming them, or what the KMT codes as “de-Sinification.” Once again, as a critical election looms, the DPP is presenting evidence for that charge. The KMT was quick to jump on the recent proposal of the Ministry of the Interior (MOI) to rename roads that symbolize
On the evening of June 1, Control Yuan Secretary-General Lee Chun-yi (李俊俋) apologized and resigned in disgrace. His crime was instructing his driver to use a Control Yuan vehicle to transport his dog to a pet grooming salon. The Control Yuan is the government branch that investigates, audits and impeaches government officials for, among other things, misuse of government funds, so his misuse of a government vehicle was highly inappropriate. If this story were told to anyone living in the golden era of swaggering gangsters, flashy nouveau riche businessmen, and corrupt “black gold” politics of the 1980s and 1990s, they would have laughed.
In an interview posted online by United Daily News (UDN) on May 26, current Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) was asked about Taichung Mayor Lu Shiow-yen (盧秀燕) replacing him as party chair. Though not yet officially running, by the customs of Taiwan politics, Lu has been signalling she is both running for party chair and to be the party’s 2028 presidential candidate. She told an international media outlet that she was considering a run. She also gave a speech in Keelung on national priorities and foreign affairs. For details, see the May 23 edition of this column,
RSS