|
Held captive to torture-porn zeitgeist
By Marc Kermode
THE GUARDIAN, LONDON
Friday, Jun 29, 2007, Page 16
|
Roland Joffe finds new depths in Captivity.
PHOTO: COURTESY OF CMC
|
In his heyday Roland Joffe was an Oscar-nominated director feted for films like The Mission and The Killing Fields.
Today he is the helmsman of Captivity, a stupid, sexually exploitative slice of post-Saw sleaze which hit US headlines thanks to a leery ad campaign promoting the "Abduction," "Confinement," "Torture," and "Termination" of its glamorous young star.
What the hell happened?
Presumably, after a string of clunkers such as The Scarlet Letter and Goodbye Lover, Joffe couldn't afford to turn down this grotty Russian-American co-production, in which a "heartless" model (Elisha Cuthbert) is kidnapped, imprisoned and forced to dress up in short skirts and stilettos by a madman who pumps liquidized eyeballs into her gagging mouth because of some residual problems with his mother.
"Captivity is both a thriller and a love story," offers Joffe gamely in his Director's Vision statement, which goes on to use words such as "erotic" and "sensual" to describe this dreary misogynist claptrap.
| Film notes |
| Captivity
Directed By: Roland Joffe
Starring: Elisha Cuthbert (Jennifer), Daniel Gillies (Gary), Pruitt Taylor Vince (Ben), Laz Alonso (Disantos), Michael Harney (Bettiger), Rebekah Ryan (Mother)
Running Time: 85 Minutes
Taiwan Release: Today
|
|
|
Admittedly, the finished film bears little resemblance to the Larry Cohen-scripted first cut, which was shot in Moscow in 2005 (and indeed screened at the Sitges Film Festival in 2006) before its American distributors demanded substantial gory re-shoots to cash in on the so-called "torture porn" zeitgeist.
The result is a genuinely loathsome car-crash of a movie, a misshapen, ill-wrought work of vulgar opportunism of which all involved should be deeply ashamed.
This story has been viewed 1471 times.
|
Advertising


|