It was a very strange night last Friday at Taipei's cinemas. A sea of people were crammed in Ximending, Warner Village and Showtime Cinemas to see Kung Fu Hustle (功夫). Tickets for all screenings that night had been booked or were sold out. The huge crowd made Warner Village and Showtime Cinema show extra screenings until 3am.
A cinema owner said it had been a long time since they had stayed up so late for a film. Even more unusual was that was for a Chinese-language film.
Stephen Chow's (
PHOTO COURTESY OF FOX MOVIES
Kung Fu Hustle was the biggest dark horse movie this year. Before the film opened, the best-selling film in Taiwan this year had been the disaster film The Day After Tomorrow. Tomorrow, which grossed NT$180 million in Taiwan and set a first-day box-office record of NT$10 million. But this record was broken last Friday night by Kung Fu Hustle, with the crowds of people on Friday night causing a box office take of NT$15 million.
Kung Fu Hustle will not only beat Hollywood films and top the box office chart for 2004, but it has another record to break -- namely, to overtake the record of Crouching Tiger, Hidden Dragon (
PHOTO COURTESY OF FOX MOVIES
The 2004 box office in Taiwan has slightly improved from a SARS-stricken 2003. The second best-selling foreign film was Harry Potter and the Prisoner of Azkaban, grossing NT$134 million. Spiderman 2 stands at third, taking NT$132 million. And the fourth and fifth place was a battle between The Last Samurai and The Incredibles. The former took NT$102 million and the latter now has taken NT$95 million and is still on general release.
PHOTO COURTESY OF PANDASIA
Such a ranking is not so different from that of the US chart, except for The Last Samurai, which fell out of the top 10 in the US domestic chart but stayed high in Taiwan. Taiwanese audiences are loyal to Tom Cruise.
As for Chinese-language films, Kung Fu Hustle took top place, easily, and pushed Zhang Yi-mou's (
PHOTO COURTESY OF FULL SHOT FOUNDATION
Wang Kar Wai's (
The most surprising film was Taiwanese documentary Gift of Life (
Another source of Taiwanese pride is Formula 17 (
Formula 17 was made with a tiny budget of NT$6 million, but grossed NT$5.3 million in Taiwan. In addition to NT$8 million in overseas sales, selling rights to nine countries including US, Japan, Germany and Benelux, the film was, perhaps, the only profit-making Taiwanese film this year.
Apart from the two Taiwanese films, the rest of the films on the chart are all Hong Kong action or horror films. Horror and action continue to be the selling elements for Chinese-language films. The only exception is Silvia Chang's (
Top 10 Foreign Films
1. The Day After Tomorrow, NT$180 million
2. Harry Potter and the Prisoner of Azkaban,
NT$134 million
3. Spiderman 2, NT$132 million
4. The Last Samurai, NT$102 million
5. The Incredibles, NT$95 million
6. Troy, NT$94 million
7. I, Robot, NT$85 million
8. Shrek 2, NT$76 million
9. Van Helsing, NT$70 million
10. Resident Evil: Apocalypse, NT$49 million
Top 10 Chinese-language films
1. Kung Fu Hustle, NT$100 million (up to Dec. 27)
2. House of Flying Daggers, NT$35 million
3. 2046, NT$11 million
4. Gift of Life, NT$10 million
5. New Police Story (
6. The Eye 2 (
7. Three, Experiences (
8. Jiang Hu (
9. Formula 17, NT$5.38 million
10. 20, 30, 40, NT$4.45 million
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Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on