One hour’s drive from Kaohsiung City, Tianliao Moon World geological scenic area sports impressive “mud hills” that look like a lunar landscape.
And for two weekends, this otherworldly place welcomes a hot air balloon festival.
“We initiated the yearly event in 2021,” says Lee Ya-Chu (李亞築), the city councilor representing the area, “to boost tourism after the pandemic.”
Photo: Julien Oeuillet
Half a dozen balloons gracefully hover up and down, with visitors waiting for their turn to board.
The largest balloon is shaped like the Kaohsiung Bear, an important symbol of the city.
“We had it built last year,” says Kao Min-lin (高閔琳), the director of tourism of Kaohsiung. “By Spanish company Ultramagic... We sent them a plushie of the bear to use as a model, and they liked it so much they asked to keep it.”
Photo: Julien Oeuillet
Now the bear brings people to the sky.
Evelyn Chen (陳怡伶), the team leader of the balloon operators, says finding the perfect launching place for the balloons involves reviewing all past climate data in a certain locale.
“Sometimes even in a good place with a good forecast, we may need to wait before we launch, and when we finally do, the audience cheers and that’s the best feeling,” Chen said.
Photo: Julien Oeuillet
LOVE RIVER
The mouth of the Love River is one of the very few coastal areas where the climate is appropriate for balloons, so the event will relocate there for its third and final weekend.
The flight itself grants a beautiful view of the area, suspended in mid-air in complete silence, save for the roaring of the stove when fire is pumped into the balloon. “It feels very hot,” says Kao, “you don’t need a hair dryer, just take your shower and jump in!”
Photo: Julien Oeuillet
The bear balloon also includes the word “Taiwan” written at the base.
“Normally there are no writings on balloons there,” says Kao, “but I insisted because we will send it around the world to other events. This year, for example, it will go to Thailand.”
The balloon pilot, Alec Su (蘇祐霆), says, “I wanted to be a plane pilot but they hired me for balloons instead. And I love sharing people’s stories while on board, I feel like I’m part of their journey.”
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a
A key feature of Taiwan’s environmental impact assessments (EIA) is that they seldom stop projects, especially once the project has passed its second stage EIA review (the original Suhua Highway proposal, killed after passing the second stage review, seems to be the lone exception). Mingjian Township (名間鄉) in Nantou County has been the site of rising public anger over the proposed construction of a waste incinerator in an important agricultural area. The township is a key producer of tea (over 40 percent of the island’s production), ginger and turmeric. The incinerator project is currently in its second stage EIA. The incinerator