The Venice Film Festival kicked off yesterday with a devilish debut of Tim Burton’s Beetlejuice sequel and a surge of star power for the glitzy competition on the sun-splashed Lido.
Lady Gaga, George Clooney, Daniel Craig, Julianne Moore and Brad Pitt are among the A-listers expected in Italy’s watery city for this year’s edition of the world’s longest-running festival, known as “La Mostra.”
Arriving via water taxi from across the Venetian lagoon for the 10-day event, the celebrities will return some big-budget Hollywood pizzazz to the venerated festival following a low-key edition last year due to the Hollywood strike.
Photo: Reuters
First up is the out-of-competition world premiere of Beetlejuice Beetlejuice, featuring Michael Keaton as the chaos-causing ghoul alongside Winona Ryder, Catherine O’Hara and Monica Bellucci.
Today, all eyes are on Angelina Jolie, making a star turn as Maria Callas in Maria, Pablo Larrain’s biopic about the opera diva’s tormented life.
It is among 21 international films vying for the top Golden Lion prize to be awarded Sept. 7.
“There hasn’t been such a consistent presence of star actors from so many countries perhaps for more than 20 years,” festival director Alberto Barbera said, adding that their presence “can only do good” to bring attention to films.
Much anticipated is the dark psychological thriller Joker: Folie a Deux, the sequel to US director Todd Phillips’ 2019 Venice-winning film loosely based on the DC Comics characters and set in a gritty Gotham City.
The sequel brings back Joaquin Phoenix, who won an Academy Award for his depiction of the failed clown descending into mental illness, this time paired with Lady Gaga as his sidekick and love interest Harley Quinn.
Photo: EPA-EFE
Daniel Craig stars in Queer from Italy’s Luca Guadagnino, an adaptation of the William Burroughs novel set in 1940s Mexico City, while Australian director Justin Kurzel’s The Order features Jude Law as an FBI agent investigating white supremacy in the Pacific Northwest.
Venice regular Pedro Almodovar, of Spain, is back with his first full-length film in English, The Room Next Door, with Moore and Tilda Swinton.
Nicole Kidman stars with Antonio Banderas in the erotic thriller Babygirl from Dutch director Halina Reijn, about a powerful woman CEO who embarks on a torrid affair with a much-younger male intern.
Photo: AFP
The roster also includes US director Brady Corbet’s The Brutalist, featuring Adrien Brody as a Hungarian Jewish architect who emigrates to America after World War II and embarks on a project promising to change the course of his life.
WAR, ON SCREEN
Despite the fanfare of the studio films and their stars, the festival still welcomes lesser-known directors and experimental formats, while providing a venue for the exploration of difficult, topical subjects.
The festival includes two documentaries about the Ukraine war, with Songs of Slow Burning Earth by Ukrainian director Olha Zhurba described as an “audiovisual diary of Ukraine’s immersion into the abyss.” Russians at War sees Russian-Canadian filmmaker Anastasia Trofimova embedded with a Russian army battalion in eastern Ukraine, its young soldiers struggling to understand why they are fighting.
Such questions fuel Why War by Israel director Amos Gitai, based on correspondence between two of the 20th century’s brightest minds —Albert Einstein and Sigmund Freud — on the subject of war. Sweden’s Goran Hugo Olsson delved into 30 years of public broadcasting archives for Israel Palestine on Swedish Television 1958-1989, weaving footage from both sides of the ongoing conflict in what the director has called his “most painful film” to date. All four films are playing out of competition.
CULT CLASSIC
With Beetlejuice Beetlejuice, fans of Burton’s dark and oddball cinematic approach get to revisit his 1988 cult classic 36 years later. The director updates the non-conventional family drama centered on protagonist Lydia, played by Ryder, whose teenage daughter (Jenna Ortega) discovers a mystery in the attic, accidentally unleashing mayhem once again on the Deetz household.
Netflix — which has seen great success debuting its films on the Lido before their small-screen release — is absent this year. Instead, Apple TV+ is presenting Jon Watts’ action comedy Wolfs with Pitt and Clooney playing rival professional fixers, and thriller series Disclaimer with Cate Blanchett, Kevin Kline and Sacha Baron Cohen.
During yesterday’s opening ceremony, Alien star Sigourney Weaver received an honorary Golden Lion for lifetime achievement.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property