The Venice Film Festival kicked off yesterday with a devilish debut of Tim Burton’s Beetlejuice sequel and a surge of star power for the glitzy competition on the sun-splashed Lido.
Lady Gaga, George Clooney, Daniel Craig, Julianne Moore and Brad Pitt are among the A-listers expected in Italy’s watery city for this year’s edition of the world’s longest-running festival, known as “La Mostra.”
Arriving via water taxi from across the Venetian lagoon for the 10-day event, the celebrities will return some big-budget Hollywood pizzazz to the venerated festival following a low-key edition last year due to the Hollywood strike.
Photo: Reuters
First up is the out-of-competition world premiere of Beetlejuice Beetlejuice, featuring Michael Keaton as the chaos-causing ghoul alongside Winona Ryder, Catherine O’Hara and Monica Bellucci.
Today, all eyes are on Angelina Jolie, making a star turn as Maria Callas in Maria, Pablo Larrain’s biopic about the opera diva’s tormented life.
It is among 21 international films vying for the top Golden Lion prize to be awarded Sept. 7.
“There hasn’t been such a consistent presence of star actors from so many countries perhaps for more than 20 years,” festival director Alberto Barbera said, adding that their presence “can only do good” to bring attention to films.
Much anticipated is the dark psychological thriller Joker: Folie a Deux, the sequel to US director Todd Phillips’ 2019 Venice-winning film loosely based on the DC Comics characters and set in a gritty Gotham City.
The sequel brings back Joaquin Phoenix, who won an Academy Award for his depiction of the failed clown descending into mental illness, this time paired with Lady Gaga as his sidekick and love interest Harley Quinn.
Photo: EPA-EFE
Daniel Craig stars in Queer from Italy’s Luca Guadagnino, an adaptation of the William Burroughs novel set in 1940s Mexico City, while Australian director Justin Kurzel’s The Order features Jude Law as an FBI agent investigating white supremacy in the Pacific Northwest.
Venice regular Pedro Almodovar, of Spain, is back with his first full-length film in English, The Room Next Door, with Moore and Tilda Swinton.
Nicole Kidman stars with Antonio Banderas in the erotic thriller Babygirl from Dutch director Halina Reijn, about a powerful woman CEO who embarks on a torrid affair with a much-younger male intern.
Photo: AFP
The roster also includes US director Brady Corbet’s The Brutalist, featuring Adrien Brody as a Hungarian Jewish architect who emigrates to America after World War II and embarks on a project promising to change the course of his life.
WAR, ON SCREEN
Despite the fanfare of the studio films and their stars, the festival still welcomes lesser-known directors and experimental formats, while providing a venue for the exploration of difficult, topical subjects.
The festival includes two documentaries about the Ukraine war, with Songs of Slow Burning Earth by Ukrainian director Olha Zhurba described as an “audiovisual diary of Ukraine’s immersion into the abyss.” Russians at War sees Russian-Canadian filmmaker Anastasia Trofimova embedded with a Russian army battalion in eastern Ukraine, its young soldiers struggling to understand why they are fighting.
Such questions fuel Why War by Israel director Amos Gitai, based on correspondence between two of the 20th century’s brightest minds —Albert Einstein and Sigmund Freud — on the subject of war. Sweden’s Goran Hugo Olsson delved into 30 years of public broadcasting archives for Israel Palestine on Swedish Television 1958-1989, weaving footage from both sides of the ongoing conflict in what the director has called his “most painful film” to date. All four films are playing out of competition.
CULT CLASSIC
With Beetlejuice Beetlejuice, fans of Burton’s dark and oddball cinematic approach get to revisit his 1988 cult classic 36 years later. The director updates the non-conventional family drama centered on protagonist Lydia, played by Ryder, whose teenage daughter (Jenna Ortega) discovers a mystery in the attic, accidentally unleashing mayhem once again on the Deetz household.
Netflix — which has seen great success debuting its films on the Lido before their small-screen release — is absent this year. Instead, Apple TV+ is presenting Jon Watts’ action comedy Wolfs with Pitt and Clooney playing rival professional fixers, and thriller series Disclaimer with Cate Blanchett, Kevin Kline and Sacha Baron Cohen.
During yesterday’s opening ceremony, Alien star Sigourney Weaver received an honorary Golden Lion for lifetime achievement.
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On
When Sara (names in this story are changed to protect the sources’ identities) takes her daughter April out anywhere in Taiwan, she’s frequently asked the same question: “Is your husband Taiwanese?” Sara is white, and April has unmistakably Asian features. “My wife is Taiwanese,” she replies. If asked, she may then clarify that April is her biological child, Taiwanese by blood, and has two moms. This often creates more confusion, but it is a difficult reality for Sara, her wife Dana and April. While Dana has adopted April, the child does not have Taiwanese (Republic of China) nationality despite both of her