Last week my friend and I hiked to a megalithic site just north of Chenggong (成功) in Taitung County, the Baishoulian stone coffin (白守蓮岩棺). You can drive almost to the stone, but it’s best to walk the last 300 meters or so of the unpaved access road if you are in a vehicle low on power with poor tires, as we were.
The coffin lies on a shelf below the foothills of the coastal range, with excellent views out to the ocean and the island of Sansiantai (三仙台) and its iconic arched bridge. My friend explained that according to local Amis lore, hunters used to rest at the site. It was a brilliant day, the kind of loveliness that makes you forget, until you look at the cracked earth and drooping crops, that Taitung is short on rainfall and its rivers are mere trickles.
The shelves a few meters up on the east coast house many such relics and archaeological sites. The east coast is one of the most rapidly rising locations in the world, with tectonic uplift raising it from five up to 13 meters every thousand years or so, according to one expert text. Hence, in ancient times, the terraces archaeologists now explore were much lower.
Photo courtesy of Wikimedia Commons
On the way to the massive carved stone we spotted a pile of rocks under a tree and went over to inspect them. Lying across a pile of smaller rocks was a dull gray slab over a meter long, an ideal candidate for a former standing stone, with a large notch on one side of the narrow end, a common feature of local megaliths. One of the rocks around it had a couple of holes drilled in it. “We are relics!” they seemed to be saying.
I pondered, for the umpteenth time, how many such rocks there must be around Taiwan, lost megalithic sites, stones broken and scattered by time and by settlers who used them to make walls and paving stones. I also reflected on how little-known Taiwan’s megaliths are, and what a wonderful themed tourist experience they might make, if they were better positioned by the island’s tourism authorities.
SWATH OF STONES
Photo: Michael Turton
We started to explore the hillside above the rock to see what other relics might be in evidence, but my friend warned me that the hillsides in such remote areas are often heavily trapped by local hunters. The trappers use steel traps with jaws that close on the legs of their victims. “It’s why so many dogs around here have three legs,” he observed dolefully.
In a swath beginning in Fangliao Township (枋寮) in Pingtung County and continuing around the Hengchun peninsula and north along the coast to Hualien County, there are roughly 60 known sites housing megaliths. They are largely an east coast phenomenon, as the west coast megaliths, if they ever existed in great numbers, were destroyed by settlers. Still, the odd standing stone may be found in out of the way places in the mountains on the west side, and stone sarcophagi are known from sites in and around Puli Township (埔里), among others.
The Austronesian peoples who erected them in Taiwan apparently took their megalith building culture with them when they spread across the Pacific. I once spent an absorbing day visiting megalithic sites raised by their descendants northeast of Kuala Lumpur. Malaysia alone hosts hundreds of such sites.
Photo: Michael Turton
The megaliths were brought to scientific attention by the Japanese, who initiated modern anthropological and archaeological work on the island of Taiwan. Ryuzo Torii, the famed Japanese anthropologist and ethnologist, photographed the megaliths at what is now the Beinan (卑南) site in Taitung during a visit to Taiwan in 1897, pioneering the use of cameras in anthropology and inspiring later field workers to employ photographic techniques. Torii’s last paper, published in 1926, was the first paper on megaliths in Taiwan, linking them to their counterparts in Indonesia and Malaysia.
TWO BROAD TYPES
In Taiwan, a recent review paper by Chao Chin-yung (趙金勇) and Chung Kuo-feng (鍾國風) titled “Megaliths in Eastern Taiwan Reconsidered” state that megalith types include “sarcophagi (岩棺),” menhirs or upright stones (單石), wall or shaped slabs (石壁), statues, stone discs, or “money” (石輪/有孔石盤), large or small columns (石柱) and perhaps “steps (石梯).” The famous slate coffins found in southeastern Taiwan were once considered a megalithic form but are no longer classified as megaliths.
Chao and Chung group the megaliths on the east coast into two very broad types. One group is found at neolithic sites along the coast with dates ranging from 3,200 to 2,500 years ago (BP), while the second is scattered around the Rift Valley and occurs somewhat later, around 2,800 BP, and lasted through the neolithic, perhaps into the early metal age around 1,500 BP.
Among these, the most common type of megalith is the menhir, or standing stone, seldom over 1.5m tall. Detailed work classifies them into many types, but the most representative type of menhir is the shouldered stone in which one or both sides of the top have been notched, removed or otherwise worked.
In some places, such as Fushih (富士) and Fuyuan (富源) in Hualien, menhirs are found in postholes, indicating they were part of a structure. At Fushih they were clearly worked by metal tools. The Fuyuan site houses a large number of megaliths, with over 100 known above ground scattered across a slope and more unearthed in recent excavations.
A PhD thesis on Fuyuan by Yao Shu-yuh (姚書宇) of National Taiwan University notes that the site was largely undisturbed because of its remoteness. There are two cultural layers, one Neolithic and one from the Iron Age. Work there uncovered numerous artifacts, including potsherds and jade tools, stone walled houses, and large, donut-shaped stones, the “money” stones resembling smaller versions of the famed rai of the Yap islanders.
SILENT STONES
The full inventiveness of Taiwan’s ancient people is not much appreciated outside archaeological circles.
After we had inspected the megalith, we ambled back to our vehicles and drove over to an archaeological site near Chenggong, where work is apparently ongoing, in the fits and spurts that time and funding and research interest permit. The location is ideal for early human habitation, a group of natural rock shelters hollowed by water into the face of what had once been a low rock bluff next to the ocean but is now a terrace. Under the shelters my friend spotted an underground creek.
The site is separated from the road by an irrigation ditch lined by an old wall first put in by the Japanese. The grounds are strewn with rocks, many tossed there by road workers or the local farmers, but there are several massive stones too large for anything but powered equipment or gangs of workers to move easily.
I clambered over the pile of stones, looking for signs that they had been worked.
But the stones were silent.
Notes from Central Taiwan is a column written by long-term resident Michael Turton, who provides incisive commentary informed by three decades of living in and writing about his adoptive country. The views expressed here are his own.
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.
You would never believe Yancheng District (鹽埕) used to be a salt field. Today, it is a bustling, artsy, Kowloon-ish “old town” of Kaohsiung — full of neon lights, small shops, scooters and street food. Two hundred years ago, before Japanese occupiers developed a shipping powerhouse around it, Yancheng was a flat triangle where seawater was captured and dried to collect salt. This is what local art galleries are revealing during the first edition of the Yancheng Arts Festival. Shen Yu-rung (沈裕融), the main curator, says: “We chose the connection with salt as a theme. The ocean is still very near, just a
A key feature of Taiwan’s environmental impact assessments (EIA) is that they seldom stop projects, especially once the project has passed its second stage EIA review (the original Suhua Highway proposal, killed after passing the second stage review, seems to be the lone exception). Mingjian Township (名間鄉) in Nantou County has been the site of rising public anger over the proposed construction of a waste incinerator in an important agricultural area. The township is a key producer of tea (over 40 percent of the island’s production), ginger and turmeric. The incinerator project is currently in its second stage EIA. The incinerator