Jazz is back, but just don’t call it a festival as the Give Me Five concert series is set to kick off tomorrow in Taichung.
Running through Oct. 31, the small-scale performances take the place of the annual jazz festival, which was canceled for a second year in a row due to the COVID-19 pandemic. In years past, the multi-day event attracted hundreds of thousands of spectators.
“It’s totally different this year,” Hsiao Jing-ping (蕭靜萍), head of performing arts for the city’s Cultural Affairs Bureau, says.
Photo courtesy of Wikimedia Commons
Nearly 30 traditional and contemporary jazz bands will perform at venues throughout the city. The old Taichung railway station will play host to the largest of the concerts, with performances taking place on the abandoned tracks.
Crowd sizes will be limited to 500 spectators at the old train station, while most of the other sites are even smaller. Hotels and restaurants around the city will also host concerts, but numbers will be limited due to safety concerns.
“Whether it’s 10,000 people or 10, we’ll do our best,” says Richard Li (利啟正), bassist for Skyline, a jazz fusion band set to perform on Sunday.
Photo courtesy of Richard Li of Skyline
Organizers stressed that government COVID-19 regulations will be followed, including the wearing of masks, temperature checks and real-name registration via QR code.
Tickets for the concerts are free, but must be confirmed in advance through an online booking system.
“We hope people truly appreciate the music,” Hsiao says. She adds that she feels optimistic that the traditional large-scale jazz festivities would be back next year.
Photo Courtesy of Riverside Live House
Photo courtesy of Taichung Jazz Festival
It’s always a pleasure to see something one has long advocated slowly become reality. The late August visit of a delegation to the Philippines led by Deputy Minister of Agriculture Huang Chao-ching (黃昭欽), Chair of Chinese International Economic Cooperation Association Joseph Lyu (呂桔誠) and US-Taiwan Business Council vice president, Lotta Danielsson, was yet another example of how the two nations are drawing closer together. The security threat from the People’s Republic of China (PRC), along with their complementary economies, is finally fostering growth in ties. Interestingly, officials from both sides often refer to a shared Austronesian heritage when arguing for
Nov.10 to Nov.16 As he moved a large stone that had fallen from a truck near his field, 65-year-old Lin Yuan (林淵) felt a sudden urge. He fetched his tools and began to carve. The recently retired farmer had been feeling restless after a lifetime of hard labor in Yuchi Township (魚池), Nantou County. His first piece, Stone Fairy Maiden (石仙姑), completed in 1977, was reportedly a representation of his late wife. This version of how Lin began his late-life art career is recorded in Nantou County historian Teng Hsiang-yang’s (鄧相揚) 2009 biography of him. His expressive work eventually caught the attention
Late last month the Executive Yuan approved a proposal from the Ministry of Labor to allow the hospitality industry to recruit mid-level migrant workers. The industry, surveys said, was short 6,600 laborers. In reality, it is already heavily using illegal foreign workers — foreign wives of foreign residents who cannot work, runaways and illegally moonlighting factory workers. The proposal thus merely legalizes what already exists. The government could generate a similar legal labor supply simply by legalizing moonlighting and permitting spouses of legal residents to work legally on their current visa. But after 30 years of advocating for that reform,
The Nuremberg trials have inspired filmmakers before, from Stanley Kramer’s 1961 drama to the 2000 television miniseries with Alec Baldwin and Brian Cox. But for the latest take, Nuremberg, writer-director James Vanderbilt focuses on a lesser-known figure: The US Army psychiatrist Douglas Kelley, who after the war was assigned to supervise and evaluate captured Nazi leaders to ensure they were fit for trial (and also keep them alive). But his is a name that had been largely forgotten: He wasn’t even a character in the miniseries. Kelley, portrayed in the film by Rami Malek, was an ambitious sort who saw in