Five years prior to the events portrayed in this film, Chin-chin (Eve Ai, 愛怡良) blocked two people on Facebook: Shu-wei (Fu Meng-po, 傅孟柏), her former work crush, and Chih-yang (Chris Wu, 吳慷仁), a self-proclaimed “love expert” and master of breaking up with women.
Since then Chin-chin has buried herself in work, earning the nickname “facial paralysis sister” (面癱姐) by her subordinates for her cold and serious demeanor. But when she is tasked with developing a love-based mobile game, she starts reevaluating her life and relationships. Meanwhile, the eccentric, happy-go-lucky Chih-yang forces himself back into her life. As the story progresses, Chih-yang starts coming to terms with his life choices as well.
It’s a simple, everyday story about facing regrets over missed opportunities, told in a quirky, somewhat disorderly manner. It especially speaks to single office workers in their 30s and 40s who have enough love and career experience but still wonder where life is going without an established path to follow, and perhaps the plot runs all over the place because that’s how it feels to be in that situation.
Photo courtesy of Warner Bros
A more focused, nuanced story would definitely have made the film stronger, but I Missed You still does its job as a feel-good, tear-jerking Lunar New Year plus Valentine’s day holiday flick. The favorable box office sales reflect that.
Despite the intentionally fast-paced and choppy storytelling with parts left to imagination, it’s not too difficult to understand and put the pieces together as the film goes on. The directing duo of Mag Hsu (許譽庭) and Hsu Chih-yen (許智彥), who were nominated for a Golden Horse in 2018 for Dear Ex (誰先愛上他), are wise to not keep this frenetic style up for the entire movie. The style changes pace and becomes more grounded toward the second half.
Although the two leads seem to be complete opposites — Chin-chin is a hard-driving, outspoken corporate team leader in a business suit while Chih-yang is a frivolous, good-for-nothing loafer who wears oversized hip-hop clothing — they hide similar self-loathing and vulnerability.
Photo courtesy of Warner Bros
The two leads do a good job portraying their duality through flashbacks; they were once quite different people than shown in the film, changed greatly by past events. While Wu is a veteran thespian with several major acting accolades, it’s surprising to find Ai, who is a well-known singer-songwriter, taking a lead role here in her acting debut. She also wrote the theme song for the movie.
Popular singer-songwriter 9m88 plays a minor role in the film as one of the young staffers on Ai’s team; her youthful energy and musings of how she wants to be after she turns 30 provides a contrast to Chin-chin’s situation.
There’s no big message, mystery or even a rushing climax in this film. Just don’t block people on social media before facing them first, or at least saying a proper goodbye, otherwise it is hard to move forward. As Chih-yang tells Chin-chin in one scene: “That day, only your pride walked away; you’re still standing on the same spot.” Sometimes the simplest themes hit closest to home.
Finally, if you’re familiar with Taiwanese pop culture, look for all the big-name Easter eggs that are dispersed throughout the movie.
April 28 to May 4 During the Japanese colonial era, a city’s “first” high school typically served Japanese students, while Taiwanese attended the “second” high school. Only in Taichung was this reversed. That’s because when Taichung First High School opened its doors on May 1, 1915 to serve Taiwanese students who were previously barred from secondary education, it was the only high school in town. Former principal Hideo Azukisawa threatened to quit when the government in 1922 attempted to transfer the “first” designation to a new local high school for Japanese students, leading to this unusual situation. Prior to the Taichung First
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
The Ministry of Education last month proposed a nationwide ban on mobile devices in schools, aiming to curb concerns over student phone addiction. Under the revised regulation, which will take effect in August, teachers and schools will be required to collect mobile devices — including phones, laptops and wearables devices — for safekeeping during school hours, unless they are being used for educational purposes. For Chang Fong-ching (張鳳琴), the ban will have a positive impact. “It’s a good move,” says the professor in the department of
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property
RSS