Certain historical statues have been disappearing in Thailand, but they are not effigies of colonialists or slave owners torn down by protesters.
Instead, Thailand’s vanishing monuments celebrated leaders of the 1932 revolution that ended absolute monarchy in Thailand, who were once officially honored as national heroes and symbols of democracy.
Reuters has identified at least six sites memorializing the People’s Party that led the revolution which have been removed or renamed in the past year.
Photo: REUTERS
In most cases it is not known who took the statues down, although a military official said one was removed for new landscaping.
Two army camps named after 1932 leaders were rechristened on the orders of the office of Prime Minister Prayuth Chan-ocha, according to an item published without comment in the Royal Gazette.
Officials in the military, government and the palace declined to answer questions regarding the removal of statues and renaming of military camps.
Some historians say the missing monuments reflect an ideological battle over Thailand’s history.
On one side is military-royalist conservatives whose supporters idealize traditional culture, with loyalty to the monarchy and King Maha Vajiralongkorn seen as the highest virtue.
On the other are populist parties, activists and academics who have risen to prominence in the last two decades, culminating in two military coups that ousted elected populist governments in 2006 and 2014.
In recent years, the conservatives have been in the ascendancy. Elections last year kept coup leader Prayuth in power through a vote that opposition parties said was rigged — an accusation that he and Thailand’s courts deny.
Since the election and last year’s elaborate coronation of King Vajiralongkorn, a major People’s Party monument in Bangkok and at least three prominent statues of People’s Party leaders at military sites have been removed, and a museum commemorating the revolution in the northern city of Chiang Rai was renamed.
Months after King Vajiralongkorn took the throne, a plaque marking the spot where the 1932 coup was proclaimed was replaced with one bearing a royalist slogan. No explanation for the change was given.
A representative of the National Defense Studies Institute — where a statue of 1932 revolutionary Plaek Phibunsongkram disappeared in January from the front of its headquarters — said on condition of anonymity that it had been moved for landscaping outside and could not say when or if it would be returned.
PEOPLE’S CONSTITUTION
Thailand officially has been a constitutional monarchy since 1932, and its traditional culture is deeply invested in the monarchy as a unifying — and for some, semi-divine — institution.
The king remains powerful and the late King Bhumibol Adulyadej, the current monarch’s father, was widely revered during his 70-year reign until his death in 2016.
Tradition mandates all Thais prostrate themselves before the king and his immediate family, and insulting the monarchy is punishable by up to 15 years in prison.
In recent years, successive military leaders including Prayuth have portrayed their critics as potential threats to the monarchy.
But since last year’s disputed election, demonstrations against military dominance have increasingly identified with the 1932 revolution, said Chatri Prakitnonthakan, an architectural historian at Silpakorn University.
Wednesday was the 88th anniversary of the revolution, and pro-democracy activists defied coronavirus bans on gatherings to protest what they say is the subversion of the principles of democracy by the military.
“We want to commemorate the 1932 revolt,” said activist Anon Nampa, who is organizing a pre-dawn protest at Bangkok’s Democracy Monument, the largest and most prominent remaining symbol of the 1932 revolt.
“I think the young generations are looking back at that era and draw parallels about today, about how power is being abused.”
In remarks on Tuesday, Prayuth did not directly address the protests, but he told people “don’t violate the monarchy and don’t violate the law.”
The Nuremberg trials have inspired filmmakers before, from Stanley Kramer’s 1961 drama to the 2000 television miniseries with Alec Baldwin and Brian Cox. But for the latest take, Nuremberg, writer-director James Vanderbilt focuses on a lesser-known figure: The US Army psychiatrist Douglas Kelley, who after the war was assigned to supervise and evaluate captured Nazi leaders to ensure they were fit for trial (and also keep them alive). But his is a name that had been largely forgotten: He wasn’t even a character in the miniseries. Kelley, portrayed in the film by Rami Malek, was an ambitious sort who saw in
It’s always a pleasure to see something one has long advocated slowly become reality. The late August visit of a delegation to the Philippines led by Deputy Minister of Agriculture Huang Chao-ching (黃昭欽), Chair of Chinese International Economic Cooperation Association Joseph Lyu (呂桔誠) and US-Taiwan Business Council vice president, Lotta Danielsson, was yet another example of how the two nations are drawing closer together. The security threat from the People’s Republic of China (PRC), along with their complementary economies, is finally fostering growth in ties. Interestingly, officials from both sides often refer to a shared Austronesian heritage when arguing for
Among the Nazis who were prosecuted during the Nuremberg trials in 1945 and 1946 was Hitler’s second-in-command, Hermann Goring. Less widely known, though, is the involvement of the US psychiatrist Douglas Kelley, who spent more than 80 hours interviewing and assessing Goring and 21 other Nazi officials prior to the trials. As described in Jack El-Hai’s 2013 book The Nazi and the Psychiatrist, Kelley was charmed by Goring but also haunted by his own conclusion that the Nazis’ atrocities were not specific to that time and place or to those people: they could in fact happen anywhere. He was ultimately
Even after years in business, weekend tables here can be booked out a month in advance. The price point far exceeds its competitors. Granted, expectations are soaringly high, but something here failed to hit the high notes. There are a few telltale signs that a restaurant relies solely on outstanding food to create the experience, no gimmicks or distractions needed. La Mole is such a restaurant. The atmosphere is food-forward, with an open kitchen center stage. Our tables are simple; no candles, no dim lighting, no ambient music. The menu is brief, and our waiter directs most