African-American entertainer Dooley appeared on local television show Super Entourage (小明星大跟班) a few weeks ago and was told by the crew that they wanted to do a skit in blackface.
Dooley, whose real name is Matthew Candler, tells the Taipei Times that Super Entourage wanted to perform a rendition of the wildly popular “Ghana Coffin Dance,” a meme that has taken the world by storm. Instead, he showed them videos about the racist origins of blackface and slavery in America, and they agreed to drop the makeup.
“[I told them] about the history [behind blackface] and [said] you decide whether you want to do it.”
Photo: Screenshot
Although the crew decided not to do the skit, other Taiwanese groups have drawn fire for performing it in blackface.
At a time when protests against police brutality toward African-Americans rocks the US, YouTubers Wackyboys (反骨男孩), who have over 1.4 million subscribers and over 700,000 Facebook followers, uploaded photos and a video of the Ghana Coffin Dance in blackface this past weekend. The group deleted the performance on Tuesday following criticism from netizens.
This follows popular dance group Luxy Boyz’ performance of the same dance in blackface last month at popular night club Omni. After complaints, the club and crew removed the videos and refrained from wearing blackface in subsequent acts. Although the incident was picked up by a few English-language media outlets, the Chinese-language media seems to have completely ignored the issue — a stark contrast from the commotion when Hsinchu high school students staged a Nazi-themed parade in 2016.
Photo: Screenshot
The only Chinese content that specifically addressed the issue was a video on Dooley’s YouTube channel uploaded on May 9, which had 2,899 views as of press time yesterday. Dooley, who has lived in Taiwan for 17 years, believes that Taiwanese aren’t being intentionally racist, they just don’t know the violent history of African-Americans.
“Everyone, no matter where you go in this world, understands what happened in Nazi Germany,” he tells the Taipei Times, but few understand the violent history that underscores blackface.
“This came about after the end of slavery when white actors would dress up as black people and paint their faces black with big eyes and huge red lips. They would dance around and make a mockery of the slaves and their culture. They used this as a way to really degrade black people.”
Wackyboys could not be reached for comment, and they have yet to post anything regarding the video on their social media platforms after deleting the content. A few netizens have continued to call for them to apologize by posting comments to other photos on Instagram.
“You owe the African community a public apology, not just by deleting your shameful actions,” commented eileendoesart.
The Luxy Boyz incident was handled similarly, with no explanation or apology to be found on their social media. They continue to promote the “non-blackface” version of their act.
Omni issued an apology, claiming ignorance to English-language media, but it cannot be found in Chinese.
While the comments section on the actual video was full of angry accusations of racism after it went viral, few people condemned the preview photos on WackyBoys’ Facebook page before the video surfaced. Out of 75 comments posted before the photos were removed, only a handful mentioned that it was racist. The rest were complimentary.
There are some recent Chinese-language reports explaining the history of blackface and why it is considered racist. But they are all in response to incidents in other countries, such as when Canadian Prime Minister Justin Trudeau apologized last year after pictures surfaced of him wearing brownface as a young man at a party.
An Apple Daily report from September last year, citing the 2018 controversy over a Chinese performer wearing blackface during the Lunar New Year gala on China Network Television, said that although the racism explicit in wearing blackface originated in the US, today it applies to the rest of the world.
However, when Mandopop crooner Jam Hsiao (蕭敬騰) appeared in blackface as Will Smith for Halloween last year, the mainstream media praised his costume and mentioned nothing about the connotations behind it, although a few international English outlets as well as netizens did accuse him of racism. Hsiao eventually took down the photos.
“Don’t think that this is okay because Taiwan doesn’t have this history,” the Facebook account MeiMeiEnglish posted. “[That this is racist] doesn’t change just because we are in a different location with a different history.”
Dooley says that even though the racism is likely unintentional, the offenders should do more than just delete the content.
“Did they come out and apologize, or do anything to spread the knowledge of what this is about and why this is not okay? Did they speak to any black entertainers? I don’t know. They didn’t contact me.”
Oct. 27 to Nov. 2 Over a breakfast of soymilk and fried dough costing less than NT$400, seven officials and engineers agreed on a NT$400 million plan — unaware that it would mark the beginning of Taiwan’s semiconductor empire. It was a cold February morning in 1974. Gathered at the unassuming shop were Economics minister Sun Yun-hsuan (孫運璿), director-general of Transportation and Communications Kao Yu-shu (高玉樹), Industrial Technology Research Institute (ITRI) president Wang Chao-chen (王兆振), Telecommunications Laboratories director Kang Pao-huang (康寶煌), Executive Yuan secretary-general Fei Hua (費驊), director-general of Telecommunications Fang Hsien-chi (方賢齊) and Radio Corporation of America (RCA) Laboratories director Pan
The consensus on the Chinese Nationalist Party (KMT) chair race is that Cheng Li-wun (鄭麗文) ran a populist, ideological back-to-basics campaign and soundly defeated former Taipei mayor Hau Lung-bin (郝龍斌), the candidate backed by the big institutional players. Cheng tapped into a wave of popular enthusiasm within the KMT, while the institutional players’ get-out-the-vote abilities fell flat, suggesting their power has weakened significantly. Yet, a closer look at the race paints a more complicated picture, raising questions about some analysts’ conclusions, including my own. TURNOUT Here is a surprising statistic: Turnout was 130,678, or 39.46 percent of the 331,145 eligible party
The classic warmth of a good old-fashioned izakaya beckons you in, all cozy nooks and dark wood finishes, as tables order a third round and waiters sling tapas-sized bites and assorted — sometimes unidentifiable — skewered meats. But there’s a romantic hush about this Ximending (西門町) hotspot, with cocktails savored, plating elegant and never rushed and daters and diners lit by candlelight and chandelier. Each chair is mismatched and the assorted tables appear to be the fanciest picks from a nearby flea market. A naked sewing mannequin stands in a dimly lit corner, adorned with antique mirrors and draped foliage
The election of Cheng Li-wun (鄭麗文) as chair of the Chinese Nationalist Party (KMT) marked a triumphant return of pride in the “Chinese” in the party name. Cheng wants Taiwanese to be proud to call themselves Chinese again. The unambiguous winner was a return to the KMT ideology that formed in the early 2000s under then chairman Lien Chan (連戰) and president Ma Ying-jeou (馬英九) put into practice as far as he could, until ultimately thwarted by hundreds of thousands of protestors thronging the streets in what became known as the Sunflower movement in 2014. Cheng is an unambiguous Chinese ethnonationalist,