A common problem with Taiwanese films is that they often start off with a grandiose, well executed opening — and the rest of the film never lives up to the hype. Karma’s (玩命貼圖) extremely gruesome first scene and creative credit sequence bodes the same promises, and fortunately it remains fairly consistent.
The gore is shown, no-holds barred, throughout the film and the pacing is reasonable, although a few of the deaths could have been left out for a more streamlined narrative. Overall, Karma tells a solid story that has few plot holes and a clear resolution, and while it’s not exactly groundbreaking, it is entertaining and does keep one on the edge of the seat by handling the suspense well, revealing information bit by bit in a logical manner and using plenty of foreshadowing that comes to make sense much later.
The story is not without its flaws, with plot holes such as how the teachers were able to snatch a dead student’s cell phone from a crime scene and keep it without the police noticing. But these errors are only noticeable if one pays full attention, and it’s not that kind of movie. It’s meant to be watched for fun.
Photo courtesy of Shine Time
Karma obviously draws heavily from the American Final Destination series, down to the shooting style, but Final Destination is about fate and cheating fate, while Karma is about, if the title isn’t obvious enough, karma. These people were not randomly chosen by “Death” as they were in the American series, but rather, their previous actions led to the final outcome.
While the script is solid, there’s much to gripe about the casting. Several of the “students” look too old to be in high school, especially the main female student played by Lan Ya (藍婭), whose actual age is unknown as there is little information about her on the Internet. In fact, it seems like many of these are first-time or unknown actors as they have a thin online presence. Their acting chops range from so-so to cringeworthy, and one wonders if the director couldn’t have just found people who looked the part since the ones he chose didn’t impress anyway.
The adult characters for the most part perform decently, but Lorene Jen (任容萱) simply doesn’t have enough of a presence to be the one spearheading the whole investigation. She seems oddly detached even as horrible things are happening, and it’s hard to connect with her, which is crucial as she’s later involved in a significant plot twist.
Photo courtesy of Shine Time
And late 1990s Cantopop heartthrob Daniel Chan (陳曉東) plays an extremely cheesy god of death (Sariel) who serves no purpose but to briefly appear at the beginning and end to deliver trite statements on life and death in an echoing, effects-laden voice that should only belong in trashy B-movies of the 1980s.
While the characters are dealing with an formless “Death” in the Final Destination series, Chan’s character has absolutely no role in the plot, and is obviously included and billed as one of the main cast just for his star power. The movie should end when the mystery is revealed and conflicts resolved, but Chan just has to jump out and ruin things.
The only actor who truly shines is veteran funnyman Mario Pu (馬力歐), who plays the sleazy and calculating Principal Sun in such a hilarious yet painfully realistic way that he seems to be the most complex character here despite playing a minor part. One cannot help but burst out in laughter when Sun puts a lifesize figure of himself in a bowtie flashing a huge smile on the sign for a school music competition, one that he adamantly decides to go forward with, despite all the deaths in school, for personal gain of course.
It’s a half-decent film for this genre, and Taiwan’s film industry has come a long way with its recent thrillers. However, despite Karma receiving considerable attention on the festival circuit, there’s still a long way to go before Taiwanese horror becomes as internationally acclaimed as its Japanese and Korean counterparts.
Directed by: Chung Wei-heng (中圍恆)
Starring: Daniel Chan (陳曉東), Lorene Jen (任容萱), Kurt Chou (周孝安), Mario Pu (馬力歐)
Language: Mandarin with Chinese and English subtitles
Running time: 89 MINUTES
Taiwan release: In theaters
The town of Baolai (寶來) is located along the Southern Cross-Island Highway in the upper reaches of Kaohsiung City. After suffering a devastating setback at the hands of Typhoon Morakot, the town’s tourism industry is finally showing signs of recovery. While the town itself has many commercial hot spring offerings for tourists, the adjacent Baolai River also has at least five different wild hot springs available to those with a more adventurous spirit. SHIDONG AND WUKENG Just before entering the town of Baolai, make two right turns to reach the bridge across the Baolai River. Immediately after crossing this bridge, there is
In October of 2002 the James Ossuary exploded into the public consciousness. The artifact, a burial box in which bones were interred, was announced at a press conference in Washington prior to undergoing any form of scholarly authentication. It had an inscription that read in Aramaic: Ya’akov bar Yosef akhui di Yeshua (“James, son of Joseph, brother of Jesus”). Its promoters presented the thing as the first real concrete link to the historical Jesus. It was an obvious fake, and at that time I was administrating two enormous discussion groups devoted to early Christian history, which hosted numerous scholars in
Jan. 25 to Jan. 30 It was the beginning of the end when Dutch sergeant Hans Jurgen Radis walked out of Fort Zeelandia and surrendered to the besieging army of Cheng Cheng-kung (鄭成功, also known as Koxinga). The Dutch had already been trapped in the fort for nine months, and they were sick, hungry and in despair. After one defection during the early days of the siege, Dutch commander Frederick Coyett set up checkpoints around the fort’s perimeter, in what is today’s Tainan. Radis told his bunkmate he was going hunting, but by the time they realized where
“Well, if it cannot happen this year because of the pandemic,” Tourism Bureau Director General Chang Shi-chung (張錫聰) says at the end of his interview with Cycling Shorts last week, “at least we’ll be ready to promote it next year.” Chang is discussing the Year of Cycling Tourism (自行車旅遊年) that has long been planned for this year. He has spent the previous 30 minutes introducing the various infrastructure projects undertaken over recent years and those proposed for the next few. Essentially, the Bureau, under the Ministry of Transportation and Communications (MOTC), has been pulling together resources from a wide range of