Cross-cultural collaboration and scientific research once again form the heart of Taiwanese choreographer Su Wen-chi’s (蘇文琪) latest work, Infinity Minus One (從無止境回首), which will be performed this weekend at the National Experimental Theater in Taipei.
Infinity Minus One, part of the National Theater Concert Hall’s (NTCH) Taiwan International Festival of Arts, is the second installment of Su’s “Rainbow Trilogy” sparked by her month-long residency at the European Organization for Nuclear Research (CERN) in Geneva, Switzerland, in 2016. She won the residency as part of the “ACCELERATE Taiwan | Arts@CERN” program to pair a digital programmer/artist and a choreographer for a dance project that would explore the digital realm and the world of particle physics.
While at CERN, Su was able to observe experiments with a Cloud Chamber, which is a particle detector used to visualize the passage of ionizing radiation.
Photo courtesy of Jean-Lu Tanghe
Part one of Su’s trilogy, After Unconditional Love and Fact (全然的愛與真實), was performed in the Experimental Theater in October last year as part of the NTCH’s Dancing in Autumn series.
For Infinity Minus One, she teamed up with four Indonesians — modern dancer/choregraphers Luluk Ari Prasetyo and Danang Pamungkas, experimental musicians Rully Shabara and Wukir Suryadi of the duo Senyawa — Japanese light designer Ryoya Fudetani and Taiwanese artist Chiu Chao-tsai (邱昭財), videographer Chang Huei-ming (張暉明) and his frequent collaborator, Liao Chi-yu (廖祈羽).
Su, the founder of the YiLab (一當代舞團) troupe, said she was interested in how artists could present the two extremes of scale — a particle and the universe — in human terms and in terms of physical energy. Can one sense infinity or is it simply a feeling of uncertainty?
With those kinds of questions, one can see why Su would have tapped Chiu for the multi-media portion of Infinity Minus One. He used a telescope and a microscope to create extraterrestrial-like installations for his Light‧Scape (光‧景) gallery show last fall.
Su said she also wanted to explore how traditional gestures can be transformed and incorporated into modern artistic concepts.
The show is about an hour long, with no intermission. The TIFA Web site notes that the show includes partial nudity, smoke and loud voices and that latecomers will not be admitted.
■ Experimental Theater (國家戲劇院實驗劇場), 21-1 Zhongshan N Rd, Taipei City (台北市中山南路21-1號) tonight and tomorrow at 7:30pm and tomorrow and Sunday at 2:30pm
■ Tickets are NT$800, available at NTCH box offices, online at www.artsticket.com.tw and at convenience store ticketing kiosks
Words of the Year are not just interesting, they are telling. They are language and attitude barometers that measure what a country sees as important. The trending vocabulary around AI last year reveals a stark divergence in what each society notices and responds to the technological shift. For the Anglosphere it’s fatigue. For China it’s ambition. For Taiwan, it’s pragmatic vigilance. In Taiwan’s annual “representative character” vote, “recall” (罷) took the top spot with over 15,000 votes, followed closely by “scam” (詐). While “recall” speaks to the island’s partisan deadlock — a year defined by legislative recall campaigns and a public exhausted
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality