The big news this week was the opening on Wednesday of The Viral Factor (逆戰), the biggest and most expensive film by action/crime director Dante Lam (林超賢) starring Jay Chou (周杰倫) and Nicholas Tse (謝霆鋒). The two stars were in Hong Kong for the premiere earlier this week, and both expressed confidence that the film would be the big money spinner of the Lunar New Year vacation. Despite freezing temperatures, huge crowds gathered to catch the opening screening of the film in far away Manhattan, and the reception in Asia has been equally enthusiastic. Despite this, Chou told Hong Kong’s Ming Pao (明報) that shooting the high-octane action thriller had been really exhausting and he did not think it likely that he would sign up for a sequel. He said that he is better suited to romantic tales, and suggested that there could be a sequel to his schmaltzy 2007 film Secret (不能說的秘密).
Ming Pao reported that asked if he would cast the latest J-girl (a moniker that refers to female stars who have been romantically linked to Chou), teenage model Hannah Quinlivan (昆凌), to costar in this sequel, The Chairman came out with his most strongly worded rebuttal of rumors of a burgeoning relationship.
“I never costar with people I am rumored to be connected with romantically,” he said. “And my relationship [with Quinlivan] is nothing more than media speculation. We are just friends.”
Photo: Taipei Times
Internet rumors suggest that Chou was unhappy with the high profile that Quinlivan had given to the relationship and had been avoiding her recently. These rumors point to an interview in which Quinlivan was asked when she might marry Chou, in which she replied: “You better ask him.” For the press, this was as good as a marriage proposal, and may well have got up the nose of the notoriously private superstar.
Tse’s romantic life also came under the spotlight with the release of The Viral Factor, but when the media pressed him on the status of his relationship with his former wife Cecilia Cheung (張柏芝), he emphasized that though he would be spending the Lunar New Year holiday with his children, Cheung would not be present. He refused to comment on the poor showing of a string of recent films in which Cheung has starred (some media are already labeling her “box office poison”) and ended an interview saying that if reporters asked him any more questions about Cheung, he would jump off a tall building.
In other news, Chantel Liu (劉香慈) might be something of a new girl on the block, but she is doing very well, thank you. She has rocketed to stardom as a sexy sergeant in two seasons of the hugely popular TV soap Rookies’ Diary (新兵日記). Originally best known as the busty girl friend of Aboriginal singer Biung Tak-Banuaz (王宏恩), she ditched him for a bloke originally dubbed “Bentley Man” (賓利男) by Next Magazine, and has now moved on to a fellow most notable for owning a BMW. This hardly seems a step up. She has also recently purchased a NT$20 million house in Greater Taichung, where Next speculates she intends to get cozy over the New Year. Let’s hope the place has a nice garage.
Singer Wang Lee-hom (王力宏) is looking forward to a good Year of the Dragon, following in the footsteps of Asian performers like Takeshi Kaneshiro (金城武) and Tony Leung Chiu-wai (梁朝偉) toward Hollywood riches. According to the Liberty Times, a collaboration with hip-hop superstar Kanye West to endorse sports products will earn him NT$30 million, the largest such deal for an Asian star to date. Following on from an advertising collaboration with Usher last year, Wang’s career is heading for international stardom. Wang, born in 1976, was a Year of the Dragon baby and his success is certain to provide plenty of excitement for celebrity-conscious astrologers.
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The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
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