Netizens have been busy this past week, watching Jeremy Liu’s (劉子千) excruciating music video for his track Nian Ni (唸你), the title of which loosely translates as “thinking of you,” and making unflattering comments about it. The music video has amassed a huge number of hits and according to reports in the United Daily News, the album that contains the single has sold more than 470,000 copies in Taiwan, Hong Kong and China, and shops around the country are being stripped of existing stock.
Liu is the son of the massively prolific songwriter and singer Liu Chia-chang (劉家昌), whose songs have helped establish the fame of divas such as Teresa Teng (鄧麗君) and Ouyang Feifei (歐陽菲菲), and crooners Fei Yu-ching (費玉清) and Bobbie Chen (陳昇). This has been a mixed blessing now that Liu Senior has turned his mind to giving his son a leg up the entertainment ladder. Nian Ni harks back to an older style of singing, and Junior’s talents, on first impression, seem rather inadequate for its demands. The Apple Daily describes him as singing “like a duck.”
Still, his performance on the music video of Nian Ni is remarkable. At first it seems merely inept, but then the very earnestness of the singing and his evident disconnect from the lyrics make it enormously humorous. Worse still, the song itself seems to have lodged in the national consciousness. On the nominally serious talk show This Is It (關鍵時刻), host Liu Pao-chieh (劉寶傑) even suggested that the singing might cause a few deaths and suggested that it should be played to dogs to see if it causes anguish in sentient beings. It must be said that a cover of the song by SpongeBob SquarePants, also posted on YouTube, is actually much better than the original.
Photo: Taipei Times
Liu’s mother, with the kind of sympathy that only a mother could command, is quoted as saying, “There are other songs on the album that show he can sing well. The way he sings Nian Ni is a deliberate choice.”
According to the Apple Daily, father and son fought bitterly over the release of the album and the younger Liu had gone off to write songs of his own to show he would not live in his father’s shadow. The rift was mended when Liu Senior threatened to cut the purse strings and Junior came back to heel.
He is now launched in the public eye in a way he probably never hoped to be, but as another Pop Stop favorite, Edison Chen (陳冠希), has discovered, notoriety is almost as good as celebrity for making it in the entertainment industry. On This Is It, one of the panelists praised Liu Senior for his “genius” in creating a song that is so jarring that it could not but lift his son into celebrity stardom.
Speaking of notoriety, entertainment industry bad boy Jackie Wu (吳宗憲) has stepped out of line in ways he may not have intended, and was earlier this week charged with fraud. The funnyman could face up to five years in prison if found guilty of shady financial deals related to his ownership of an LED company. The company is reportedly facing financial difficulties. Wu, one of the country’s most highly paid entertainers, has faced a string of business failures. In a tearful interview on Wednesday, he was quoted as saying, “I might make mistakes, but I don’t commit crimes. I may have lied to myself, but I would never lie to my fans.” Wu maintained that he was innocent, but swore that if he were found guilty, he would retire from the entertainment industry forever. We’ve heard that one before.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property