Reality Impalpable (不確定的真相) is a solo exhibition of works by Chinese artist Li Hui (李暉). Li’s light installations — including one composed of 13,000 LEDs — are meant to serve as a symbol of China’s hectic and rapidly changing society, particularly his hometown of Beijing, which is contrasted with the philosophies of Buddhism and Confucianism.
■ Museum of Contemporary Art, Taipei (MOCA, Taipei), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm. Admission: NT$50
■ Opening reception on Friday at 6pm. Until June 26
Photo courtesy of MOCA, Taipei
Return to the Essence (返本歸真) surveys Taiwan’s abstract painting scene through the work of five artists: Chu Teh-i (曲德益), Lee Shi-chi (李錫奇), Tsong Pu (莊普), Yang Chi-hung (楊識宏) and Hsueh Pao-shia (薛保瑕).
■ Red Gold Fine Art (赤粒藝術), 15, Ln 116, Da-an Rd Sec 1, Taipei City (台北市大安路一段116巷15號), tel: (02) 8772-5887. Open Tuesdays to Sundays from 11am to 7pm
■ Opening reception on Sunday at 3pm. Until May 29
Modigliani and his Circle showcases works by and documents about Italian figurative painter Amedeo Modigliani and some of his friends and contemporaries, including Moise Kisling and Max Jacob. This is the first exhibition dedicated to Modigliani in Asia.
■ Kaohsiung Museum of Fine Arts, 80 Meishuguan Rd, Greater Kaohsiung (高雄市美術館路80號), tel: (07) 555-0331. Open Tuesdays to Sundays from 9am to 5pm. Admission: NT$260
■ Until July 31
Shanghai’s influx of foreign influences toward the end of the 19th century set traditional Chinese ink painting on a new trajectory, as an exhibit of 20 works by 16 artists at 99 Degrees Art Center attempts to show. The pluralistic tradition that evolved from the merging of disparate cultures and artistic styles continues to the present day. The works on exhibit span the past 100 years and include examples by Ren Bonian (任伯年), Wu Changshuo (吳昌碩), Huang Binhong (黃賓虹) and Chang Dai-chien (張大千).
■ 99 Degrees Art Center (99度藝術中心), 5F, 259, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段259號5樓), tel: (02) 2700-3099. Open Tuesdays to Sundays from 11am to 6pm
■ Until May 29
The Animal’s Soliloquy (動物的獨白) presents a new series of surrealist and psychedelic paintings of animals by Johnny Leo (廖文彬). Leo’s dreamy paintings address environmental degradation.
■ Butchart Contemporary Art Space (布查當代藝術空間), 155, Linong St Sec 2, Taipei City (台北市立農街二段155號), tel: (02) 2820-9920. Open daily from 11am to 9:30pm
■ Until May 16
Sound Creature (聲音生物) is an exhibition of sound installations featuring environmental sound artist (wind, waves, water) Wang Fu-jui (王福瑞), cassette tape experimenter (classical music) Chang Yung-ta (張永達) and interactive sound installation guru Hiroko Mugibayashi from Japan, among others.
■ Galerie Grand Siecle (新苑藝術), 17, Alley 51, Ln 12, Bade Rd Sec 3, Taipei City (台北市八德路三段12巷51弄17號), tel: (02) 2578-5630. Open Tuesdays to Sundays from 1pm to 6pm.
■ Until May 8
Many people noticed the flood of pro-China propaganda across a number of venues in recent weeks that looks like a coordinated assault on US Taiwan policy. It does look like an effort intended to influence the US before the meeting between US President Donald Trump and Chinese dictator Xi Jinping (習近平) over the weekend. Jennifer Kavanagh’s piece in the New York Times in September appears to be the opening strike of the current campaign. She followed up last week in the Lowy Interpreter, blaming the US for causing the PRC to escalate in the Philippines and Taiwan, saying that as
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
The Chinese Communist Party (CCP) has a dystopian, radical and dangerous conception of itself. Few are aware of this very fundamental difference between how they view power and how the rest of the world does. Even those of us who have lived in China sometimes fall back into the trap of viewing it through the lens of the power relationships common throughout the rest of the world, instead of understanding the CCP as it conceives of itself. Broadly speaking, the concepts of the people, race, culture, civilization, nation, government and religion are separate, though often overlapping and intertwined. A government
Nov. 3 to Nov. 9 In 1925, 18-year-old Huang Chin-chuan (黃金川) penned the following words: “When will the day of women’s equal rights arrive, so that my talents won’t drift away in the eastern stream?” These were the closing lines to her poem “Female Student” (女學生), which expressed her unwillingness to be confined to traditional female roles and her desire to study and explore the world. Born to a wealthy family on Nov. 5, 1907, Huang was able to study in Japan — a rare privilege for women in her time — and even made a name for herself in the
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