Reality Impalpable (不確定的真相) is a solo exhibition of works by Chinese artist Li Hui (李暉). Li’s light installations — including one composed of 13,000 LEDs — are meant to serve as a symbol of China’s hectic and rapidly changing society, particularly his hometown of Beijing, which is contrasted with the philosophies of Buddhism and Confucianism.
■ Museum of Contemporary Art, Taipei (MOCA, Taipei), 39 Changan W Rd, Taipei City (台北市長安西路39號), tel: (02) 2552-3720. Open Tuesdays to Sundays from 10am to 6pm. Admission: NT$50
■ Opening reception on Friday at 6pm. Until June 26
Photo courtesy of MOCA, Taipei
Return to the Essence (返本歸真) surveys Taiwan’s abstract painting scene through the work of five artists: Chu Teh-i (曲德益), Lee Shi-chi (李錫奇), Tsong Pu (莊普), Yang Chi-hung (楊識宏) and Hsueh Pao-shia (薛保瑕).
■ Red Gold Fine Art (赤粒藝術), 15, Ln 116, Da-an Rd Sec 1, Taipei City (台北市大安路一段116巷15號), tel: (02) 8772-5887. Open Tuesdays to Sundays from 11am to 7pm
■ Opening reception on Sunday at 3pm. Until May 29
Modigliani and his Circle showcases works by and documents about Italian figurative painter Amedeo Modigliani and some of his friends and contemporaries, including Moise Kisling and Max Jacob. This is the first exhibition dedicated to Modigliani in Asia.
■ Kaohsiung Museum of Fine Arts, 80 Meishuguan Rd, Greater Kaohsiung (高雄市美術館路80號), tel: (07) 555-0331. Open Tuesdays to Sundays from 9am to 5pm. Admission: NT$260
■ Until July 31
Shanghai’s influx of foreign influences toward the end of the 19th century set traditional Chinese ink painting on a new trajectory, as an exhibit of 20 works by 16 artists at 99 Degrees Art Center attempts to show. The pluralistic tradition that evolved from the merging of disparate cultures and artistic styles continues to the present day. The works on exhibit span the past 100 years and include examples by Ren Bonian (任伯年), Wu Changshuo (吳昌碩), Huang Binhong (黃賓虹) and Chang Dai-chien (張大千).
■ 99 Degrees Art Center (99度藝術中心), 5F, 259, Dunhua S Rd Sec 1, Taipei City (台北市敦化南路一段259號5樓), tel: (02) 2700-3099. Open Tuesdays to Sundays from 11am to 6pm
■ Until May 29
The Animal’s Soliloquy (動物的獨白) presents a new series of surrealist and psychedelic paintings of animals by Johnny Leo (廖文彬). Leo’s dreamy paintings address environmental degradation.
■ Butchart Contemporary Art Space (布查當代藝術空間), 155, Linong St Sec 2, Taipei City (台北市立農街二段155號), tel: (02) 2820-9920. Open daily from 11am to 9:30pm
■ Until May 16
Sound Creature (聲音生物) is an exhibition of sound installations featuring environmental sound artist (wind, waves, water) Wang Fu-jui (王福瑞), cassette tape experimenter (classical music) Chang Yung-ta (張永達) and interactive sound installation guru Hiroko Mugibayashi from Japan, among others.
■ Galerie Grand Siecle (新苑藝術), 17, Alley 51, Ln 12, Bade Rd Sec 3, Taipei City (台北市八德路三段12巷51弄17號), tel: (02) 2578-5630. Open Tuesdays to Sundays from 1pm to 6pm.
■ Until May 8
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
“Taiwan’s Opposition Leader Comes to US With a Message Straight Out of Beijing” read a May 31 headline in the Wall Street Journal. Top US administration officials and members of Congress almost certainly read the WSJ, and if there was a bullet point takeaway that people in Washington should absorb ahead of Chinese Nationalist Party (KMT) Chair Cheng Li-wun’s (鄭麗文) arrival in DC on June 9, that headline is it. The last few columns have discussed this very topic, and the timing is not coincidental. While those top officials likely do not read the Taipei Times, judging by the number
As someone who normally steers clear of books with “transcendence” or “metaphysics” in their subtitles, this reviewer — a casual observer of local belief systems since the 1990s — found Fabian Graham’s Money God Temples in Taiwan a challenging read. Those who’ve only dipped their toes into temple culture will likely need to parse several sections with special care if they’re to keep up with the author, a British ethnographic researcher whose previous books have investigated religious practices among ethnic Chinese in Southeast Asia. This scholarly volume examines a facet of Taiwan’s religious landscape that didn’t exist a century ago, and
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