During the height of Taiwanese new wave cinema, directors portrayed Taipei as a city of bleakness and anomie. Now younger generations
of filmmakers have injected color and zest into their depictions of
the capital.
In his feature debut Au Revoir Taipei (一頁台北), Taiwanese American director Arvin Chen (陳駿霖) evokes a city that is lively, splashy and heavenly matched for his fun-filled romantic comedy mostly set during the young protagonist’s final night in the city.
Writer-director Chen paints nocturnal Taipei as romantically as cinematic depictions of Paris. The boisterous Shida night market, winding downtown alleys and narrow neighborhoods evoke a sense of magic as Taipei 101 flickers in the distance. The vivacious cinematography basks the city in opulent colors, while briskly moving scenes accelerate the plot at an energetic pace. The sound track by Chinese American composer Hsu Wen is an absolute delight, lending the story an irresistibly jazzy tone.
Kai (Jack Yao, 姚淳耀) bids farewell to his girlfriend before she heads off to Paris at the beginning of the film. Obsessed with joining her in Europe, Kai reads up on French in a bookstore when he is not waiting tables at his parents’ noodle stall. His absent lover hardly calls, but bookstore assistant Susie (Amber Kuo, 郭采潔) shows interest.
When Kai’s girlfriend dumps him over the phone, he seeks help from gangster boss and real estate shark Bao (Frankie Gao, 高凌風), who offers the heartbroken lad a ticket to Paris in exchange for carrying out a courier delivery.
Believing the package Kai couriers contains something extremely valuable, Bao’s nephew Hong (Lawrence Ko, 柯宇綸) and three bumbling sidekicks embark on a scheme that sees Kai, Susie, Kai’s goofy friend Gao (Paul Chiang, 姜康哲) and the two cops who are staking out Bao’s operation all enmeshed in a night of high jinks that involves kidnapping, dancing in a park, and a love motel.
Kai and Susie traipse across the city and meet a number of likable oddballs, most of whom have their own problems involving love: Bao is an old gangster boss who wishes to retire with his much younger sweetheart, while cop Ji-yong, played by an amusingly gawky Joseph Chang (張孝全), is ditched by his girlfriend for being an indifferent lover. Ko is a likeable character, a slightly neurotic small-timer who dreams of making something big out of his dull life as a real-estate salesman. The brightest new find is Chiang, who possesses an instantly lovable goofiness that is well expressed in his character Gao, a tall, fumbling convenience-store worker.
The boy-meets-girl romance can be a tiresome genre, but Chen has enough in his scriptwriting bag of tricks to keep the audience engaged pretty much to the end. Sugar-coated with warm humor and kooky charm, the film is sweet and lighthearted, and audiences should not expect anything that even slightly resembles the oeuvre of Wim Wenders, one of the film’s executive producers.
Au Revoir Taipei, with a few character modifications, could be an expanded sequel to Mei (美), Chen’s graduation film at the University of Southern California that won the Silver Bear in Berlin’s International Short Film Competition in 2007. The 12-minute short tells the love story between a young man (also played by Yao) and a girl who plans to go to New York City, compacting emotions that linger much longer than its glossier follow-up does.
The Taipei Times last week reported that the rising share of seniors in the population is reshaping the nation’s housing markets. According to data from the Ministry of the Interior, about 850,000 residences were occupied by elderly people in the first quarter, including 655,000 that housed only one resident. H&B Realty chief researcher Jessica Hsu (徐佳馨), quoted in the article, said that there is rising demand for elderly-friendly housing, including units with elevators, barrier-free layouts and proximity to healthcare services. Hsu and others cited in the article highlighted the changing family residential dynamics, as children no longer live with parents,
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The election of Cheng Li-wun (鄭麗文) as chair of the Chinese Nationalist Party (KMT) marked a triumphant return of pride in the “Chinese” in the party name. Cheng wants Taiwanese to be proud to call themselves Chinese again. The unambiguous winner was a return to the KMT ideology that formed in the early 2000s under then chairman Lien Chan (連戰) and president Ma Ying-jeou (馬英九) put into practice as far as he could, until ultimately thwarted by hundreds of thousands of protestors thronging the streets in what became known as the Sunflower movement in 2014. Cheng is an unambiguous Chinese ethnonationalist,
I was 10 when I read an article in the local paper about the Air Guitar World Championships, which take place every year in my home town of Oulu, Finland. My parents had helped out at the very first contest back in 1996 — my mum gave out fliers, my dad sorted the music. Since then, national championships have been held all across the world, with the winners assembling in Oulu every summer. At the time, I asked my parents if I could compete. At first they were hesitant; the event was in a bar, and there would be a lot
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