California power-pop quartet Melee hasn’t made it to the top of the charts in their own country, but that hasn’t stopped them from building up a huge following overseas.
Built to Last, the first single off the Orange County band’s major-label debut album Devils and Angels, was a Top 5 hit in South Korea, Singapore, Thailand and Taiwan, where the band plays on Thursday at Riverside Live House in Taipei.
The single, released in January of last year, also reached No. 2 on radio airplay charts in Germany, Belgium and the Netherlands, and climbed to No. 25 on the Euro Pop charts.
“We had only toured the United States until [Devils and Angels] came out. Our managers turned to us a week after [the album was released] and said, ‘It’s kind of taking off in Japan,’” Melee frontman Chris Cron recalled in a phone interview from his home in southern California earlier this month. “Then the next thing we knew we got in a plane and headed to Japan and then it spread throughout Asia from there.”
Cron (vocals, keyboard) and childhood friends Ricky Sans (guitar) and Ryan Malloy (bass, vocals) played music together during high school and got serious about it during college. They added drummer Mike Nader and self-released an EP, followed in 2004 by a full-length album, Everyday Behavior, with indie label Sub City.
That album — which reflected Melee’s early love of bands like Blur and Weezer and late-1990s ska — sold 15,000 copies and led to the four-piece signing with Warner Bros Records in September 2005.
Melee has by now drifted solidly into melodic pop. Songs on Devils and Angels — which Cron has said are about “being in your 20s in modern America” — range from power ballads to pop-rock anthems and are characterized by slick production, catchy hooks, soaring vocals and lots of piano. The band cites Elton John, Coldplay and John Legend as recent influences.
When asked about Melee’s swing to more pop-oriented music, Cron said: “We started Melee saying that we weren’t going to put any labels on ourselves. If we wanted to write a surf-rock song then we’d do it, if we wanted to write a bossa nova song we’d do it, if we wanted to write a metal song then we would do it.”
“Then we kind of honed it into something because we realized that doesn’t necessarily make for a very convincing album,” he continued. “But I think we still hold true to [ourselves]. We never completely repeat ourselves.”
Melee has even achieved considerable success in the UK, despite being panned by some critics there (the BBC called Devils and Angels a “pop missile designed by computer for maximum payload yield”). Built to Last hit No. 16 on the British radio charts and the band played several shows in England and Scotland this past summer.
Cron attributed his group’s warm reception among British fans to the fact that “we joke around about who we are and aren’t too serious all the time.”
“I always thought that people were going to be very pretentious and very critical of music in the UK, and sometimes they are. But they also can really appreciate people who don’t take themselves too seriously, which I don’t think Americans can all the time,” he said.
— RON BROWNLOW
When nature calls, Masana Izawa has followed the same routine for more than 50 years: heading out to the woods in Japan, dropping his pants and doing as bears do. “We survive by eating other living things. But you can give faeces back to nature so that organisms in the soil can decompose them,” the 74-year-old said. “This means you are giving life back. What could be a more sublime act?” “Fundo-shi” (“poop-soil master”) Izawa is something of a celebrity in Japan, publishing books, delivering lectures and appearing in a documentary. People flock to his “Poopland” and centuries-old wooden “Fundo-an” (“poop-soil house”) in
Jan 13 to Jan 19 Yang Jen-huang (楊仁煌) recalls being slapped by his father when he asked about their Sakizaya heritage, telling him to never mention it otherwise they’ll be killed. “Only then did I start learning about the Karewan Incident,” he tells Mayaw Kilang in “The social culture and ethnic identification of the Sakizaya” (撒奇萊雅族的社會文化與民族認定). “Many of our elders are reluctant to call themselves Sakizaya, and are accustomed to living in Amis (Pangcah) society. Therefore, it’s up to the younger generation to push for official recognition, because there’s still a taboo with the older people.” Although the Sakizaya became Taiwan’s 13th
For anyone on board the train looking out the window, it must have been a strange sight. The same foreigner stood outside waving at them four different times within ten minutes, three times on the left and once on the right, his face getting redder and sweatier each time. At this unique location, it’s actually possible to beat the train up the mountain on foot, though only with extreme effort. For the average hiker, the Dulishan Trail is still a great place to get some exercise and see the train — at least once — as it makes its way
Earlier this month, a Hong Kong ship, Shunxin-39, was identified as the ship that had cut telecom cables on the seabed north of Keelung. The ship, owned out of Hong Kong and variously described as registered in Cameroon (as Shunxin-39) and Tanzania (as Xinshun-39), was originally People’s Republic of China (PRC)-flagged, but changed registries in 2024, according to Maritime Executive magazine. The Financial Times published tracking data for the ship showing it crossing a number of undersea cables off northern Taiwan over the course of several days. The intent was clear. Shunxin-39, which according to the Taiwan Coast Guard was crewed