Director Hung Hung breaks away from the realism of Taiwanese cinema with his sci-fi romance 'The Wall-Passer'
Poet, theater director and filmmaker Hung Hung (鴻鴻) breaks away from the realism typical of Taiwanese cinema with his latest movie The Wall-Passer (穿牆人), a sci-fi romance.
Set in the near future, the film begins as 17-year-old Tye (Chang Yung-cheng, 張永政) moves from planet G40, where there's been an earthquake, to Real City.
PHOTO: COURTESY OF DARK EYES
On a field trip to a museum, Tye finds a radioactive rock that gives him the ability to pass through walls. He also meets and secretly falls for an alien employee named Nono (Lee Chia-ying, 李佳穎), who communicates through bionic earpieces.
The romance is cut off by the reappearance of Nono's French-speaking lover. After the alien leaves without a trace, Tye searches for her in a world called Elsewhere.
He never finds her, but does meet the leather-clad, blind hottie, Ya-hung (Jozie Lu, 路嘉欣). Eventually, he realizes that he is a character in a computer game that Ya-hung created. Tye lets Ya-hung take his place in the game so that she can experience family life.
They return to their own worlds and 20 years pass by. The middle-aged Tye comes to what looks like the end of the world during a company outing. There, he sees a girl who resembles his long-lost love, Nono.
Inspired by French novelist and playwright Marcel Ayme's short story Le Passe-Muraille and Jean-Luc Godard's Alphaville, the film is a coming-of-age story about a lone boy growing into a considerate individual who gradually accepts the world as it is. Abundant in symbology and metaphors, the film is also about Tye's dreams.
Rather than lavishing money on expensive post-production special effects, Hung Hung and the crew members, including cinematographer Jake Pollock, build up an aura of fantasia through creative art direction and unique "hand-crafted visual effects," according to a statement by the director.
The stylistic use of rear projection inspired by Lars Von Trier's Europa exudes a dream-like psychological world. Black-and-white cinematography also helps perpetuate this feeling, while specially exposed color film gives the sci-fi flick a metallic blue-green hue.
The smooth flow of the film was enabled by meticulously planned camera movements. Among the most impressive is Tye's first experience passing through a wall.
The release of The Wall-Passer closely follows that of fellow mold-breaking director Wu Mi-sen's (吳米森) Amour-Legende (松鼠自殺事件).
"The 1980s and 1990s saw a fine oeuvre of realistic films, but now Taiwanese cinema is limited. We will come to a dead-end if things continue going in the same direction ... ." Hung Hung said. "Wu and I are sort of among the first ones to take up the challenge, that is, to create something different and not be concerned with what is expected from us as Taiwanese directors."
Film notes
The Wall-Passer
(穿牆人)
DIRECTED BY: Hung Hung (鴻鴻)
STARRING: Chang Yung-cheng (張永政) as Tye, Lee Chia-ying (李佳穎) as Nono, Jozie Lu (路嘉欣) as Ya-hung
LANGUAGE: In Mandarin with Chinese and English subtitles
RUNNING TIME: 108 minutes
TAIWAN RELEASE: Today
Dissident artist Ai Weiwei’s (艾未未) famous return to the People’s Republic of China (PRC) has been overshadowed by the astonishing news of the latest arrests of senior military figures for “corruption,” but it is an interesting piece of news in its own right, though more for what Ai does not understand than for what he does. Ai simply lacks the reflective understanding that the loneliness and isolation he imagines are “European” are simply the joys of life as an expat. That goes both ways: “I love Taiwan!” say many still wet-behind-the-ears expats here, not realizing what they love is being an
Google unveiled an artificial intelligence tool Wednesday that its scientists said would help unravel the mysteries of the human genome — and could one day lead to new treatments for diseases. The deep learning model AlphaGenome was hailed by outside researchers as a “breakthrough” that would let scientists study and even simulate the roots of difficult-to-treat genetic diseases. While the first complete map of the human genome in 2003 “gave us the book of life, reading it remained a challenge,” Pushmeet Kohli, vice president of research at Google DeepMind, told journalists. “We have the text,” he said, which is a sequence of
Every now and then, even hardcore hikers like to sleep in, leave the heavy gear at home and just enjoy a relaxed half-day stroll in the mountains: no cold, no steep uphills, no pressure to walk a certain distance in a day. In the winter, the mild climate and lower elevations of the forests in Taiwan’s far south offer a number of easy escapes like this. A prime example is the river above Mudan Reservoir (牡丹水庫): with shallow water, gentle current, abundant wildlife and a complete lack of tourists, this walk is accessible to nearly everyone but still feels quite remote.
It’s a bold filmmaking choice to have a countdown clock on the screen for most of your movie. In the best-case scenario for a movie like Mercy, in which a Los Angeles detective has to prove his innocence to an artificial intelligence judge within said time limit, it heightens the tension. Who hasn’t gotten sweaty palms in, say, a Mission: Impossible movie when the bomb is ticking down and Tom Cruise still hasn’t cleared the building? Why not just extend it for the duration? Perhaps in a better movie it might have worked. Sadly in Mercy, it’s an ever-present reminder of just