Three years after the final installment of his ambitious trilogy Infernal Affairs (無間道) hit the big screen, Hong Kong's most sought-after director Andrew Lau (劉偉強) returns to his favored theme of cops and killers in Daisy (愛無間), only this time he has dispensed with a male-dominated plot.
Lau's usual fare of tough-guy action has been augmented in Daisy by the presence of a female protagonist over whose affections a hit man and Interpol agent tussle.
Set entirely in Amsterdam, the film revolves around a young, beautiful street artist named Hye-Young from South Korea (played by Jun Ji-Hyun).
With the purity of an angel, Hye-Young holds out for the man of her dreams who has yet to enter her life.
And low, along comes South Korean assassin Park Yi (played by Jung Woo-Sung) who immediately falls for Hye-Young.
Knowing his soul is tainted with blood, Yi chooses to remain in the shadows and become Hye-Young's self-appointed guardian angle: he leaves a pot of daisies outside her door everyday.
Yi's quiet love turns into agony as he watches Hye-Young fall in love with elite Interpol agent Jeong Woo (played by Lee Sung-Jae) whom she mistakes for her secret admirer.
Fate intervenes when Yi receives orders to dispatch Jeong Woo. The impossibility of the love between the cop, the assassin and the woman becomes apparent when the dark forces of life infiltrate Hye-Young's previously untainted world, leading to bloodshed.
The film tells a Beauty-and-the-Beast story in which the lead woman's love is portrayed as the only path to salvation for men with blood on their hands.
Without degenerating into dull cliches, Daisy is a highly entertaining movie which provides audiences with the chance to momentarily escape the drudgery of routine relationships and indulge in a tragic love fantasy.
A collaboration between Hong Kong and South Korea, Daisy benefits from the cross-cultural perspectives of its crew and production team.
For Daisy, Lau teamed up with renowned action choreographer Dion Lam (
The end result is a film with an engaging plot that is rich in action and technically accomplished. The editing is smooth, while the sharp cinematography of the action scenes stands in stylistic contrast to the sometimes impressionistic colors and lighting of the romantic scenes.
The film also greatly benefits from first-rate actors in the leading roles. The charisma of their Hong Kong counterparts such as Tony Leung (
As international collaborations gain popularity in the film industry, more and more Asian stars and film professionals from different regions are gradually making their marks on the global markets.
As the maker of several blockbusters, Lau plans a Hollywood debut with The Flock. The time may have come for him to follow in John Woo's (
Daisy (愛無間)
Directed by: Andrew Lau (劉偉強)
PHOTOS COURTESY OF GROUP POWER WORKSHOP
Starring: Jun Ji-Hyun as Hye-Young, Jung Woo-Sung as Park Yi, Lee Sung-Jae as Jeong Woo
Running time: 96 minutes
Taiwan Release: Today
Language: Korean with English and Chinese
subtitles
The canonical shot of an East Asian city is a night skyline studded with towering apartment and office buildings, bright with neon and plastic signage, a landscape of energy and modernity. Another classic image is the same city seen from above, in which identical apartment towers march across the city, spilling out over nearby geography, like stylized soldiers colonizing new territory in a board game. Densely populated dynamic conurbations of money, technological innovation and convenience, it is hard to see the cities of East Asia as what they truly are: necropolises. Why is this? The East Asian development model, with
June 16 to June 22 The following flyer appeared on the streets of Hsinchu on June 12, 1895: “Taipei has already fallen to the Japanese barbarians, who have brought great misery to our land and people. We heard that the Japanese occupiers will tax our gardens, our houses, our bodies, and even our chickens, dogs, cows and pigs. They wear their hair wild, carve their teeth, tattoo their foreheads, wear strange clothes and speak a strange language. How can we be ruled by such people?” Posted by civilian militia leader Wu Tang-hsing (吳湯興), it was a call to arms to retake
This is a deeply unsettling period in Taiwan. Uncertainties are everywhere while everyone waits for a small army of other shoes to drop on nearly every front. During challenging times, interesting political changes can happen, yet all three major political parties are beset with scandals, strife and self-inflicted wounds. As the ruling party, the Democratic Progressive Party (DPP) is held accountable for not only the challenges to the party, but also the nation. Taiwan is geopolitically and economically under threat. Domestically, the administration is under siege by the opposition-controlled legislature and growing discontent with what opponents characterize as arrogant, autocratic
Desperate dads meet in car parks to exchange packets; exhausted parents slip it into their kids’ drinks; families wait months for prescriptions buy it “off label.” But is it worth the risk? “The first time I gave him a gummy, I thought, ‘Oh my God, have I killed him?’ He just passed out in front of the TV. That never happens.” Jen remembers giving her son, David, six, melatonin to help him sleep. She got them from a friend, a pediatrician who gave them to her own child. “It was sort of hilarious. She had half a tub of gummies,