Keelung shone in the limelight yesterday as the brightest stars in Chinese-language cinema gathered to attend the 42nd Golden Horse Awards (金馬獎).
But the biggest star on the night was Stephen Chow, whose film Kung Fu Hustle (功夫) took the Best Feature Film and also gave Chow (周星馳) his first Best Director Award. Kung Fu Hustle swept five award categories -- including Best Director, Best Feature Film, Best Supporting Actress, Best Make up and Costume Design and Best Visual.
The Wayward Cloud (天邊一朵雲) director Tsai Ming-liang (
PHOTOS: TAIPEITIMES AND AGENCIES
Aaron Kwok (郭富城) picked up the Best Leading Actor award for Divergence (三岔口), beating out fellow contender Tony Leung (梁家輝). In his 14 years of acting it was Kwok's first time to get nominated -- and he won. Apparently stunned by the sudden honor, the actor thanked everybody who had supported him over the years and said he was glad that he never gave up acting.
A tight contest among the leading actresses resulted in a flood of tears, from Best Leading Actress, Shu Qi (舒淇), who then read out a long thank-you list on stage.
The Best Taiwan Film Professional of the Year and the Best Taiwan Film of the Year went to Hou Hsiao-hsien (侯孝賢) and his film Three Times (最好的時光). It was more like a gesture of consolation for the film's failure to take home neither the Best Director nor the Best Feature Film award.
The pop star Jay Chou (周杰倫) earned his spurs as an actor by picking up the Best New Performer award for his role in Initial D.
"It really came as a surprise. I'm really happy and the award really means a lot to me. For a moment, I felt like my soul got separated from my body. And it was my spirit that went on stage to receive the award while my body was still in the seat," a modest Chou said after accepting his award.
A frequent winner at the Golden Horse, Anthony Wong (黃秋生), ignited a big round of applause when the presenters announced he was the winner in the Best Supporting Actor category for Initial D (頭文字D).
Having previously won the same award twice for his roles in Infernal Affairs (無間道) and Princess D (想飛), Wong said he was chuffed at winning again this year because "the competition in the category was truly fierce this year." Wong also expressed gratitude to his assistant who "dutifully supplies me with liquor so that I can stay in character."
Hong Kong veteran actress Yuen Qiu (元秋) beat out local talents Liu Yi-jing (
Supporting Actress for her role in Kung Fu Hustle. Though she is a first-time Golden Horse winner, Yuen appeared composed when receiving her award.
"I want to thank Stephen Chow. I learned a lot from him during the shooting of the film," she said. When asked how she would prepare for the sequel, the actress replied, "I have lost some weight so I'll just have to put another 20 pounds (9kg)."
Taiwanese movies scored well in this year's musical categories. First time nominee Lee Cin-cin (李欣芸) was taken by surprise when he was honored with the Best Original Film Score award for Blue Cha-Cha (深海). Another dark horse who did well was James Ho (何俊明), who took home the Best Original Film Song trophy for documentary Jump! Boys (翻滾吧！男孩). The film was also honored with the Best Documentary award, as expected.
The Lifetime Achievement award this year went to 88-year-old Ke Hsiang-ting (葛香亭), who was given the best leading actor accolade twice at the Golden Horse for his portrayal of down-to-earth father figures in Old Tradition New Technologies (養鴨人家, 1965) and Kao Shan Ching (高山青, 1970). Ke began performing in films in the 1940s and has made over 176 movies, in addition to many TV dramas and theatrical plays.
A big surprise last night was the success of the local production How's Life? (生命狂想曲) in the Best Short Film award category; while The Fire Ball (火焰山) took Best Animation. The award represents long overdue recognition for the lea-ding Taiwanese animation company Wang Films (宏廣動畫), which has been doing sterling work for the past 27 years.
The constellation of stars gathered in Keelung included Taiwan's Ang Lee (李安) -- who took a break from his schedule promoting Brokeback Mountain (斷背山). Also treading the red carpet were Hong Kong director Tsui Hark (徐克), French star Romain Duris and Barrie Osborne, producer of The Lord of the Rings and The Matrix and Face/Off.
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
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