Eternal Sunshine (我是陽光的)
Kelly Chen (陳慧琳)
Go East
Canto-pop songstress Kelly Chen (
Over the past five years Chen has managed to carve quite a name out for herself as both a singer and an actress, with her most memorable role coming in the hugely successful Hong Kong police action movie Infernal Affairs (
Her latest album shouldn't
disappoint anyone familiar with her previous releases. Packed with a selection of tunes from standalone songs to theme tunes for a couple of TV dramas and the odd movie, Chen hits all the right notes time and time again.
Sure Mando-pop may not be your thing, but Chen can actually sing and is more than simply a record company creation. Tunes like the hip-hop-like Freedom (
Like nearly all albums released these days the CD comes with a DVD. Here we get a behind-the-scenes glimpse of the hardships the songstress endured while making the music video for Freedom as well as a couple of other music videos for tunes from the album.
R.A.Y Band (雷樂隊)
R.A.Y Band (雷樂隊)
Click
Formed by three studio musicians in 2003 the R.A.Y Band (
Individually, guitarist Rashid, drummer Alan (
Considering the trio's reputation as highly sought-after studio musicians it comes as no surprise that the album is well produced, the tunes are tight and well-executed and there's nothing
suspect about their musical attitudes. With the exception of a couple of tunes, however, there is sadly little to scream and shout for and even less to write home about on the trio's debut longplayer.
The album begins well enough with a scorching piece of anthem-like alt-rock titled Rocking with the Big Boys (
Sadly the same cannot be said of the material that follows. While the compositions are certainly not void of songwriting talent the R.A.Y Band appears to be stuck in time warp. Instead of trying to be original the band takes listeners on a sometimes cringingly bad trip through time.
The material is so dated, in fact, that you could be listening to a natty cover band rather than one comprising three of the nation's leading studio musicians. Never too Young to Rock and Roll sounds like a Status Quo tune complete with sing-a-long chorus, Civil Boulevard (
Meal Number 2 [2nd Version] (2號餐)
Nan Quan Mama (南拳媽媽)
Sony
Since the releases of its debut Nan Quan's Summer (
Originally released in mid-August and then re-released with a bonus VCD last week, Nan Quan Mama's second album, Meal Number 2 once again sees the combo choosing to mix it up with a blend of Mando-hip-hop/rap, Mando-pop and straight forward love ballads.
If you happen to be a fan of, or are simply very familiar with Chou's music, then you'll probably find much of Nan Quan's material a poor substitute for the real thing. Whether penned by the self proclaimed "King of Mando-pop" or not, much of Nan Quan's material sounds too Chou-like.
From the album's opener, the moody orchestrated piano driven Mando-hip-hop number Daybreak (
The four-piece does manage to throw one curveball at listeners. The breakneck power-pop number Wild Thing (
Long Time No See (好久不見)
5566
Warner
Taiwan's most plugged boy band released its third album to much hype late last month and, according to one interview, the boys hope the album's less teenage pop/hip-hop oriented sound along with their new "mature" image will prove popular with both long term fans and newcomers to the group alike.
Chances are even if you've never heard 5566 you've seen their faces adorning 7-Eleven stores, as the
President Group played a big part in promoting the band a couple of years ago. Needless to say, with so many 7-Elevens the promotion worked wonders and 5566 went on to score a string of hits. Both of its previous albums fared exceptionally well in local charts and the group's rare performances were sellouts.
So what's new?
Well, what's new is the sound. Gone is the teenage cutesy pop and instead 5566 have grabbed the studio engineer by the throat and set out to impress with an interesting set of musical vibes and song that are more mature and, dare we say it, better then before.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
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May 4 to May 10 It was once said that if you hadn’t performed at the Sapphire Grand Cabaret (藍寶石大歌廳), you couldn’t truly be considered a star. Taking the stage at the legendary Kaohsiung club was more than just a concert. Performers were expected to entertain in every sense, wearing outlandish or revealing costumes and staying quick on their feet as sharp-tongued, over-the-top hosts asked questions and delivered jokes that would be seen as vulgar, even offensive, by today’s standards. Opening in May 1967 during a period of strict political and social control, Sapphire offered a rare outlet for audiences in
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