Always the invincible hero, energetic and playful, Jackie Chan (
Recently, however, rumors have been circulating that he has contracted cancer, hence his reluctance to take comic roles in Hollywood movies. Chan talked frankly with the media on his visit to Taipei earlier this week.
PHOTO: LEE KAI-MING, TAIPEI TIMES
Q: There was a rumor saying you had throat cancer? What happened?
Jackie Chan: Yesterday I went to NTU Hospital for a check-up. The doctor found a tubercule and I had a paracentesis test. The test result was negative. So I'm fine. I once again tell you that my health is OK, no problem. But to tell the truth, I was really scared doing the test. I grabbed the nurse's hand so hard because of fear. I guess I hurt her.
Q: How did it feel to kiss Claire Forlani in ?`The Medallion?' You rarely do such romantic scenes.
Chan: We are lovers in the film. So there was a kissing scene. When we shot that scene, I was just thinking whether it should be a long kiss or a quick one, should I open my mouth, but she [Forlani] just held my arms and gave me a French kiss. After the take, she was calm and natural but my face was all red. I'm really not good at romantic scenes. There was another scene when I was dead, lying naked in the morgue. Claire needed to cry over my body and touch me. But something was tickling me and I laughed. And we had to do that take again. It took us several times to do that take and I felt very embarrassed.
PHOTO COURTESY OF UIP
Q: The film took place in a castle in Dublin. Did you drink a lot of Guinness beer?
Chan: I had quite a few pints of Guinness. I'm not a good drinker but I act like it. When drinking, I have the word "brave" on my forehead and the word "dead" written on my back!
Q: After working in Hollywood all these years, how is your English now?
Chan: At the beginning it was very difficult. Now I'm doing fine. My English is Jackie Chan English. I may have some grammar mistakes. But if you understand it, good. If not, sorry!.
Q: The new film has adapted lots of special effects, which are seldom seen in Jackie Chan movies. Do you like them?
Chan: It's a very new experience for me. My films have been famous for real action. So for me, using wires to hang in the air was new to me. I basically just let the English stuntman direct me as to what to do. But once the steel wire on my chest broke. It hit my face and I just saw black before my eyes. When I touched my face, it was full of blood. It's lucky that my eyes were not hurt.
Q: What differences are there working in a Hollywood studio?
Chan: When you work there, you are the foreigner, so the whole process is hard. Our way of shooting is very fast and you feel they are so slow, that sometimes you think it's dumb. Making films in America you don't feel a sense of superiority, though, because they always try to control you. If you need to set up lighting equipment in a corner about 5m high, they will hire a man with an elevator to slowy lift this person to the point to set up the light. But if it's in Hong Kong, we just get a rope and climb up.
Hollywood is a very big market. The box office revenue in one day is higher than that for one year in Hong Kong. So you still want to take on new challenges there. You can learn a lot of things. I have been fighting to get into Hollywood. Twenty years ago my salary for a movie was HK$4.5 million (US$600,000) which was top among all Asian actors. But when I went to Hollywood for the first time, [making Cannonball Run II in 1984], I found out that my acting partner Burt Reynolds's salary was US$5 million. I realized that the world outside was very different. Who'd have thought that in 20 years my pay for a movie would become US$20 million plus bonuses? I've never thought I would have my hands printed in front of the Chinese Theater in Los Angeles. I think God has been very kind to me.
Q: If you die and were resurrected, as happens in your latest film, would you choose to be an actor again?
Chan: Yes, definitely. It's hard to imagine not doing films. Wherever I go, I'm always looking for shooting locations. Like this hotel I stayed in yesterday. I was looking outside, thinking if I could jump and enter this large window. And when I was in Amsterdam, I saw this building with an inclined angle, so I immediately told my producer to check this location for shooting. You know my films are about action in all those interesting locations. You have to make use of the environment in designing the action scenes.
Q: What are your next film projects?
Chan: I've finished shooting Around the World in 80 Days [with English comedian Steve Coogan]. I will be talking to Stanley Tong (
Q: The 40th Golden Horse Awards plans to invite previous winners to "come home" and join the ceremony, including you and your wife. Will you bring her back to Taiwan again?
Chan: I will come, but she won't. Nobody can persuade her. Ai-ya! She has stopped going to these kinds of events so you can stop asking me. There will be so many people, cameras and media. She would be scared. I don't think she would come -- unless there was an award for her.
Last week, on the heels of the recall election that turned out so badly for Taiwan, came the news that US President Donald Trump had blocked the transit of President William Lai (賴清德) through the US on his way to Latin America. A few days later the international media reported that in June a scheduled visit by Minister of National Defense Wellington Koo (顧立雄) for high level meetings was canceled by the US after China’s President Xi Jinping (習近平) asked Trump to curb US engagement with Taiwan during a June phone call. The cancellation of Lai’s transit was a gaudy
Following the shock complete failure of all the recall votes against Chinese Nationalist Party (KMT) lawmakers on July 26, pan-blue supporters and the Chinese Communist Party (CCP) were giddy with victory. A notable exception was KMT Chairman Eric Chu (朱立倫), who knew better. At a press conference on July 29, he bowed deeply in gratitude to the voters and said the recalls were “not about which party won or lost, but were a great victory for the Taiwanese voters.” The entire recall process was a disaster for both the KMT and the Democratic Progressive Party (DPP). The only bright spot for
From Godzilla’s fiery atomic breath to post-apocalyptic anime and harrowing depictions of radiation sickness, the influence of the nuclear bombings of Hiroshima and Nagasaki runs deep in Japanese popular culture. In the 80 years since the World War II attacks, stories of destruction and mutation have been fused with fears around natural disasters and, more recently, the Fukushima crisis. Classic manga and anime series Astro Boy is called “Mighty Atom” in Japanese, while city-leveling explosions loom large in other titles such as Akira, Neon Genesis Evangelion and Attack on Titan. “Living through tremendous pain” and overcoming trauma is a recurrent theme in Japan’s
As last month dawned, the Democratic Progressive Party (DPP) was in a good position. The recall campaigns had strong momentum, polling showed many Chinese Nationalist Party (KMT) lawmakers at risk of recall and even the KMT was bracing for losing seats while facing a tsunami of voter fraud investigations. Polling pointed to some of the recalls being a lock for victory. Though in most districts the majority was against recalling their lawmaker, among voters “definitely” planning to vote, there were double-digit margins in favor of recall in at least five districts, with three districts near or above 20 percent in
RSS