Chinese literati of 700 years ago were not much different from their contemporary counterparts. They trained in literature and philosophy, "loved good houses, nice clothes, delicacies, night life, going to entertainments, collecting vintage items ..." Ming dynasty prose writer Zhang Dai (
As Literati Aesthetics in the 21st Century, (
The literati painters in the past set themselves apart from those producing meticulously realistic works for the imperial academy. While earning their bread on government jobs, they sublimated their longing for an idyllic life away from the treacherous world of politics to express themselves in ink and paper.
PHOTO COURTESY OF JEFF HSU'S ART
The works of 10 of the contemporary artists in the exhibition constitute a wide range of genres, from oil painting, furniture/sculpture, installation, to traditional ink painting and calligraphy. As ancient literati artists enthused about their moods and enjoyments in the tranquility of their homes, today's literati artists are more self-absorbed and express that through depicting the apparently uneventful surroundings of their lives.
"The transition into a new century sounds an alarm for traditional literati. Paper fans [a favorite medium in the past] have been replaced by air conditioners. The prevalence of computers made ink brushes useful only for a few calligraphy die-hards. The onslaught of technology and a transformed, Westernized society are testing the traditional literati lifestyle," writes curator Michael Chen (
At first glance, the works are all flowers and mountains, but in their respective choice of media and styles, they are all attempts to solve the traditional/modern and Chinese/Western conflicts.
Lin Chuan-chu (
Chen Kun-de (
Extension of the Unusual combines two studies of popular Sung dynasty subjects -- a gentleman on a horse and a dancing lady. What prevents the Sung man and the woman from catching sight of each other is an expanse of meadow on top of today's Yangmingshan. A stray zebra also betrays the post-modernist era in which Chen made the work.
Cheng Tzai-dong's (
"Literati Aesthetics in the 21st Century" will run until Oct. 5 at Jeff Hsu's Art, B1, 1, Ln 200, Sungteh Rd. (台北松德路200巷1號B1).
Recently the Chinese Nationalist Party (KMT) and its Mini-Me partner in the legislature, the Taiwan People’s Party (TPP), have been arguing that construction of chip fabs in the US by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) is little more than stripping Taiwan of its assets. For example, KMT Legislative Caucus First Deputy Secretary-General Lin Pei-hsiang (林沛祥) in January said that “This is not ‘reciprocal cooperation’ ... but a substantial hollowing out of our country.” Similarly, former TPP Chair Ko Wen-je (柯文哲) contended it constitutes “selling Taiwan out to the United States.” The two pro-China parties are proposing a bill that
March 9 to March 15 “This land produced no horses,” Qing Dynasty envoy Yu Yung-ho (郁永河) observed when he visited Taiwan in 1697. He didn’t mean that there were no horses at all; it was just difficult to transport them across the sea and raise them in the hot and humid climate. “Although 10,000 soldiers were stationed here, the camps had fewer than 1,000 horses,” Yu added. Starting from the Dutch in the 1600s, each foreign regime brought horses to Taiwan. But they remained rare animals, typically only owned by the government or
It starts out as a heartwarming clip. A young girl, clearly delighted to be in Tokyo, beams as she makes a peace sign to the camera. Seconds later, she is shoved to the ground from behind by a woman wearing a surgical mask. The assailant doesn’t skip a beat, striding out of shot of the clip filmed by the girl’s mother. This was no accidental clash of shoulders in a crowded place, but one of the most visible examples of a spate of butsukari otoko — “bumping man” — shoving incidents in Japan that experts attribute to a combination of gender
Last month, media outlets including the BBC World Service and Bloomberg reported that China’s greenhouse gas emissions are currently flat or falling, and that the economic giant appears to be on course to comfortably meet Beijing’s stated goal that total emissions will peak no later than 2030. China is by far and away the world’s biggest emitter of greenhouse gases, generating more carbon dioxide than the US and the EU combined. As the BBC pointed out in their Feb. 12 report, “what happens in China literally could change the world’s weather.” Any drop in total emissions is good news, of course. By