Whatever are we to say about the Vienna Phil playing in Taipei this weekend with top ticket prices of NT$7,200? On the one hand, they're one of the three or four best orchestras in the world. On the other, think of the CDs you could get for that money! You can listen to those over and over again, but with these concerts it's two hours-worth of sound in your ears, and then it's all over.
Ticket prices are a lot less in Taichung, incidentally, where the orchestra plays tonight. As with everything else, you pay your money -- albeit a great deal more in this case than usual -- and you take your choice.
And then there's Zubin Mehta, who will conduct. Born in India of Parsee lineage (his father founded India's first Western-style orchestra in 1935), Mehta is currently in charge of the Israel Philharmonic, and before that ran the New York and Los Angeles Philharmonics.
PHOTO COURTESY OF UNIVERSAL
All the world's top conductors want to work with the Vienna Philharmonic. After all, conductors can make no music alone, and to show themselves at their best they need to work with the best instrumentalists. Simon Rattle, Nikolaus Harnoncourt, Bernard Haitink, Pierre Boulez, Valery Gergiev, Daniel Barenboim and Riccardo Mutti have all conducted the Vienna Philharmonic recently -- the orchestra, most unusually, has no resident maestro of its own.
Another strange feature of this line-up used to be that it contained no women, apart from a token harpist. For some reason the harp is an instrument judged only playable by a woman. But from 1997 equal opportunity was finally granted, and his weekend we may see a small number of women -- one local expert suggests two or three -- among their number.
The orchestra's Taiwan programs are generally unadventurous. Saturday's Taipei concert will culminate in Mahler's lyrical Symphony No. 1, with Haydn's Sinfonia Concertante and Nikolai's Merry Wives overture beforehand. Sunday will see Beethoven's Symphony No. 3 (Eroica), preceded by Haydn's Trumpet Concerto and Beethoven's Leonora Overture No. 3. This second program is the one to be played in Taichung.
The Vienna Philharmonic will play tonight in Taichung and tomorrow and Sunday at the National Concert Hall Taipei.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 4 to May 10 It was once said that if you hadn’t performed at the Sapphire Grand Cabaret (藍寶石大歌廳), you couldn’t truly be considered a star. Taking the stage at the legendary Kaohsiung club was more than just a concert. Performers were expected to entertain in every sense, wearing outlandish or revealing costumes and staying quick on their feet as sharp-tongued, over-the-top hosts asked questions and delivered jokes that would be seen as vulgar, even offensive, by today’s standards. Opening in May 1967 during a period of strict political and social control, Sapphire offered a rare outlet for audiences in