The Red Room is marking its eighth anniversary this month with 8Fest: four days of fun, creativity and sharing in Taipei, spread out over two weekends, starting on Saturday.
The founders, supporters and followers of Red Room certainly have reason to celebrate, for what began as a once-a-month gathering to share and support a love for the written word and musical talent has become a non-profit organization with an ever-growing schedule of events and a home at the Taiwan Air Force Innovation Base.
The Red Room is the fruit of one of the most devastating typhoons to ever hit Taiwan: Morakot, which ravaged southern Taiwan in early August 2009.
Photo courtesy of Eann
A chance encounter during a post-typhoon clean-up effort in Taitung County between Taipei-raised singer Ayesha Mehta and entrepreneur Ping Chu (朱平) and their discussion about poetry and literature-reading nights and a desire to create a space for sharing led to the first Stage Time and Wine@Red Room event three months later.
Word of mouth and posters encouraged people to bring something they had written or read, or instruments to play, to share — in five-minute allotments — with others.
The once-a-month Saturday night events, in a space provided by Ping — under whose Ripplemaker Foundation the Red Room is now a registered entity — have become a cross-cultural hub that attracts Taiwanese and foreigners, both short-term visitors and long-term expatriates.
Photo courtesy of Eann
The key to the Red Room success are that it is volunteer-organized and community driven, fueled by the desire to share and to support creativity, and perhaps most importantly, to listen.
Each expansion over the years has been created by the people who attended Stage Time and Wine events and were motivated to help do something more: a time and place for children to share their creativity (Stage Time & Juice), invitation-only curated performance evenings (Aside@Red Room), a readers’ theater (Red Room Radio Redux) and art exchanges (Visual Dialogues).
Just as Red Room has grown exponentially, so have birthday parties.
Photo courtesy of JJ Chen
This year’s party is divided into four sections: “Articulate” on Saturday, “Narrate” on Sunday, “Create” on Nov. 25 and “Elevate” on Nov. 26.
“Articulate,” which aims to show the potential of audience-turned-performer events, consists of two parts: Stage Time & Juice for children (and their parents) aged five to 18 from 2pm to 5pm and Crimson Octopus (赤紅八爪魚) from 6:30pm to 10pm, a collaborative performance by randomly assigned groups of people who have to come up with an eight to 10-minute work.
“Narrate,” which runs from 2pm to 9pm, has six events aimed at bringing together publishers, speakers and the public: a book fair; a salon that will host discussions in Mandarin and English on immigration law, the cultural identity of Taiwan’s Indigenous peoples and a holistic look at a sustainable ecosystem; three panel discussions — “How to Move Forward in Taiwan (如何在台灣前進) from 2pm to 3pm, “Mother Island: a Talk on Indigenous Culture Today (母親島嶼：現今原住民文化的對話) from 4pm to 5pm and “Think East Grow Regenerate (思、食、農、再生) from 6pm to 7pm — a screening of the documentary Apology & Justice: Voices from Taiwan (道歉與正義：台灣之聲) that begins at 3:15pm and a performance, A Tale of Two People (兩個人的故事), that begins at 5:15pm.
“Create,” the fifth “Artists Bridge the Gap,” is a day of live painting and music that begins at 11am and ends at 10pm.
“Elevate” is aimed at blending cultures and art forms and encouraging creativity with a workshop for children, a workshop on creative journaling, an “Art Explosion” workshop and a fashion show with live music that will feature the work of young designers using “upcycled” materials, including Meghna Nayak, whose LataSita line is based in Kolkata, India.
All of the 8Fest events are at the Red Room International Village, Taipei Air Force Innovation Base (空總創新基地), 177, Jianguo S Rd Sec 1, Taipei City (台北市建國南路一段177號).
While many of the activities are free, there are patronage charges for the workshops, performances and the fashion show and some events require advance registration — such as those who want to participate in the Crimson Octopus.
Registration details, prices and more information on 8Fest can be found on the Web at redroomtaipei.com.
This story has been amended since it was first published to correct the spelling of LataSita.
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality
The People’s Republic of China (PRC) invaded Vietnam in 1979, following a year of increasingly tense relations between the two states. Beijing viewed Vietnam’s close relations with Soviet Russia as a threat. One of the pretexts it used was the alleged mistreatment of the ethnic Chinese in Vietnam. Tension between the ethnic Chinese and governments in Vietnam had been ongoing for decades. The French used to play off the Vietnamese against the Chinese as a divide-and-rule strategy. The Saigon government in 1956 compelled all Vietnam-born Chinese to adopt Vietnamese citizenship. It also banned them from 11 trades they had previously
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
RSS