In the previous two Spring Screams, Funky Brothers (放客兄弟) played one of the best time slots — a testament to their growing popularity.
Their show last year was more about the weather than the music. In the downpour, half-dressed friends jumped up and danced with the band, slipped and fell and then got kicked off the stage.
This year, a soft mist enveloped lead singer Airy Liu (劉怡伶) as she displayed her sultry vocal chops, while the band showed off how tight it had become just in the past year due to spending lots of time in the studio. After years of planning, Funky Brothers have finally recorded their self-titled debut album, which will be launched with a show on Friday at The Wall (這牆).
Photo courtesy of vj dust
BOYS ONLY
Liu says she enjoyed being in school choirs, but didn’t set out to be a singer. “I really wanted to learn how to play the drums,” she said. “I ended up becoming pretty good, but my father thought that drums were for boys.”
After high school, Liu moved from what was then known as Taichung to Taipei City and got into a car accident that left her arm in a cast for six months. It was then that she started to take singing seriously. “When I am singing, my brain is different,” Liu said. “I feel alive and feel like people accept me.”
After performing with a few cover bands, Liu joined the Funky Brothers in 2009. The boys had extended an invite, saying they wanted the different sounds a female vocalist would bring. Liu adjusted quickly to the unusual group dynamic.
“It is a band of brothers,” Liu said. “Brothers that sometimes fuck things up and are late or get into fights, but we don’t care because we treat each other like family.”
HURDLES
While Funky Brothers were gaining a reputation for playing an eclectic live show, they were also making plans to record a studio album, plans that didn’t materialize.
They also applied for government grants, but never got approved. “I don’t know why we didn’t get government money,” Liu said. “But we have great friends who love to come to our shows, so I thought we should involve them.”
Liu was intrigued by the idea of crowd-funding and the Web site Kickstarter. She came across Taiwan’s version, Flying V, and wanted to ask for NT$600,000 to record, market and distribute an album. But she was rejected.
Unfazed, she met with the owners of Flying V, who advised her to set up a more realistic goal of getting NT$350,000 over the two-month period. Funky Brothers ended up smashing the goal.
ALBUM OF FUNK
Damien Caillou, the fedora-wearing saxophonist of Funky Brothers, loves the new album. “It is representative of the years of playing onstage together,” Caillou said. “It is also very new since we tried a lot of different arrangements. Even if people know our songs, we expect them to be surprised.”
Liu feels that the recording went naturally and is very excited for people to hear the album. “If people enjoy our live shows, they will like the CD,” Liu said.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is