Egypt’s electronic dance music scene is emerging from behind a shadow cast by political turmoil and social unrest. While small, it does exist and Egyptian DJ trance music duo Aly & Fila are showing the world that it hasn’t been all hardships in their country this year by offering a rare glimpse into its club scene. The duo play tomorrow night alongside Ferry Corsten at the sixth annual 2F White Party presented by theLOOP.
Saturday’s line up is, as usual, stacked with DJs that dominate DJ Mag’s renowned Top 100 DJ list, but Aly (real name Aly Fathallab) and Fila (real name Fadi Wassef Nahuib), who have made the list five times, are a special treat. The duo managed to do what no other DJ troupe in Egypt has done before—they made it big.
“It is very rare,” they said together in an email interview with the Taipei Times. “We were the first duo from Egypt who went international. For sure it was not easy, Egypt is quite far from most European cities, but we stuck at it and joined a booking agency and it snowballed from there.”
Photo courtesy of theLoop
And the world responded well to the pair’s unique take on trance, helping them establish a new subgenre of the form. Fans have described their music as euphoric and emotional and their style has been coined “Egyptian trance” because it is heavily laced with elements of Egyptian culture.
“It is something new for an Egyptian trance duo,” they continued. “It’s quite mystical with the whole ancient Egyptian side of things, and we are very well supported by DJs such as Armin van Buuren in their play lists and radio shows, and that helps massively.”
The pair credits Paul van Dyk as their big push into the scene. “We used to collect [his] mixes in the mid- to late 1990s and it really inspired us to make electronic music. And because of the energy in his music and sets, you can see our sets are full of energy also.”
Photo courtesy of theLoop
Both Aly and Fila, who met in kindergarten in Egypt, still reside in Cairo where they are working on expanding a rapidly growing scene. “Electronic dance music is growing nicely in Egypt. House music is (already) quite big but we are trying to change that with our events and weekly radio show on Nile FM called Future Sound of Egypt,” they said.
But though Aly & Fila and their trance counterparts dominate top DJ lists, some people think the genre is on its way out as electro DJs takeover festival lineups and top charts worldwide. Ferry Corsten, a Dutch trance DJ that needs little introduction, says he’s not opposed to the jump.
“Electro is an interesting genre,” said Corsten, who has just returned from deejaying in Iceland near the North Pole. “I use many elements of it within my tracks. While I will always stay true to trance, I’ll try and put new elements in it and experiment a little to see what the result may be.”
Corsten originally did not plan to focus on trance, but was encouraged by his success in the genre. “I wasn’t really interested into trance when I started. I was just interested in music in all forms. The first tracks I produced were quite underground. I produced a whole range of genres: electro, house and even hardcore. I reached a good amount of success with my trance productions, which lead me to take it further.”
And further it went. Corsten has since released seven studio albums and has an awards list that is longer than the number of years that electro has been around.
Corsten believes that trance achieves things that will keep it in the stronghold of the electronic dance music scene for years to come. “I think trance music has a very strong connection with human emotions. The melodies can perfectly represent an indescribable feeling. As a DJ, I can really lose myself in the music. And as a listener, you can really lose yourself as well.”
“And trance makes people come together and love one another,” he added.
theLOOP presents the sixth annual 2F White party featuring Aly & Fila, Ferry Corsten, AN21, Max Vangeli, Orjan Nielsen, Reaz:on and Cookie tomorrow night at the New Taipei Exhibition Hall (新北市工商展覽中心), 1 Wucyuan Road, Wugu Industry Park, New Taipei City (新北市五股工業區五權路一號).
Tickets are still available today for NT$1,400 at any 7-11 iBon machine or directly from Luxy. Admission is NT$1,600 at the door for those wearing white, but a steep NT$2,300 for those who aren’t.
Many people noticed the flood of pro-China propaganda across a number of venues in recent weeks that looks like a coordinated assault on US Taiwan policy. It does look like an effort intended to influence the US before the meeting between US President Donald Trump and Chinese dictator Xi Jinping (習近平) over the weekend. Jennifer Kavanagh’s piece in the New York Times in September appears to be the opening strike of the current campaign. She followed up last week in the Lowy Interpreter, blaming the US for causing the PRC to escalate in the Philippines and Taiwan, saying that as
US President Donald Trump may have hoped for an impromptu talk with his old friend Kim Jong-un during a recent trip to Asia, but analysts say the increasingly emboldened North Korean despot had few good reasons to join the photo-op. Trump sent repeated overtures to Kim during his barnstorming tour of Asia, saying he was “100 percent” open to a meeting and even bucking decades of US policy by conceding that North Korea was “sort of a nuclear power.” But Pyongyang kept mum on the invitation, instead firing off missiles and sending its foreign minister to Russia and Belarus, with whom it
The Chinese Communist Party (CCP) has a dystopian, radical and dangerous conception of itself. Few are aware of this very fundamental difference between how they view power and how the rest of the world does. Even those of us who have lived in China sometimes fall back into the trap of viewing it through the lens of the power relationships common throughout the rest of the world, instead of understanding the CCP as it conceives of itself. Broadly speaking, the concepts of the people, race, culture, civilization, nation, government and religion are separate, though often overlapping and intertwined. A government
Nov. 3 to Nov. 9 In 1925, 18-year-old Huang Chin-chuan (黃金川) penned the following words: “When will the day of women’s equal rights arrive, so that my talents won’t drift away in the eastern stream?” These were the closing lines to her poem “Female Student” (女學生), which expressed her unwillingness to be confined to traditional female roles and her desire to study and explore the world. Born to a wealthy family on Nov. 5, 1907, Huang was able to study in Japan — a rare privilege for women in her time — and even made a name for herself in the