Concert pianist Chen Rueibin (陳瑞斌) is one of Taiwan’s best-known musical exports and his considerable success means that he spends more time performing abroad than at home. But the Tainan native, who embarked on a musical career in Vienna when just 13, has never forgotten his roots. This week he is back in his hometown for a very special project.
Today and tomorrow, Chen will perform together with three young musicians who have all battled physical disabilities and learning difficulties to achieve their high level of musical proficiency.
For Rueibin Chen and Friends (愛與陽光音樂會 — 陳瑞斌), Chen will perform together with Ku Yung-kai (顧永鍇), who has autism, Chen Po-rung (陳柏榮), who is blind, and Chang Yan-sheng (張晏晟), who is visually impaired and has cerebral palsy. The three were selected from applicants from all over the country, and all have attained a high level of musical skill. Speaking at a press conference held to announce the project, Chen said that the selection process had been heartbreaking, as many of the applicants were clearly very talented, and was proof, if any were needed, that disabilities need not impair a person’s capacity to lead a full and expressive life.
Photo Courtesy of Capriccio Chamber Orchestra
“I could not make the choice myself. It was too difficult,” Chen said, adding that the applicants had distinguished themselves with their passion for music, their effort in overcoming various conditions, and their optimism in the face of adversity.
Chen said that although he was unable to spend as much time as he would have liked working with his proteges because of his international concert commitments, he did not settle for them playing works they were already familiar with. He set them “homework” and this week they rehearsed together in preparation for the concert.
“Technically they are fine,” Chen said. “But what they lack is performance experience. Things like walking onto the stage and interacting with the audience. In truth, most young musicians in Taiwan lack this kind of exposure. This is something that I can give them … Of course, I make all the demands on them that I make on myself.”
At the press conference, Ku, a music student at Tamkang High School (淡江高級中學) with a major in piano and minor in cello, thanked Chen for the great boost this opportunity had given his confidence. Chen said working with Ku had been a learning experience. As communication with words was not very effective, the music itself had to do most of the talking.
“I find when working with him [Ku] that he responds in his mind to what is going on, not to words or demonstrations. When I saw the DVD of his performance [submitted as part of the application process], he was so immersed in the music it brought tears to my eyes,” Chen said.
Chen says he would like to give his three pupils the opportunity to perform overseas. He said that currently there are only two large-scale classical music events for musicians living with disabilities, one in Vienna, the other in Osaka, and he thinks of this concert as a small step in creating a regular fixture in Taiwan at which musicians from all over the world could perform.
Oct. 27 to Nov. 2 Over a breakfast of soymilk and fried dough costing less than NT$400, seven officials and engineers agreed on a NT$400 million plan — unaware that it would mark the beginning of Taiwan’s semiconductor empire. It was a cold February morning in 1974. Gathered at the unassuming shop were Economics minister Sun Yun-hsuan (孫運璿), director-general of Transportation and Communications Kao Yu-shu (高玉樹), Industrial Technology Research Institute (ITRI) president Wang Chao-chen (王兆振), Telecommunications Laboratories director Kang Pao-huang (康寶煌), Executive Yuan secretary-general Fei Hua (費驊), director-general of Telecommunications Fang Hsien-chi (方賢齊) and Radio Corporation of America (RCA) Laboratories director Pan
The consensus on the Chinese Nationalist Party (KMT) chair race is that Cheng Li-wun (鄭麗文) ran a populist, ideological back-to-basics campaign and soundly defeated former Taipei mayor Hau Lung-bin (郝龍斌), the candidate backed by the big institutional players. Cheng tapped into a wave of popular enthusiasm within the KMT, while the institutional players’ get-out-the-vote abilities fell flat, suggesting their power has weakened significantly. Yet, a closer look at the race paints a more complicated picture, raising questions about some analysts’ conclusions, including my own. TURNOUT Here is a surprising statistic: Turnout was 130,678, or 39.46 percent of the 331,145 eligible party
The classic warmth of a good old-fashioned izakaya beckons you in, all cozy nooks and dark wood finishes, as tables order a third round and waiters sling tapas-sized bites and assorted — sometimes unidentifiable — skewered meats. But there’s a romantic hush about this Ximending (西門町) hotspot, with cocktails savored, plating elegant and never rushed and daters and diners lit by candlelight and chandelier. Each chair is mismatched and the assorted tables appear to be the fanciest picks from a nearby flea market. A naked sewing mannequin stands in a dimly lit corner, adorned with antique mirrors and draped foliage
The election of Cheng Li-wun (鄭麗文) as chair of the Chinese Nationalist Party (KMT) marked a triumphant return of pride in the “Chinese” in the party name. Cheng wants Taiwanese to be proud to call themselves Chinese again. The unambiguous winner was a return to the KMT ideology that formed in the early 2000s under then chairman Lien Chan (連戰) and president Ma Ying-jeou (馬英九) put into practice as far as he could, until ultimately thwarted by hundreds of thousands of protestors thronging the streets in what became known as the Sunflower movement in 2014. Cheng is an unambiguous Chinese ethnonationalist,