The tastiest parts of the human body are the breasts and the buttocks.
So says St Jerome, the church father, in his treatise Against Jovianus, in which he describes the dietary preferences of the Attacots, a tribe living in Roman Britain.
They were, of course, not alone in eating their fellow humans. All Cannibals, an exhibition at the Maison Rouge in Paris, starts with a 1593 print depicting Brazilian women and children sitting around the severed head of a man, happily munching the rest of his body.
Photo: Bloomberg
Whether this edifying scene is a case of exo- or endocannibalism, the consumption of an enemy or a deceased relative, isn’t clear.
The title of the show, which displays works by about 30 mostly contemporary artists, is a quote from anthropologist Claude Levi-Strauss: “We are all cannibals. After all, the simplest way to identify with someone is to eat him.”
Gruesome Goya
From Brazil the show jumps forward to Francisco de Goya and the morbid symbolists Odilon Redon, Felicien Rops and James Ensor. Goya appears in different guises: Next to his Caprichos, there are prints from his Disasters of War, altered by the Chapman brothers.
Saturn Devouring His Son, one of Goya’s most gruesome canvases, has morphed into two photographs: One shows an assemblage by Vik Muniz, who recreated the painting out of junk. The other is a self-portrait by the Japanese “appropriation artist” Yasumasa Morimura, who specializes in substituting faces and bodies in famous pictures with his own.
Cannibalism, we are told, is a popular theme in contemporary Japanese art. Issei Sagawa, a mentally disturbed student who killed and ate a Dutch girl in 1981, became a celebrity after he had been found legally insane and even became a food critic.
Jeanette Zwingenberger, the curator, says in the press material that she turned down works that smacked too much of gore. In fact, even the fainthearted aren’t in danger of being overcome by twinges of nausea.
Michel Journiac’s Mass for a Body, a sacrilegious performance during which he distributed sausages made with his blood, is only visible on a video. Adriana Varejao’s painting of guts spilling out of a tiled wall looks almost abstract.
DARK HUMOR
Gilles Barbier’s photomontage displaying six clones of himself butchering each other or Renato Garza Cervera’s Genuine Contemporary Beast, the skin of a tattooed man splayed on the floor like a bearskin rug, are nice examples of black humor. (Cervera has said that he was inspired by gang wars in Los Angeles.)
Much is made of the female breast and the feeding of babies. That seems far-fetched.
On the other hand, the rich world of vampires is only mentioned in passing.
If you expect a systematic and thorough examination of a fascinating subject, you’ll be disappointed. But as an introduction, the show is worth a visit.
All Cannibals is at Maison Rouge, Paris, through May 15. On the Net: www.lamaisonrouge.org
A recent report from the Environmental Management Administration of the Ministry of Environment highlights a perennial problem: illegal dumping of construction waste. In Taoyuan’s Yangmei District (楊梅) and Hsinchu’s Longtan District (龍潭) criminals leased 10,000 square meters of farmland, saying they were going to engage in horticulture. They then accepted between 40,000 and 50,000 cubic meters of construction waste from sites in northern Taiwan, charging less than the going rate for disposal, and dumped the waste concrete, tile, metal and glass onto the leased land. Taoyuan District prosecutors charged 33 individuals from seven companies with numerous violations of the law. This
What is the importance within the Chinese Nationalist Party (KMT) of the meeting between Xi Jinping (習近平), the leader Chinese Communist Party (CCP), and Cheng Li-wun (鄭麗文), the leader of the KMT? Local media is an excellent guide to determine how important — or unimportant — a news event is to the public. Taiwan has a vast online media ecosystem, and if a news item is gaining traction among readers, editors shift resources in near real time to boost coverage to meet the demand and drive up traffic. Cheng’s China trip is among the top headlines, but by no means
As mega K-pop group BTS returns to the stage after a hiatus of more than three years, one major market is conspicuously missing from its 12-month world tour: China. The omission of one of the group’s biggest fan bases comes as no surprise. In fact, just the opposite would have been huge news. China has blocked most South Korean entertainment since 2016 under an unofficial ban that also restricts movies and the country’s popular TV dramas. For some Chinese, that means flying to Seoul to see their favorite groups perform — as many were expected to do for three shows opening
Apr. 13 to Apr. 19 From 17th-century royalty and Presbyterian missionaries to White Terror victims, cultural figures and industrialists, Nanshan Public Cemetery (南山公墓) sprawls across 95 hectares, guarding four centuries of Taiwan’s history. Current estimates show more than 60,000 graves, the earliest dating to 1642. Besides individual tombs, there are also hundreds of family plots, one of which is said to contain around 1,000 remains. As the cemetery occupies valuable land in the heart of Tainan, the government in 2018 began asking families to relocate the graves to make way for development. That
RSS