After a three-month hiatus, the National Palace Museum’s New Melody (故宮新韻) series of performances is back, this time with an innovative offering from the Comedians Workshop (相聲瓦舍) showcasing the Chinese art of cross-talk (相聲), a type of stand-up comedy. Titled Another Village: Comedians Workshop’s Treasure Trove (又一村：瓦舍多寶閣), the program is divided into two sections, the first an adaptation of the workshop’s established repertoire, the second an original work created for New Melody.
Another Village follows performances of a condensed version of The Palace of Eternal Youth (長生殿) by Lanting Kun Opera Company (蘭庭崑劇團) and episodes from Journey to the West (西遊記) by Li-Yuan Peking Opera Theatre (台北新劇團), both of which received positive responses from audiences, said Josephine Chu (朱惠良), director of the museum’s Department of Education Programs (教育展資處).
The Comedians Workshop’s program departs from the series’ theatrical format, and while the new approach has many advantages, including versatility, not to mention reduced costs, the lack of a theatrical spectacle is a risk.
With its emphasis on verbal dexterity, jokes and improvisations on topical events, the art of cross-talk developed out of storytelling traditions, and deserves to stand alongside opera as one of Chinese culture’s great achievements. It does, nevertheless, provide very little to look at, lacking the elaborate costumes or intricate movements of opera.
This paper praised the museum for providing subtitles of a reasonable quality that gave a level of accessibility not normally available to foreign audiences of Chinese opera for the previous two productions in the series. In Another Village, as with all cross-talk performances, the complexity and speed of the dialogue reduces the effectiveness of subtitles. An introduction to the performance in English and Japanese is provided in a brochure.
Comedians Workshop founder Feng Yi-gang (馮翊綱) said the National Palace Museum performances are a first for the 20-year-old troupe. The show was written specifically for the museum with broadening cross-talk’s appeal in mind. The second segment, which relates the Japanese story of Rashomon, includes some fancy dress elements.
One of New Melody’s provisos is that all the performances should relate in some way to items held in the museum’s collection. In the case of The Palace of Eternal Youth it was a painting; for Journey to the West an illustrated book. For an Aboriginal performance scheduled for July, it will be the collection of Qing Dynasty documents relating to Aboriginal peoples in Taiwan.
With cross-talk, the reference to the collection is more direct, but as of the first show, shoehorning these references into the comic dialogue was often labored.
Feng said that the troupe was still honing its production to meet the unique needs of the New Melody series. The versatility of the format will allow the show to reference any variety of items that the museum has on display, which makes realizing the educational goal of the series a little easier.
“These shows are part of a much larger educational program,” Chu said. “People can see the shows, and then perhaps look at the actual items related to the show, or participate in the many related activities that we host, whether it be serious lectures or family DIY workshops.”
Another Village: Comedians Workshops’ Treasure Trove takes place at the National Palace Museum Auditorium (行政大樓文會堂) every Wednesday from 2:30pm to 4pm until June 23. Admission is free. Online reservations for places at the performance, lectures and workshops can be made at tech2.npm.gov.tw/signup/frontend/index.asp.
A recent report from the Environmental Management Administration of the Ministry of Environment highlights a perennial problem: illegal dumping of construction waste. In Taoyuan’s Yangmei District (楊梅) and Hsinchu’s Longtan District (龍潭) criminals leased 10,000 square meters of farmland, saying they were going to engage in horticulture. They then accepted between 40,000 and 50,000 cubic meters of construction waste from sites in northern Taiwan, charging less than the going rate for disposal, and dumped the waste concrete, tile, metal and glass onto the leased land. Taoyuan District prosecutors charged 33 individuals from seven companies with numerous violations of the law. This
As mega K-pop group BTS returns to the stage after a hiatus of more than three years, one major market is conspicuously missing from its 12-month world tour: China. The omission of one of the group’s biggest fan bases comes as no surprise. In fact, just the opposite would have been huge news. China has blocked most South Korean entertainment since 2016 under an unofficial ban that also restricts movies and the country’s popular TV dramas. For some Chinese, that means flying to Seoul to see their favorite groups perform — as many were expected to do for three shows opening
What is the importance within the Chinese Nationalist Party (KMT) of the meeting between Xi Jinping (習近平), the leader Chinese Communist Party (CCP), and Cheng Li-wun (鄭麗文), the leader of the KMT? Local media is an excellent guide to determine how important — or unimportant — a news event is to the public. Taiwan has a vast online media ecosystem, and if a news item is gaining traction among readers, editors shift resources in near real time to boost coverage to meet the demand and drive up traffic. Cheng’s China trip is among the top headlines, but by no means
Apr. 13 to Apr. 19 From 17th-century royalty and Presbyterian missionaries to White Terror victims, cultural figures and industrialists, Nanshan Public Cemetery (南山公墓) sprawls across 95 hectares, guarding four centuries of Taiwan’s history. Current estimates show more than 60,000 graves, the earliest dating to 1642. Besides individual tombs, there are also hundreds of family plots, one of which is said to contain around 1,000 remains. As the cemetery occupies valuable land in the heart of Tainan, the government in 2018 began asking families to relocate the graves to make way for development. That
RSS