In Taiwan, the term “quality idol” (優質偶像) (referring to someone who is good-looking, talented, has a good education, and is almost too good to be an entertainer) usually summons up images of Wang Leehom (王力宏). Now, another name is set to join the ranks of the quality idols: William Wei Li-an (韋禮安).
Winner of the first season of the now-defunct music show Happy Sunday (快樂星期天), Wei entered the public eye just before the One Million Star (超級星光大道) reality talent show started churning out its own torrent of minor celebrities. As one of the first of this current batch of TV-created idols, Wei will present a themed evening entitled Climbing the Wall to Become an Idol (爬上這牆當偶像), in which he will pay tribute to the different generations of idols in pop history. Wei will perform songs by Taiwanese idol Jimmy Lin (林志穎) and Usher, in addition to tunes he wrote himself.
With his matinee idol good looks and as a bona fide singer-songwriter, Wei captured the admiration of many fans upon his television debut in 2006. After his Happy Sunday triumph, Wei avoided the conventional route of immediately releasing an album, opting instead to return to his studies at National Taiwan University. He has spent the past two years performing at live house venues, writing songs for the likes of Rene Liu (劉若英) and Angela Chang (張韶涵), and releasing his first EP Waiting Slowly (慢慢等) in March this year.
In a phone interview, Wei explained his decision to put his career on hold: “I was exhausted after the half year in competition. It was both the stress and the attention. I wanted a break.”
Wei said he managed to return to a normal life quite quickly as he did not go out of his way to be recognized. “I think all the packaging for an idol can make them very vulnerable and they can break easily,” he said. “I wanted to build a firm foundation [before embarking on a full career].”
Wei’s period of hibernation will soon end. His compositions on the indie music site tw.streetvoice.com have for the past two years ranked in the top 10. Waiting Slowly, the title track from his EP, debuted at No. 2 on www.kkbox.com.tw without much promotion. Wei is scheduled to release his first full-length album during the Lunar New Year holiday.
Audiences can expect songs that ride high on emotionally poignant lyrics and infectious melodies, the hallmarks of Wei’s music.
“I enjoy pop and lean towards music that is melody driven. My music has broadened from early emotional experience to observation of social events these days.”
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she