It's the end of the year and the Taipei Times looks back at some great art moments and peers into its crystal ball to predict five up-and-coming artists/trends to watch out for. In keeping with the festive season, we'll count down like it's New Year's Eve:
5. Tseng Yu-chin (曾御欽) had his video work displayed at Germany's prestigious Documenta exhibition this summer. What was noteworthy was that he was not filling any quotas or participating in a national presentation. Rather he was included because he's an exceptional artist ready to participate at an international level. He recently embarked on a six-month art residency in New York.
4. Sean Hu Chao-sheng (胡朝聖). Okay, he's not an artist. He's a curator. His first experience was with land art and he's curated some notable exhibitions this year such as Lin Chuan-Chu's (林銓居) rice field/painting studio in Dazhi, Fashion Accidentally at Taipei MOCA and Very Fun Park in Taipei's East District (東區). What is remarkable about Hu's curatorship is his inclusiveness. He does not only invite ethnic Taiwanese for his exhibitions, which most Taiwanese curators tend to do, he includes artists and designers from various ethnicities, gender identifications and art practices to participate. Other curators, should take note.
PHOTO: SUSAN KENDZULAK
3. One of the best works created this year was by Yao Jui-chung (姚瑞中). Yao is no novice as he's already exhibited at the Venice Biennale, plus numerous other exhibitions. He's also known for curating shows and having authored several books. But the video he made where he's slowly goose-stepping about the CKS Statue Park in Tashi (大溪) Township, Taoyuan County, hits the bull's-eye. In this age of "desinicization," Yao's mockery of statues and idols is timely, comical and a tad visionary.
2. Number two is not an artist, nor a curator, but rather the notable status of the equality of women in Taiwan's art institutions: Lin Mun-lee (林曼麗) is director of the National Palace Museum; Lai Hsiang-ling (賴香伶) is coming to the end of her two-year contract with Taipei MOCA; Hsieh Hsiou-yun (謝小韞) is director of the Taipei Fine Arts Museum and Ava Hsueh (薛保瑕) is director of the National Taiwan Museum in Taichung.
1. Hands down! Our big winner for the year, undoubtedly, is Kuo I-chen (郭奕臣). Kuo seamlessly merges high-tech gadgetry with profound metaphysical concerns making him stand apart in Taiwan's contemporary art scene. He got off to a running start by first exhibiting at 2004's Taipei Biennial, when he was just a student, well, a grad student. This summer his participation in Thermocline: New Asian Waves at ZKM in Karlsruhe, Germany, brought him acclaim. The Centre Pompidou has bought his work for its collection. In October, he had four simultaneous exhibitions that featured work showing a destroyed earth but which demonstrated humanity's hope for survival. Meanwhile, international curators are flocking to his studio. The art world will have to wait, however, as Kuo just started his military service.
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality
The People’s Republic of China (PRC) invaded Vietnam in 1979, following a year of increasingly tense relations between the two states. Beijing viewed Vietnam’s close relations with Soviet Russia as a threat. One of the pretexts it used was the alleged mistreatment of the ethnic Chinese in Vietnam. Tension between the ethnic Chinese and governments in Vietnam had been ongoing for decades. The French used to play off the Vietnamese against the Chinese as a divide-and-rule strategy. The Saigon government in 1956 compelled all Vietnam-born Chinese to adopt Vietnamese citizenship. It also banned them from 11 trades they had previously
In the 2010s, the Communist Party of China (CCP) began cracking down on Christian churches. Media reports said at the time that various versions of Protestant Christianity were likely the fastest growing religions in the People’s Republic of China (PRC). The crackdown was part of a campaign that in turn was part of a larger movement to bring religion under party control. For the Protestant churches, “the government’s aim has been to force all churches into the state-controlled organization,” according to a 2023 article in Christianity Today. That piece was centered on Wang Yi (王怡), the fiery, charismatic pastor of the
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful