John Lynch was in Spain tour-managing a singer when someone played a song by Yndi Halda, a post-rock band he'd never heard of before. The music blew him away, and he imagined the group must have been from somewhere really obscure in America. No, the man said, the band was from Canterbury.
"I thought: 'I'm in Spain and I'm hearing a British band that are amazing.' It was shocking to me that I hadn't heard about them or they weren't in the press or anything," said Lynch, now Yndi Halda's manager. "I found it very frustrating that there was a group that was so talented [but] that didn't have a big presence yet."
Yndi Halda - pronounced YIN-dee hal-DAR - needed no such introduction when they played at the recent Formoz Festival 2007 (野台開唱). Band members, all university students aged 21 to 22, estimated they had performed in front of 1,200 people at the concert. A spokeswoman for event organizer TRA Records said as many as 10,000 people saw them play, a rough figure she calculated by dividing the number of entrances to the festival by the number of stages. Local indie music trendsetter Loou Wang (王聖懷) has sold 1,000 copies of their EP Enjoy Eternal Bliss through his Avante Garden Records, compared with the band's US sales of 5,000 units and around 1,500 in Japan.
PHOTO: COURTESY OF LEANNE POWELL
Sonic boom
PHOTO: HU SHUN-HSIANG, TAIPEI TIMES
The reception bands like Yndi Halda received at this year's Formoz would have been impossible even a few years ago - before Youtube, blogs and social networking sites like Myspace and Facebook helped put fans in direct contact with musicians - because these are bands that would never get air time on stations like Hito Radio or ICRT, much less shelf space at major music-sellers like Rose Records.
"I think that so much of the success that we're starting to get is because of the Internet," said drummer Oliver Newton. He noted his band, a rising star in the post-rock scene, still gets little press in print journalism and no radio coverage. "Previously we would not have made it out here, and I doubt we would have toured Europe because everything depended on the radio." But now, he said, "You get people in [the] deepest rain forest in South America adding us on Myspace."
Yndi Halda is accustomed to playing for crowds of a few dozen, sometimes a few hundred people. Before Formoz their largest audience numbered 600; the smallest was two homeless Frenchmen and a dog in a La Rochelle bar. Nothing could have prepared them for the panorama that greeted them when they took the stage at Formoz: thousands of screaming, sardine-packed Taiwanese fans, many of whom were intimately familiar with their music.
PHOTO: HU SHUN-HSIANG, TAIPEI TIMES
"You had goose bumps," said Yndi Halda guitarist James Vella. "It was the best feeling in the world. You walk out on stage and it's so surreal," said band-mate Brendan Grieve. "I mean, when I walk out on stage, I don't really look. When I tuned my bass up, by the time I look up, I'm like, 'What?' I'm just, 'Whoa!'"
Formoz only pays its headliners, so Avante Garden's Wang told Yndi Halda not to go. "It was going to cost them US$4,000. It's a bad business decision," he said. "But they're young. They didn't listen." Defying Wang's expectations, Yndi Halda turned a profit from their Taiwan trip, selling every single T-shirt, CD and LP they brought with them. "As we finished playing … there was this queue for the [autograph] signing that went all the way down the hill," said Vella. "It was completely mind-blowing. … I had no idea that that would be the reaction."
If Yndi Halda has benefited from the emergence of Web 2.0 - a term used to herald the second wave of the World Wide Web - US alt-rock band OK Go has mastered it. The Formoz headliners are signed to a major label (EMI) and have been well-received for their music; their single Get Over It debuted at No. 21 in the UK charts three years ago. But they've received significantly more recognition for a few low-budget music videos, especially Here It Goes Again, in which they perform a choreographed dance on eight treadmills.
The video was filmed for under US$10 with a borrowed camera. By August of last year, it had been downloaded 9 million times, according to published reports, making it the world's most downloaded music video.
"As weird as it is to be known for something like the treadmill video, it's nice to have people like something that we actually made, as opposed to feeling like they're some puppets of some big marketing plan," said OK Go singer Damian Kulash.
Unmediated experience
Yo La Tengo, who this year returned to play Formoz for the second time, formed in the 1980s and achieved fame the old-fashioned way: through concerts and coverage by the mainstream media, where critics have anointed them one of indie rock's most influential bands. But in an interview at their Taipei hotel, Yo La Tengo said they think consumers should bypass media gatekeepers and just listen to the music.
"My feeling about interviews [with reporters] is there's almost nothing that I want to talk about. I would honestly rather not do interviews. It's more interesting to listen to music and just kind of imagine what's going on," said Yo La Tengo guitarist and songwriter Ira Kaplan. "That encourages the listener to really get involved in participating and experiencing."
"I think nowadays things are way over-explained, and so to me the process of doing interviews is almost counter to what I think is good about listening to music. On the other hand, if people have questions, if people want to ask me stuff, I try to answer them. It's more about what other people want to know than what I think they should know - because I think they should know nothing."
He then corrected himself somewhat: "I didn't [mean to] say I don't like being interviewed. I don't mind being interviewed. I said that, I sort of said it, but it's nice when people want to talk to you."
Perhaps because they hail from an older generation, Yo La Tengo uses the Internet in a different way.
"We've got a Web site. But we don't keep a daily blog on it and tell people how our songs are coming on. Instead, every once in a while we write comedy," said bassist James McNew. "We don't really put that much band stuff on there. I think that tells you a lot about what kind of people we are, and what makes our songs go, and what makes us make the music we do. I think if you read between the lines you get a lot of answers, but we're not going to give them to you."
The low voter turnout for the referendum on Aug. 23 shows that many Taiwanese are apathetic about nuclear energy, but there are long-term energy stakes involved that the public needs to grasp Taiwan faces an energy trilemma: soaring AI-driven demand, pressure to cut carbon and reliance on fragile fuel imports. But the nuclear referendum on Aug. 23 showed how little this registered with voters, many of whom neither see the long game nor grasp the stakes. Volunteer referendum worker Vivian Chen (陳薇安) put it bluntly: “I’ve seen many people asking what they’re voting for when they arrive to vote. They cast their vote without even doing any research.” Imagine Taiwanese voters invited to a poker table. The bet looked simple — yes or no — yet most never showed. More than two-thirds of those
In the run-up to the referendum on re-opening Pingtung County’s Ma-anshan Nuclear Power Plant last month, the media inundated us with explainers. A favorite factoid of the international media, endlessly recycled, was that Taiwan has no energy reserves for a blockade, thus necessitating re-opening the nuclear plants. As presented by the Chinese-language CommonWealth Magazine, it runs: “According to the US Department of Commerce International Trade Administration, 97.73 percent of Taiwan’s energy is imported, and estimates are that Taiwan has only 11 days of reserves available in the event of a blockade.” This factoid is not an outright lie — that
Former Chinese Nationalist Party (KMT) chairwoman Hung Hsiu-chu’s (洪秀柱) attendance at the Chinese Communist Party’s (CPP) “Chinese People’s War of Resistance Against Japanese Aggression and the World Anti-Fascist War” parade in Beijing is infuriating, embarrassing and insulting to nearly everyone in Taiwan, and Taiwan’s friends and allies. She is also ripping off bandages and pouring salt into old wounds. In the process she managed to tie both the KMT and the Democratic Progressive Party (DPP) into uncomfortable knots. The KMT continues to honor their heroic fighters, who defended China against the invading Japanese Empire, which inflicted unimaginable horrors on the
Sitting on a bus bound for Heping Island (和平島), at the start of my first visit to Keelung in years, I was hell-bent on visiting a place of considerable historical interest, even though I knew that it wasn’t officially open to the public. In 2011, archaeologists working in the densely populated southern half of the island unearthed the foundations of the Convento de Todos los Santos (Convent of All Saints, 諸聖教堂), a Catholic house of worship established during Spain’s 1624-1642 occupation of northern Taiwan. I’d heard about its rediscovery a while ago, but it wasn’t until I read a scholarly
RSS