Fri, Jun 08, 2007 - Page 13 News List

Return to the music

While alternative sounds are once again prominent at this year's Golden Melody Awards, many pundits believe the competition will maintain the balance of power between the alternative and the mainstream unless the event itself undergoes a structural change

By Ho Yi  /  STAFF REPORTER

Folk rock outfit Sodagreen is expected to win big at this years' Golden Melody Awards.

PHOTO: TAIPEI TIMES

It's another gloomy year for heavyweight pop idols as alternative music once again predominates over the mainstream on the nomination lists for the 18th Golden Melody Awards (金曲獎), which are scheduled to take place at Taipei Arena (台北巨蛋) next Saturday. With folk rock outfit Sodagreen (蘇打綠) garnering the most nominations (Best Album, Best Band, Best Producer, Best Lyricist, Best Songwriter and Best Composer categories), followed by Hakka musician Lin Sheng-xiang (林生祥) with six and singer/songwriter Deserts Chang (張懸) with four, the annual music event seems to reaffirm musical quality rather than pandering to popular taste, in theory at least.

The shift is most evident in the Best Mandarin Album category that sends Jolin Tsai's (蔡依林) Dancing Diva (舞孃) up against indie productions such as Sodagreen's Microcosmos (小宇宙), Deserts Chang's My Life Will and Blue in Love by Puyuma duo Hao-en (昊恩) and Jiajia (家家).

While the presence of alternative music is clearly felt in most categories, the Mandarin performer nominations are nevertheless dominated by pop acts. Six-time nominee David Tao (陶吉吉) is vying for the Best Mandarin Male Singer trophy with a younger generation of pop idols including Ken Wu (吳克群), Gary Tsao (曹格) and Lin Jun-jie (林俊傑), who won the title of Best Mandarin Newcomer in 2004. As for the female leads, teen idols Jolin Tsai and Angela Chang (張紹涵) face fierce competition from veteran Hong Kong singer Sandy Lam (林憶蓮) and eight-time nominee A-mei (張惠妹) along with Malaysia-born songstress Penny Tai (戴佩妮) and Taiwan's emerging jazz musician Jyotsn'a Pang (彭靖惠).

It is commonly agreed that the awards began leaning toward the alternative scene in 2000 as Luantan (亂彈) walked home with the Best Band title and the Best Mandarin Male Singer went to Puyuma musician Chen Jien-nien (陳建年).

"The emergence of indie bands and musicians was related to a change in the jury structure as more musicians, critics, producers and other professionals were on board to hand the awards to the best, not the most popular," said Jamie Won (翁嘉銘), veteran music critic and a jury member in 2000 and 2004.

His view is shared by Ho Tung-hung (何東洪), assistant professor at the department of psychology of Fu Jen Catholic University (輔仁大學) and past GMA jury member. "Unlike other music events in Asian countries that collude with record companies and the entertainment industries, the Golden Melody Awards stress the independence of musical spirit rather than bowing to the market," said Ho, though admitting that the jury members oftentimes resolve to reach a "balance" between the mainstream and the alternative.

In the eyes of Ho and Won, such problems can be eliminated if there is a permanent jury system with clear guidelines that encourage diversity in music and the awards are readjusted to reflect different music genres instead of the current language categorization.

Viewed by Ho as the application of political correctness, the linguistic classification is "backward, [and] acts as [an] affirmative action for the mainstream," said Chung She-fong (鍾適芳), director of Trees Music & Art (大大樹音樂圖像, TMC).

Both Ho and Chung agree that the current design confines non-Mandarin musicians to certain categories when they could easily become strong contenders in other major categories. "A piece of good music is a piece of good music. You can't hand the major awards to others just because, say, Lin Sheng-xiang wins the Best Hakka Singer title," said Ho, a scholar specializing in Taiwan's pop music industry.

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