Fierce competition in the sagging pop music market and the tabloids' obsession with sex and celebrity have prompted record companies to cook up increasingly elaborate schemes to garner free publicity and place their singers under the showbiz spotlight. The transgression of good taste may now be par for the course.
Last week several tabloids ran the sensational story of Singaporean singer Stephanie Sun (孫燕姿) and personnel from her record label EMI Capitol being held up at gunpoint by local guides while shooting a music video in Cairo, Egypt. Music video director Huang Chung-ping (黃中平) later clarified, however, that there were no guns present during the incident, which was just a slight disagreement over the guides' payment.
The record label changed it's side of the story from "being extorted for NT$1 million" to labeling the brouhaha a "a big misunderstanding" and Sun, currently in Singapore recovering from the ordeal, ameliorated her previous invective against the "the local villains" by lauding Egypt as a beautiful country.
Taiwan's sweetheart Lin Chih-ling (林志玲) has reached 33, an age deemed overripe for marriage by some. Rumors are doing the rounds that "ice cream" Lin has secretly gotten engaged to Scott Qiu (邱士楷), the son of a local wealthy family who made its fortune of some NT$3.5 billions selling toilets.
The star's equally glamorous mom Wu Tzu-mei (吳慈美) last week took the liberty of refuting the news but did make known her preference for Qiu over Lin's other rumored lover Jerry Yan (言承旭).
While Lin puts her love affair, or affairs, on hold and strives to make it in movies in John Woo's (吳宇森) Battle of Red Cliff (赤壁之戰), the news of Tony Leung's (梁朝偉) withdrawal from the film was made public on Monday and immediately generated intense speculation.
The official reason: Leung has made other business commitments and can't be fully commit to the six-month long shoot in China. The other version: Leung asked for too much money and was replaced with Takeshi Kaneshiro (金城武) who was willing to settle for less money.
The story doesn't end there, however, as many in the showbiz firmament believe the 44-year-old heartthrob ditched the project to prevent IT tycoon Terry Gou (郭台銘) getting his hands on his girlfriend Carina Lau (劉嘉玲).
Record company ALFA Music (阿爾發音樂) is about to lose its biggest cash cow as its seven-year long contract with Jay Chou (周杰倫) expires this month. Desperate to keep the gold mine that is estimated to have brought in over NT$1 billion in profits over the past three years, ALFA has warned other big labels that it has first dibs on extending the contract with the king of Mando-pop.
However, on the other side of the town, the soon-to-be-free star has already procured himself a 200-ping luxurious office and looks set to launch his own empire. A troupe of investors including Sony BMG and Hong Kong entertainment tycoon Peter Lam (林建岳) have promised to back the golden boy.
The primaries for this year’s nine-in-one local elections in November began early in this election cycle, starting last autumn. The local press has been full of tales of intrigue, betrayal, infighting and drama going back to the summer of 2024. This is not widely covered in the English-language press, and the nine-in-one elections are not well understood. The nine-in-one elections refer to the nine levels of local governments that go to the ballot, from the neighborhood and village borough chief level on up to the city mayor and county commissioner level. The main focus is on the 22 special municipality
The People’s Republic of China (PRC) invaded Vietnam in 1979, following a year of increasingly tense relations between the two states. Beijing viewed Vietnam’s close relations with Soviet Russia as a threat. One of the pretexts it used was the alleged mistreatment of the ethnic Chinese in Vietnam. Tension between the ethnic Chinese and governments in Vietnam had been ongoing for decades. The French used to play off the Vietnamese against the Chinese as a divide-and-rule strategy. The Saigon government in 1956 compelled all Vietnam-born Chinese to adopt Vietnamese citizenship. It also banned them from 11 trades they had previously
Hsu Pu-liao (許不了) never lived to see the premiere of his most successful film, The Clown and the Swan (小丑與天鵝, 1985). The movie, which starred Hsu, the “Taiwanese Charlie Chaplin,” outgrossed Jackie Chan’s Heart of Dragon (龍的心), earning NT$9.2 million at the local box office. Forty years after its premiere, the film has become the Taiwan Film and Audiovisual Institute’s (TFAI) 100th restoration. “It is the only one of Hsu’s films whose original negative survived,” says director Kevin Chu (朱延平), one of Taiwan’s most commercially successful
Jan. 12 to Jan. 18 At the start of an Indigenous heritage tour of Beitou District (北投) in Taipei, I was handed a sheet of paper titled Ritual Song for the Various Peoples of Tamsui (淡水各社祭祀歌). The lyrics were in Chinese with no literal meaning, accompanied by romanized pronunciation that sounded closer to Hoklo (commonly known as Taiwanese) than any Indigenous language. The translation explained that the song offered food and drink to one’s ancestors and wished for a bountiful harvest and deer hunting season. The program moved through sites related to the Ketagalan, a collective term for the
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