If you're city-bound this summer, there are several refreshing art exhibitions to excite, soothe or even shock you. The works on view range from the lighthearted to the digitally interactive to outrageous performance art. In the exhibitions we see several art stereotypes: the professorial artist didactically telling his viewers about color theory; women as nurturers trying to give back to their communities; and the rock ‘n’ roll burnout artist.
Singing in Your Brain is Tsao Hsun-chih's (曹訓誌) first solo exhibition. He has four projects on display and takes a playful approach to dense color theory and ideas regarding perception.
The first work is a video of a woman singing the well-known Happy Birthday song, except there is no sound coming from her mouth. On seeing her mouth move, the viewer mentally fills in the melody. Tsao says suggestion is quite overpowering to the senses and that even though we use these faculties, we often do not pay much attention to them. Focusing on how our minds can fill in melodies or perceive color and sensations is a lot like “singing in one's brain.” In another room, Tsao uses two wall-sized projections to illustrate that point. In one, an optical illusion occurs as multicolored pixels seem to fill the screen, but the video was made with only two colors, red and green, and the mind is tricked into perceiving purple, yellow, orange, white, and gray.
PHOTOS: SUSAN KENDZULAK
Over at the Taipei Cultural Center is a small exhibition organized by Taipei Artist Village director, Su Yao-hua (蘇瑤華). Titled Women in Taipei it brings together three female artists who try to include community, family and place in their art. Hsu Chia-jung (許嘉容), the only featured artist to live in Taipei, uses her personal family photos to construct three-dimensional mannequins. Using transparent positive film, she stitches the snaps together and uses a light bulb placed inside the mannequin to create a glowing image.
Thai artist Teerawat Mulvilai exhibits the private journals of Southeast Asian women who have made Taiwan their home, while American Lexa Walsh exhibits her Immortalization Project in which she collects nostalgic objects from people and then conducts interviews to examine sentimental attachment. This modus operandi has become a trend at the Taipei Artist Village where visiting artists from around the world exchange personal mementoes with members of the local community.
In addition to the exhibition at the Cultural Center, the Taipei Artist Village runs a schedule of art, dance and performance programs that change monthly according to which artists are in residency at any given time. The artist village has a pleasant cafe with fresh baked goods so one can take a peaceful rest between gallery rounds.
At IT Park, performance artist Cheng Shih-chun (鄭詩雋) has become a transgressive rock star. Photos of a previous event show passers-by stamping out cigarettes into a heart shape drawn on his upper arm as if to say love hurts. To further make his point, photo lightboxes glow brightly where the embers burned his skin. A drum kit, guitars and amps are strewn throughout the gallery. This is no commercial exhibition, as sex toys, cash, and butts are the detritus of the painful and difficult passage of adolescence into adulthood.
Exhibition notes:
What: Singing in My Brain by Tsao Hsun-chih (曹訓誌)
Where: Sly Art Gallery, Lane 11, 15-2 Zhongshan Rd N Sec 2, (台北市中山北路二段11巷15-2號1樓)
When: Until Aug. 27What: Women in Taipei
Where: Taipei Cultural Center, Exhibition Room 3, (台北市立社教館第三展覽室2F), 2F, 25 Bade Rd Sec 3, Taipei (台北市八德路3段25號)
When: Until Aug. 31What: Cheng Shih-chun (鄭詩雋)
Where: IT Park, 2/3 F, 41 Yitong St, Taipei (台北市伊通街41號2-3摟) Tel:2507-7243
When: Tuesday to Saturday from 1:00pm to 10:00 pm; until Sept. 2
It starts out as a heartwarming clip. A young girl, clearly delighted to be in Tokyo, beams as she makes a peace sign to the camera. Seconds later, she is shoved to the ground from behind by a woman wearing a surgical mask. The assailant doesn’t skip a beat, striding out of shot of the clip filmed by the girl’s mother. This was no accidental clash of shoulders in a crowded place, but one of the most visible examples of a spate of butsukari otoko — “bumping man” — shoving incidents in Japan that experts attribute to a combination of gender
The race for New Taipei City mayor is being keenly watched, and now with the nomination of former deputy mayor of Taipei Hammer Lee (李四川) as the Chinese Nationalist Party’s (KMT) candidate, the battle lines are drawn. All polling data on the tight race mentioned in this column is from the March 12 Formosa poll. On Christmas Day 2010, Taipei County merged into one mega-metropolis of four million people, making it the nation’s largest city. The same day, the winner of the mayoral race, Eric Chu (朱立倫) of the Chinese Nationalist Party (KMT), took office and insisted on the current
When my friend invited me to take a tour of a wooden house hand-built by a Pingtung County resident, my curiosity was instantly piqued and I readily agreed to join him. If it was built by a single person, it would surely be quite small. If it was made of wood, it would surely be cramped, dingy and mildewy. If it was designed by an amateur, it would surely be irregular in shape, perhaps cobbled together from whatever material was easily available. I was wrong on all counts. As we drove up to the house in Fangliao Township (枋寮鄉), I was surprised
March 16 to March 22 Hidden for decades behind junk-filled metal shacks, trees and overgrowth, a small domed structure bearing a Buddhist swastika resurfaced last June in a Taichung alley. It was soon identified as a remnant of the 122-year-old Gokokuzan Taichuu-ji (Taichung Temple, 護國山台中寺), which was thought to have been demolished in the 1980s. In addition, a stone stele dedicated to monk Hoshu Ono, who served as abbot from 1914 to 1930, was discovered in the detritus. The temple was established in 1903 as the local center for the Soto school