In the 15 years since Germany's reunification, the capital Berlin has been a city caught up in a hurricane of change, some of it, but certainly not all positive.
Its post-Cold War dream of developing into a thriving metro-polis in the heart of Europe has, claim experienced observers, largely failed despite all the hopes placed in it becoming a buzzing European cross-roads for trade, commerce and culture.
The disappointments have been considerable. This year Berlin is wallowing in high and long-standing unemployment, with city debts put at more than 60 billion euros (US$75 billion). Long robbed of its industrial base, Berlin is seeking new ways of resolving its problems.
Renowned as a city of culture, with its three opera houses, and countless theaters and leisure facilities, and reveling in its notoriety as a free-wheeling, fun-loving city, Berlin attracts increasing numbers of international tourists every year.
Governing mayor Klaus Wowereit exploits the city's cultural fame, also its reputation as a place of naughty, saucy, titillating goings on, by encouraging show-biz personalities and big names in Hollywood to visit Berlin and make use of its many atmospheric film locations.
With Germany's big business interests solidly centered in the west and south of the country -- in Munich, Stuttgart, Frankfurt and Dusseldorf -- Wowereit sees little or no chance of Berlin ever again winning any kind of solid industrial base.
So, the city's openly gay Social Democrat mayor champions Berlin as a media city, as a Musikstadt (Music City), and movie-making haunt. His show-biz contacts have paid off in recent years.
First, Universal Music arrived in Berlin in 2001 to convert a huge cold-storage egg-house into a glossy HQ for its expanded German and eastern activities, followed by MTV, the world's biggest music broadcaster, which transformed city warehouse facilities into a plush new seat for its "Central and Emerging European Market"
operations.
Berlin's music economy is currently booming. Hundreds of music-scene bars, discotheques, clubs and lounges can be found in Berlin -- many of them in Friedrichshain and trendy Prenzlauer Berg, both eastern city districts.
In the autumn of last year, Europe's biggest music-fair Popkomm was staged in the German capital for the first time.
With Universal Music and Sony active in Berlin, and recording giants like BMG and EMI also strongly represented in the city, it is hardly surprising that economic muscle is given to the city's show-biz scene.
Currently, Berlin's music industry employs some 5,200 workers in more than 700 outlets. Total annual turnover reached 924 million euros (US$1.1 billlion) in 2002, close on 35 per cent more than the 2001 figure.
During Berlin's post-war division little or no progress was made on finding a new role for the collection of old and decaying waterfront properties in the eastern (communist) half of the city, whereas elsewhere in Europe -- notably in London -- new business strategies for waterfront sites were under discussion as early as the 1960s and early 1970s.
By the 1980s, Fleet Street in London had lost its role as a production center for Britain's national newspapers, when new, cost-saving plants, were constructed in London's former docks area in Wapping and Canary Wharf.
Not that Germany's media industry is contemplating a similar such operation in Osthafen, although the city's popular Spree River (Radio) studios are to be found along the waterfront.
US artist Jonathon Borofski's arresting 30m-high mid- river sculpture Molecule Man also vies for tourist attention, while nearby is the "Spree River Bathing Ship."
Dozens of dance and entertainment facilities stud this side of the river -- many of them in close proximity to the riverside Arena, Berlin's biggest rock and pop concert hall with a capacity of 7,500 in south-east Treptow.
Little wonder, then, that the talk is of "Musikstadt Berlin" these days.
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and