Previously unpublished letters by Albert Einstein to a Japanese pen pal show the physicist to be defensive over the atomic bombings of Hiroshima and Nagasaki which became possible partly through his genius.
The widow of Seiei Shinohara, a philosopher and German-Japanese translator who corresponded with Einstein in the last years of the scientist's life, has chosen to go public with the letters on the 60th anniversary of the world's only nuclear attacks.
Einstein's opposition to nuclear warfare has already been documented, but his letters to Shinohara also show him defending himself on a personal level and trying to reconcile his pacifism.
PHOTO: AFP
The correspondence began in 1953 when Shinohara sent a letter to Einstein criticizing the physicist over his role in developing nuclear weapons.
Einstein responded by hand on the back of the typed letter, beginning his rebuttal without bothering to offer greetings.
"I have always condemned the use of the atomic bomb against Japan but I could not do anything at all to prevent that fateful decision," Einstein wrote in German to Shinohara in a letter dated June 23, 1953.
This year marks the centennial of Einstein's theory of relativity. He argued that distance and time are not absolute, leading to his most famous formula, E=mc2, which was essential for the development of the atomic bombs dropped on Japan by the US.
The Hiroshima bombing killed around 140,000 people -- almost half the city population of the time -- immediately or in the months afterward from radiation injuries or horrific burns.
More than 70,000 more people died three days later in the bombing of Nagasaki. After six days Emperor Hirohito went on the radio for the first time to announce the surrender of Japan, which since the war has campaigned to abolish nuclear weapons.
"The only consolation, it seems to me, in the development of nuclear bombs is that this time the deterrent effect will prevail and the development of international security will accelerate," Einstein wrote in another letter.
`Convinced pacifist'
But Einstein, whose Jewish origins led him to flee Germany in 1933 for the US after Adolf Hitler came to power, also said that war was sometimes acceptable.
"I didn't write that I was an absolute pacifist but that I have always been a convinced pacifist. That means there are circumstances in which in my opinion it is necessary to use force," he wrote.
"Such a case would be when I face an opponent whose unconditional aim is to destroy me and my people," he said. "Therefore the use of force against Nazi Germany was in my opinion justified and necessary."
Shinohara, who studied philosophy in Germany before returning to Tokyo in 1947, died of a stroke in 2001 at age 89. His letters have since been kept in private by his widow, Nobuko Shinohara.
The correspondence ended in July 1954, a year before Einstein died, dashing Shinohara's dream to meet the physicist face to face.
"My husband first sent the letter with anger and I guess Dr Einstein replied with annoyance," said Shinohara, 80.
"But later Dr Einstein and my husband formed a friendship through exchanging letters," she said.
She noted that this year was designated as "Einstein Year" to mark the 100th anniversary of three of the physicist's four papers that changed the way we view the universe.
"I decided to look for a suitable museum to display the letters in public because I reached a conclusion that it's good for a lot of people to have a chance of seeing them directly," Shinohara said.
"I hope to donate the letters soon because this year is a remarkable year -- the 60th anniversary of the atomic bombs and the end of World War II," she said.
"I think his letters are a great message from Dr Einstein to everybody in modern times as we are still struggling to reduce nuclear weapons."
The couple sent a Japanese doll and traditional pictures to Einstein while receiving in return his black-and-white photograph with his autograph.
"My husband repeatedly told me he really missed Dr Einstein after his death," Shinohara said. "He told me there were a lot of other things to discuss with Dr Einstein."
Several museums have already made requests seeking the letters for their collections, according to Yutaka Sakuma, a lawyer handling the papers.
Last week the government announced that by year’s end Taiwan will have the highest density of anti-ship missiles in the world. Its inventory could exceed 1,400, or enough for the opening two hours of an invasion from the People’s Republic of China (PRC). Snark aside, it sounds impressive. But an important piece is missing. Lost in all the “dialogues” and “debates” and “discussions” whose sole purpose is simply to dawdle and delay is what the Chinese Nationalist Party (KMT) alternative special defense budget proposal means for the defense of Taiwan. It is a betrayal of both Taiwan and the US. IT’S
March 16 to March 22 Hidden for decades behind junk-filled metal shacks, trees and overgrowth, a small domed structure bearing a Buddhist swastika resurfaced last June in a Taichung alley. It was soon identified as a remnant of the 122-year-old Gokokuzan Taichuu-ji (Taichung Temple, 護國山台中寺), which was thought to have been demolished in the 1980s. In addition, a stone stele dedicated to monk Hoshu Ono, who served as abbot from 1914 to 1930, was discovered in the detritus. The temple was established in 1903 as the local center for the Soto school
Paul Thomas Anderson’s “One Battle After Another” was crowned best picture at the 98th Academy Awards, handing Hollywood’s top honor to a comic, multi-generational American saga of political resistance. The ceremony Sunday, which also saw Michael B. Jordan win best actor and “Sinners” cinematographer Autumn Durald Arkapaw make Oscar history as the first female director of photography to win the award, was a long-in-coming coronation for Anderson, a San Fernando Valley native who made his first short at age 18 and has been one of America’s most lionized filmmakers for decades. Before Sunday, Anderson had never won an Oscar. But “One Battle
In Kaohsiung’s Indigenous People’s Park (原住民主題公園), the dance group Push Hands is training. All its members are from Taiwan’s indigenous community, but their vibe is closer to that of a modern, urban hip-hop posse. MIXING CULTURES “The name Push Hands comes from the idea of pushing away tradition to expand our culture,” says Ljakuon (洪濬嚴), the 44-year-old founder and main teacher of the dance group. This is what makes Push Hands unique: while retaining their Aboriginal roots, and even reconnecting with them, they are adamant about doing something modern. Ljakuon started the group 20 years ago, initially with the sole intention of doing hip-hop dancing.